L'atmosfera di Venezia pervade tutto il libro, coi suoi alberghi e ristoranti di lusso, caffè dove trovare riparo dalle sferzate di vento e dall'alta marea. Baker, Carlos. (1972). Hemingway: The Writer as Artist. Princeton: Princeton UP. ISBN 978-0-691-01305-3 Kit, Borys (February 8, 2016). "Pierce Brosnan, Martin Campbell to Adapt Ernest Hemingway Novel (Exclusive)". The Hollywood Reporter . Retrieved February 9, 2016.

McNary, Dave (November 9, 2020). "Josh Hutcherson Joins Across the River and Into the Trees (Exclusive)". Variety. Archived from the original on February 24, 2021 . Retrieved February 24, 2021. Charles Oliver writes the novel shows a central Hemingway theme of "maintaining control over one's life, even in the face of terrible odds." Cantwell knows he is dying and faces death "with the dignity which he believes he has maintained throughout his military service." [13] Oliver thinks the two male characters, Cantwell and Alvarito, have an unstated understanding – both men love Renata, but Cantwell accepts and is happy to know Renata will almost certainly marry Alvarito. Within hours of dying, he says to himself: "You have said goodbye to your girl and she has said goodbye to you. That is certainly simple". [13] The theme of death is central in Hemingway's writings and his characters routinely achieve redemption at the moment of death, which can be seen as a form of existentialism. Jean-Paul Sartre believed to face death well is to live a heightened existence. [23] The latter knows he will die and accepts his fate with a fatality, without bitterness. But he takes life head-on while striving to fight against the chance that condemns him and, thus, tries to postpone the fateful date of his death, but, unfortunately, this will be the strongest. Este livro é sobre os traumas de guerra. Traumas físicos e sobretudo emocionais. É também sobre futuros perdidos, adiados ou cancelados. The Lost Generation num mundo desencantado e destroçado.Ernest Hemingway was born in 1899. His father was a doctor and he was the second of six children. Their home was at Oak Park, a Chicago suburb. Hay un relato de Hemingway en Las nieves del Kilimanjaro dónde describe un día de pesca de un hombre al que le cuesta mucho esfuerzo cada movimiento y al final se detecta que es a causa de sus heridas de guerra. En un pequeño espacio, Hemingway golpea con fuerza. Es emocionante. En Al otro lado del río y entre los árboles pinta como que buscó repetir esa misma estrategia, la del iceberg, ofrecer unos pocos signos acerca de una realidad mayor que, al intuirse, genera un efecto catártico, el problema es que se le ocurrió añadir cientos de diálogos insufribles y cursis entre el protagonista, un coronel de 50 años del ejército norteamericano, y Renata, su amante, una joven de 19 años. Historian Charles Whiting once remarked that Ernest Hemingway's novel "Across the River and Into the Trees" was "bitter, irrational, and cynical." This view was in keeping with its critical reception upon its release in 1950, which was overwhelmingly negative -- the first Hemingway novel ever to take a critical drubbing. And in truth it is not a very good novel, though like nearly everything Hemingway wrote, it contained more-than-occasional flashes of profundity and what might be called observational genius. But it seems to me that calling a Hemingway piece "bitter, irrational and cynical" is like calling a bomb heavy, noisy and destructive. It's an accurate description, but not an intelligent one. Nearly everything Hemingway ever wrote was bitter and cynical, and his characters seldom if ever acted in a rational manner: that was part, if not nearly all, of his literary signature. The flaws that cripple "Across the River" are not bitterness, cynicism or irrationality, but aimlessness and repetition. After high school, Hemingway reported for a few months for the Kansas City Star before leaving for the Italian front to enlist. In 1918, someone seriously wounded him, who returned home. His wartime experiences formed the basis for his novel A Farewell to Arms. In 1922, he married Hadley Richardson, the first of his four wives. The couple moved, and he worked as a foreign correspondent and fell under the influence of the modernist writers and artists of the expatriate community of the "lost generation" of 1920s. The last three days of Cantwell’s life are devoted to the values he holds dear—comradeship, intensity in romantic love, a sense of power, aggressiveness, and assertiveness. The values of living life to the full, loving passionately, killing cleanly, and dying courageously predominate in the work. Earlier Hemingway heroes often had a cause or at least a calling in life to which they were devoted. Cantwell, older and facing death, seems to have grown disillusioned with all causes. He expresses ambivalent attitudes about his profession of soldiering. A kind of existential hero, he attaches no mystical significance to life or death.

Grobar, Matt (March 24, 2022). " Across The River And Into The Trees: First Look At Liev Schreiber In Ernest Hemingway Drama". Deadline Hollywood . Retrieved March 24, 2022.To convey these truths, Hemingway departed from his traditional approach. In his previous novels, Hemingway treated emotions as a burden. It was a product of the plot and it was just another thing that had to be dealt with gracefully by his heroes. In For Whom the Bell Tolls, Maria had to be cared for and then pushed away by Robert Jordan for the sake of duty and the greater good. She was more of a responsibility than a great love. Kay, Jeremy (March 3, 2021). "Production wraps in Italy on The Exchange EFM sales title Across The River And Into The Trees (exclusive)". Screen International. Archived from the original on March 5, 2021 . Retrieved March 4, 2021. Terse literary style of Ernest Miller Hemingway, an American writer, ambulance driver of World War I , journalist, and expatriate in Paris during the 1920s, marks short stories and novels, such as The Sun Also Rises (1926) and The Old Man and the Sea (1952), which concern courageous, lonely characters, and he won the Nobel Prize of 1954 for literature. Liev Schreiber, Matilda De Angelis, Josh Hutcherson, Danny Huston, Laura Morante, Sabrina Impacciatore, Alessandro Parrello, Maurizio Lombardi, Giulio Berruti, Enzo Cilenti In “Across the River and into the Trees” Hemmingway hits a remarkably melancholic tone, a tone I recognize from Thomas Mann´s Death in Venice.