The first of their Stadium House Trilogy, it is an edit of this Live At Trancentral mix that appears on the album. The single was their first hit under the KLF moniker and reached No.5 in the UK in July 1990. Top 100 Album-Jahrescharts". GfK Entertainment (in German). offiziellecharts.de . Retrieved 14 October 2020. This could be more evidence that Banksy WAS in Liverpool last week​ Another artwork find is adding to the rumours that the world famous street artist was in the city​ Liam Thorp Mixed at Lillie Yard except A1 mixed at The Townhouse, London and A3 mixed at The Manor, Oxfordshire.

The White Room is the fourth and final studio album by British electronic music group The KLF, released on 3 March 1991. The album features versions of the band's hit singles, including " What Time Is Love?", " 3 a.m. Eternal", and " Last Train to Trancentral". Cauty, Cressida (August 1989). "KLF Info Sheet 6". KLF Communications. Archived (via the Library of Mu) on 16 September 2016. Wikipedia:WikiProject The KLF/LibraryOfMu/506 Cinquemani, Sal (2 November 2002). "Review: The KLF, The White Room". Slant Magazine . Retrieved 16 November 2015. Offiziellecharts.de – The KLF – The White Room" (in German). GfK Entertainment Charts. Retrieved 28 July 2016. Subsidised with the proceeds of an 80s novelty hit, the eccentricities, the vision and ambition of KLF, combined with their taste for acid house and anarchy, resulted in The White Room, one of the finest dance-pop albums of the 90s… The KLF The White Room cover

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The crowd noise (itself a sample taken from U2’s Rattle & Hum to convey the false impression of being a live album) dissipates to welcome a soaring vocal from Maxine Harvey which itself gives way to pounding beats, squelching synths and a saxophone solo from Duy Khiem – all hallmarks of the classic acid house sound. It has a total playing time printed of 45:05, but in reality it's only 43:54. It lists 9 songs, but only has 8 indexed. a b Fox, Marisa (9 August 1991). "The White Room". Entertainment Weekly . Retrieved 23 August 2009. Longmire, Ernie; etal. (2020) [1998]. "Discography: The KLF (including The JAMS, The Timelords, 2K etc.)". Archived from the original on 29 February 2020. After putting the work safely in their car, the couple then went for tea at Leaf in Bold Street, where coincidentally they were sat next to KLF member Jimmy Cauty.

Shade, Chris (2006). "The KLF: The White Room". In Dimery, Robert (ed.). 1001 Albums You Must Hear Before You Die. Universe Publishing. p.672. ISBN 978-0-7893-1371-3. As had been the case with What Time Is Love?, 3 A.M. Eternal was originally a Pure Trance 12″ single released in 1989, before being reworked as the second instalment of their Stadium House Trilogy in 1991. It is an edit of this version that was included on The White Room.It would be just the type of thing for the KLF to do to leave something like that lying around - and I know that Jimmy Cauty has worked with Banksy before” (the two worked together on Banksy’s Dismaland attraction in attraction at Weston-super-Mare.) They would have a fan following that could put them in the Top 20 but I was thinking, that’s not a real Top 20 record, that’s just your cult following buying it in a week and I’m not interested in that. I wanted to know that the records we’re making were touching vast amounts of people. That was incredibly important.” a b Beaumont-Thomas, Ben (1 January 2021). "The KLF reissue music for first time since 1992". The Guardian . Retrieved 2 January 2021. It also has the single mix of 'Last Train To Trancentral' instead of the mellower UK album version, edits 'No More Tears' down from 9:24 to 6:42, and adds a little more wind noise at the end of the closing 'Justified And Ancient'.