Our invaluable industry partnerships include National Theatre of Scotland, National Theatre, Royal Opera House, Scottish Ballet, Citizens Theatre, Royal Lyceum Theatre, Disney Cruise Lines, Pitlochry Festival Theatre, The Envelope Room, Society of British Theatre Designers and Scottish Opera Siiri Korhonen (Class of 2017), Royal Television Society Scotland, Student Television Craft Award for Production Design 2018. Outlander, Season 5, Costume Trainee Programme. BBC World productions, Vigil mini-series, Costume Trainee In recent years we have built some exciting scenery for internal fit outs for various locations and public shows, take a look at these. The Stage depth of tread should be 12 inches. If your rise is 8 inches per tread, then your stairs should each Your skills will be further developed towards a level appropriate to professional work. You will be given experiences that simulate professional contexts. Modules you will undertake during year 2 include but are not limited to:

Cara Roxburgh (Class of 2014), BAFTA Scotland New Talent Design Award 2016, Gilly Slater (Class of 2017) The Bayreuth Scholarship, Richard Wagner Stipendienstiftung 2017 With tutorial support, you will further consider business models and environments relevant to your chosen field or fields. There is a focus on nurturing and training you as a professional practitioner, to develop in-depth knowledge and understanding of current working practices within the creative industries. This is achieved through a variety of skills-based practical modules that use industry professionals throughout the programme. The skills and training embedded in the programme will equip you for a portfolio career in a variety of design, scenic arts, self-employment and entrepreneurship roles. The vocational nature of this programme reflects current trends in the creative industries.

We provide top quality scenic services to clients in the UK and worldwide and have a skilled team of Scenery Builders: Carpenter’s, Metalworkers, Scenic Artists, Draughtsman and Project Co-ordinators. Many of our key workers have been here for a long time and we are keen to start developing and bringing on the next generation of theatre makers! Job Description You will have the opportunity to explore an area or areas of your chosen industry by engaging in a short placement or internship, thereby gaining first-hand experience of that environment. Remember that as a member of the audience your opinion is valid and should be used to comment on the overall effect of the production and whether there was any specific element that you personally liked or disliked. You may also be asked to comment on how you would have approached certain elements differently, given the chance. You don’t need previous construction experience to get a place on the course: we’re looking for passionate, inventive, creative students who are open to being challenged and trying new things.

Scenic art applicants should consider the possible paint finishes they want to achieve and how they might do this.

Scenic Construction Apprentices learn to make scenery using a combination of materials such as timber and steel box sections: They measure, mark and cut materials accurately to size; building timber framed scenic flats, cladding steel frames and making other scenic elements prior to scenic artists finishing them. They also work closely with other team members to assemble elements of the set and fit them together for finishing, weighing and assembly prior to loading out. The architecture is obviously very different in Cardiff than it is in America," Tom explained about the Havoc set. "To ensure we created a realistic representation of an American street a mass of research was conducted by the art department with a view on how best to transform a Cardiff street into an American one." Set Constructors are creative problem solvers who use ideas and solutions that are drawn from engineering and industrial practice to aid the creation of sets or staging. Set Construction at Central

These partners are some of the biggest scenic construction organisations in the UK, such as Cardiff Theatrical Services , Bay Productions, 4Wood and Wild Creations. Classes as described in the syllabus outline and practical work, under direct supervision of the tutor on specific projects and on scenery appropriate for use in performance. You will work with tutors to explore and develop your understanding of complementary fields of practice. The ability to manage your time, meet deadlines and work within a team in a busy workshop environment Visit the International Students section to view details of English language requirements for Central’s courses.

If you have received a ‘reserve’ outcome, it means that RCS is not able to offer you a guaranteed place at the time of making our decision. A ‘reserve’ outcome indicates that RCS would like the opportunity to review its outcome to you in the light of acceptances/declines to its guaranteed offers. You will become part of a ‘pool’ of ‘reserve’ candidates and RCS may choose to make you a guaranteed offer if a suitable place becomes available. Reserve does not mean that a place has been ‘reserved’ for you. If RCS chooses not to make you a guaranteed offer, you will not have a place to start at RCS. Production consists of both the BA Production Arts and Design and the BA Production Technology and Management programmes. Production students will work very closely with each other in the classroom and on RCS productions. You’ll be guided by expert practitioners who are currently working in today’s industry. They offer you not only first-rate teaching, but mentorship and networking opportunities as well. To become a Scenic Construction Apprentice, you will ideally have 5 GCSE’s including Maths and Woodwork or DT. You will need to be able to find practical solutions to problems and be hands-on. You’ll also need excellent communication skills and to be a team player. The Set Construction for Stage and Screen course is ideal for students seeking a creative arts-based career, including an interest in building with wood and metal.

Assessment of this project is based on your ability to apply yourself to a given task and your ability to discuss and demonstrate practical and creative solutions to the production challenges. Havoc tells the story of a drug deal gone awry, leading a detective to fight his way through a criminal underworld to rescue a politician's estranged son, while untangling his city's dark web of conspiracy and corruption. The Netflix thriller is directed by Hirwaun-born Gareth Evans, best known for the television series Gangs of London. The closing date for all on time undergraduate applications from Scotland and the rest of the UK has been extended to 31 January 2024. If you submit your application after this date, we cannot guarantee that you will be invited to audition.Students regularly have opportunities to take part in performances and events, this assists their professional growth and application of skills and knowledge. Guaranteed Unconditional (GU) RCS is satisfied from the information you have given, that you have already met the conditions for entry. Unless your application and/or qualification are subsequently shown to be fraudulent, a guaranteed unconditional offer is binding. Only EU nationals who are ‘settled’ or ‘pre-settled’ in the UK will remain eligible to apply for home tuition fees providing they meet the residency conditions. Filming for Havoc lasted four days on Bute Street, finishing on September 30. Residents were sent a letter explaining parts of the street would be closed to allow film crews to work while a new subway-type structure sprang up overnight.