All in all a classic in its own right, surely only D'Amato could get away with such a film - hunt it high and low and get hold of a copy now! Emanuelle in America is a 1977 Italian sexploitation film, the third in the Black Emanuelle series starring Laura Gemser [1] It is the second in the series to be directed by Joe D'Amato and has journalist Emanuelle investigate the production of snuff films, among other things. In her car, Emanuelle gets hijacked by Tony, who threatens to kill her because of her sexual immorality.

Craving sex, he playfully threatens to commit suicide with the gun and gets Emanuelle to postpone and have sex with him. If you are offended quiet easy then stay away from this but if you are like me and have titles in your collection like Thriller - a Cruel Picture and Ms 45, August underground's Mordum and Sinful Dwarf (xxx) version then this is for you i won't tell you anything you just need to see it. examining life as a love slave at a ranch run by a sadistic brothel master, investigating a bizarre spa for super-rich sexually frustrated women, exploring the kinky side of a straight-laced Republican politician, and finally uncovering shocking evidence of an international snuff film conspiracy. Loads of scenes of Gemser getting it on with various people, risible acting, a comical scene involving a horse, acres of tedious dialogue and a tacked-on snuff film plot which is barely worth mentioning since it doesn't go anywhere. again there is a story line and the usual Ms Gemser ridding herself of her kit but as usual falling short of delivering of potential.After a one-year engagement, Laura Gemser and Gabriele Tinti were married in 1976 during the Emanuelle in America shoot. It mirrors other late 1970s sex films that embraced horror (like the "Violent Pink" era of Nikkatsu in films like " R*pe! At the same time, resolute man standing up and eating his cake in the middle of an artistocrat’s orgy. Joe D’Amato’s headfirst dive into a depraved acid trip of retro-exoticism takes the concept of sexploitation to the absolute extreme, but it’s one that happens to be just as revolting as it is surprisingly playful.

Lastly, the always enjoyable Mondo Macabro highlight reel of upcoming and currently-available product finish off the extras. Vacationing in an island with Bill, Emanuelle gets caught by a native tribe and is to become the local chieftain's twelfth wife. Apart from having the name Emmanuelle in the title, this film has got nothing to do with the original Sylvia Kristel Emmanuelle films.Emanuelle goes into a drug trip in which she travels with him to South America and witnesses torture and rape with her own eyes. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. Ultra violence (our intrepid heroine is investigating the Snuff underground and the decadence of The Ultra Elite) and all sorts of sexual shenanigans - too many to be cataloged here. That there is a lot of nudity should come as no surprise for a D'Amato film but the first scenes are brief soft core stuff but by the end the sex scenes are hard core with a subplot about snuff movies (which goes nowhere) thrown in; and the less said about the horse scene, the better.