is new here. I also want to add, for the sake of all the other guys in the classroom, that Rachel is not theirs. She’s mine. But I don’t say anything. I don’t have to, because the only one who needs to be aware that I want Rachel is Rachel. She looks at me and smiles again, taking the only empty seat, all the way across the room. Her eyes tell me she already knows she’s mine. It’s just a matter of time. I want to text Ian and tell her she isn’t hot. I want to tell him she’s volcanic, but he would laugh at that. Instead, I discreetly take a picture of her from where I’m seated. I send the picture in a message to Ian that says, “She’s gonna have all my babies.” Mr. Clayton begins class. Miles Archer becomes obsessed. ••• I met Rachel on Monday. It’s Friday. I’ve said nothing to her since the day we met. I don’t know why. We have three classes together. Every time I see her, she smiles at me like she wants me to talk to her. Every time I work up the courage, I talk myself down. I used to be confident. Then Rachel happened. I gave myself until today. If I didn’t work up the courage

andom guy: Tate, you want to have sex? e: Sure. Let me finish up with these two guys, and I’ll be right over. By the way, I don’t have any rules, so anything goes. andom guy: Awesome. This chapter follows the perspective of Tate Collins as she moves into her brother’s apartment building. The story is told in the first person point-of-view, and it is written in the present tense. This is a great choice because it allows the reader to connect with Tate on a deeper level. 4. CHARACTER: Which character should they care about most? I push the button for the elevator,” he says. “I don’t think there’s an official title for my position, but I like to refer to myself as a flight captain, considering I do send people as high as twenty stories up in the air.”

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orbin: Want to grab dinner? What time do you get off work? e: Ten minutes. Where at? orbin: We’re nearby. We’ll just meet you out front. We care about what happens next because we know Tate has come to San Francisco to further her nursing career. But once she meets Miles, we wonder if she’ll be able to focus on her studies now that he’s in the picture. Also, it’s clear that Miles has to heal from whatever’s causing him so much grief. If they do get together, will Miles’s inner obstacle sabotage the relationship? We don’t want Tate or Miles to get hurt because we care about them from the start.

Crisis: Should Tate bring Miles into the apartment, trusting Corbin's word? Or should she leave Miles outside, and risk Corbin being upset? Oh, no, you don’t.I reach beside me and cover all the buttons on the panel with my hands to hide the illuminated eighteenth-floor button, and then I press every single button between floors ten and eighteen. He glances at the panel, confused. a b "Combined Print & E-Book Fiction". The New York Times. July 28, 2013 . Retrieved December 31, 2022.It’s not that I don’t like you, Tate… I just don’t want to like you. I don’t want to like anyone. I don’t want to date anyone. I don’t want to love anyone.” This opening chapter includes one complete scene that follows Tate Collins as she moves into her brother’s apartment building. Here’s a summary of what happens: