Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

£9.9
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Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

RRP: £99
Price: £9.9
£9.9 FREE Shipping

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Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work The new camera also features a dust and moisture resistant designand durable magnesium alloy chassis. Moreover, USB PD (Power Delivery) supports fast charging [xiv]for uninterrupted recording. Submit a valuation request and we'll provide guide prices with no delay. Plus, we'll collect your gear from your home or work for FREE. However, the FX30 offers the same design, handling, build and cinematic features at half the price. It’s also an effective and useful stills camera, where the FX3 is not. It’s true that the Sony FX3 offers some advantages over the cheaper FX30, notably for low-light shooters who have already invested in full frame Sony FE mount lenses.

Sony FX3 Full-Frame Cinema Camera - Cameras Africa Sony FX3 Full-Frame Cinema Camera - Cameras Africa

The Sony A7S III is more affordable than the FX3, and not just because it's a little older, having arrived in July 2020. Designed for the professional workflow, 16-bit RAW, S-Log3 and S-Cinetone are inspired by VENICE colourimetry and provide videographers with endless creativity when editing in post. In addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots We're very easy to find, our London store is just off Oxford Street between Oxford Circus station and Tottenham Court Road station. The Essex shop is located in High Chelmer Shopping Centre, just off the High Street in Chelmsford.The Stevenage shop is located in the Old Town, in the old Post Office with parking outside The new Sony FX30 seems to do everything the FX3 does, but at half the price! How do these cameras actually compare?To enable high-quality audio, the XLR handle unit includes two XLR/TRS audio inputs to the FX3. With an optional XLR microphone, digital audio data can be directly transferred to the camera for outstanding audio quality. Camera settings provide audio recording formats, including 4-channel 24-bit recording. Because the XLR adaptor is integrated into the handle and does not require any additional cables or batteries, it offers a stress-free setup. Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic range This means that we may soon see exactly how the two combine when Sony reveals more about its first drone soon. Sony has previously said that it'll be launching "a new business targeted for professional photography and video production in the spring of 2021", which means sometime between March and May.

Sony FX3 vs Sony A7S III: which is the best 4K camera for you? Sony FX3 vs Sony A7S III: which is the best 4K camera for you?

While those who splashed out the A7S III might feel slightly aggrieved that the FX3 has arrived just six months on, they will largely be hybrid shooters with slightly different needs. A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilization Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor But Sony says that its electronic Clear Image Zoom function –which lets you get 2x zoom with any lens by intelligently creating pixels, rather than simply cropping – is very popular with pro filmmakers, and this function will also work with the FX3's zoom lever. 4. The FX3 has cooling fans for longer record timesMax Payne 1 & 2 Remake in the “production readiness stage” while fans will have to wait longer for Control 2 The zoom lever located on the top of the grip not only controls compatible powered zoom lenses but also allows Clear Image Zoom to be also used with unpowered zoom and prime lenses with less image degradation – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control. A network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting, and streaming

FX3 Cinema Line Full-frame camera - Sony UK

No compromises have been made when designing the FX3 in terms of professional control and operability. The buttons frequently used in movie shooting such as ISO, iris, and white balance adjustment are located on the grip and on the top of the body. The design allows solo creators to control the buttons with one hand. In addition, 140 functions assignable to 15 custom keys allow for ultimate efficiency. In response to a growing need for more expressive depth, the FX3, along with FX9 and FX6 Cinema Line cameras, allows users to create a cinematic look without post-production using S-Cinetone. Based on the colour science inspired by Sony’s flagship VENICE camera, S-Cinetone delivers natural mid-tones, plus soft colours and smooth highlights that are essential to a cinematic look. But the FX3 is also potentially confusing for anyone in the market for a small, pro video camera. After all, Sony already makes one of its closest rivals, the excellent Sony A7S III. So what's the difference between the two cameras, and which should you buy? The FX3 offers an exceptional 15+ stops2 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading. Stunning bokeh and full-frame creativityWith a compact design for solo shooters, travel applications, and to serve as an ideal B cam, the Sony FX3 borrows from both the Cinema Line and Alpha series of cameras to create an optimized portable cinema camera. The FX3 features all of the imaging attributes you’d expect from this class but sports a newly designed body that’s hand-holdable, with a streamlined and minimal profile, and has a “cage-free” design, indicating the ability to secure various accessories directly to the camera body. Sony says the A7S II remains targeted at those who need a mix of video and stills, like wedding photographers who don't need to make large prints, concert photographers and astrophotographers. For those kind of shooters, the A7S III's 4K video powers are important, but the FX3 is a camera that's really built around them. Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony’s Catalyst Browse / Catalyst Prepare desktop application10 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Front and rear tally lamps

Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

The lightweight and compact full-frame camera has been designed for handheld shooting, the 715g body design is made from magnesium, allowing for excellent heat dissipation for uninterrupted 4K 60p recording. Another useful, filmmaker-friendly design feature on the FX3 are its thread holes, which effectively mean it has a built-in cage to help you turn it into a mobile video rig. Sony internal tests. USB power supply (USB-PD device, 9V/3A output), XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 77 °F (ambient, camera when recording started), Auto power: Off, Temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit).

The Sony A7S III impressed us with its ability to handle the heat generated from recording long 4K clips –in fact, we were able to shoot continuous 4K video for well in excess of 30 minutes and didn't once see an over-heating warning.



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