après une profusion de lives et un Heaven an Earth trop axé sur leurs productions des années 80 ; je retrouve certaines facette du Yes que j`ai découvert en 1976 . A better equality of balance between guitar and keyboards throughout the album would have been good. The title track comes next, and it’s the longest song they’ve written since “Mind Drive” and “That, That Is” in the mid-90s.

Speaking of bonus tracks, the second disk (featuring just three more songs) does not contribute all too much to the overall experience of the album, the songs there are in the same vein as the ones on the main disk, just more forgettable and repetitive. The melody shifts around the four-minute mark to something with a little bit of grit to it, and it’s a big improvement over the saccharine first part. The group produced two versions of "Luminosity", having felt a new arrangement was needed after recording the first.Pour conclure , mon épouse qui ne supporte pas le Yes de Fragile , Tales , Relayer et préfère les opus des années 80 , 90 , n`aime pas du tout celui-ci , donc .

The pair approached the song's lyrical themes in different ways; Davison said Sherwood took on a more "technological and physical" aspect, whereby he looked at it from a metaphysical view. But let’s be honest, the Downes-Howe collaboration “Living Out Their Dream” is the worst of the six tracks. When Jon Anderson, the voice of Yes, left the band for health reasons (throat problems) after the magnificent Magnification (and its tour) in the early 21st century, fans feared that Yes would never recover from such a loss. In October 2021, the Yes line-up of guitarist Steve Howe, drummer Alan White, keyboardist Geoff Downes, lead vocalist Jon Davison, and bassist Billy Sherwood, with Jay Schellen guesting on percussion, released The Quest.Gary Graff gave a positive review for Ultimate Classic Rock, hailing the album as "even better" than The Quest with the group adopting a more aggressive and "muscular" sound. The album was released to positive reviews on CD, LP, Blu-ray, and digital platforms, with some editions containing additional artwork by long-time Yes cover artist Roger Dean. Steve Howe finally gets to play a really good, memorable solo that is flashy, smart, and not just a rip-off of one of his earlier compositions. There is some 70's vibe here and it's when things are quieter that Jon Davison's voice sounds like Jon Anderson. Despite my earlier remarks about non-equal footing, this track does in fact achieve entrance into the Yes pantheon.