If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down. Like the S5IIX, the S5II can shoot internal 10-bit 4:2:2 C4K (4096×2160) 4:2:2 at up to 60p and 10-bit 200Mbps 4:2:0 6K (5952×3968) footage at up to 30p. So you complain about the low drive speed and rolling shutter and then say you’d spend more to “upgrade” to the A74, which shoots slower uncompressed RAW with mechanical, far slower with electronic and has worse rolling shutter?

S5IIX Overview - Digital Photography Review Panasonic Lumix DC-S5IIX Overview - Digital Photography Review

And large prints means LARGE, as in wall-filling large. Printers only have three colors (three bits per pixel), very rarely six, while cameras deliver at least 36 bits per pixel color information (12 bits per channel), which printers have to reproduce by dithering over many neighboring dots to reproduce color accurately. This means that aiming for the same resolution as printer DPI with your source material is wasteful, as printers aren't able to reproduce that information density even remotely. If you don't mind using a tripod and you're shooting static subjects then Panasonic's pixel shift mode can deliver images up there with medium format. In fact, the motion correction is pretty decent. Sigma 28-70 f/2.8 is the obvious choice for someone who is moving up from a compact camera, as it's very compact, affordable, and constant aperture, but it doesn't go quite as wide. If you don't mind the weight, Sigma 24-70 f/2.8 is a slightly better lens for a lot more weight, and that will match the RX100's 24-70mm equivalent.

it's hard to know what a new version of an older S-line camera would offer to pull ... ahead' (p11) There are a host of other video assist features in Lumix cameras, not specific to the S5II X, which is a strength of this system. Including professionally recognized tools such as waveform monitoring, anamorphic lens de-squeezing in camera, luminance spot metering, histogram, and more, make these cameras ideal for video creators.

S5IIX and LUMIX S5II Information Update | Panasonic LUMIX S5IIX and LUMIX S5II Information Update | Panasonic

There’s also a clutch of video-centric display options shutter angle, waveform, vectorscope, and histogram. Ahahah, I was sure there will be someone complaining about weather sealing of the cooler, oh boy. You will get water because of the supply of the fan ..... But anyway you can upscale. And no one will like to see his 8K portrait from 30 cm as you will see pores of the skin. But it make sense for nature, landscape and some effects.USB power supply, USB power charging, USB power delivery, Wi-Fi, Bluetooth v5.0 (Bluetooth Low Energy (BLE)) Panasonic hasn’t made any changes to the screen on the Lumix S5IIX in companion with the S5 or S5II, it has a 3-inch 1,840,000-dot vari-angle touchscreen. The vari-angle joint enables the screen to be flipped out to the side of the camera and angled up or down, or rotated to face forwards for vlogging and presenting to the camera. Panasonic Lumix S5IIX: full-sensor internal 4:2:0 10-bit 6K (3:2) and 5.9K (16:9) footage at 30fps, 4:2:2 C4K and 4K at up to 60fps I am pretty convinced that after the initial release sales will drop and fall as a stone. 'Demand' here on DPR by 'Want it' looks to be pretty low compared to other cameras recently released. I think the user base here on DPR is a good representation of the total market. Weighing in at a solid 740g with card and battery, the S5 II X is a well-made, 24MP mirrorless hybrid camera that insp

S5 IIX | Digital Camera World Panasonic Lumix S5 II vs S5 IIX | Digital Camera World

I have nothing against Sony. I only tried an A7iii and didn't like the handling. All that means that to me, subjectively, Panasonic was a much better fit. Just like the ominous "color science", this surely is also related to what you're used to.

The Panasonic LUMIX S Series boasts a total lineup of 14 lenses including new LUMIX S 14-28mm F4-5.6 MACRO (S-R1428) according to the purpose. Moreover, the L-Mount system provides the best assortment of full-frame lenses to choose from, for limitless spectrum of creative possibilities. Color shading correction helps improve image quality when other manufacturer’s lenses including old lenses are used with or without using a Mount Adaptor. Furthermore, LUMIX S5II and S5IIX memorize the name and its focal length of analog lenses such as anamorphic lenses or old lenses to provide suitable setting of camera’s in-body image stabilizer automatically when those lenses are used. 6. Future firmware update You know what’s a good signal? The amount of Sony users getting out f their way to “prove” in comment section the “superiority” of their system. The LUMIX S5IIX is capable of RAW video output and All-Intra, ProRes 6 recording on SSD. It also features wired 7/wireless IP streaming function and USB tethering. 3. Excellent operability and functions to minimize workflow for one man crew operation

Hands on with the Panasonic Lumix DC-S5 II: Digital

Video-vs-photo - Well yeah I am aware of the rolling shutter values of most cameras from the last five or ten years. For a full frame 6k readout, most recent cameras have been around 20ms, probably on average a range from 16-28ms, kinda like you said. They're pretty much all roughly the same (slower than what I'd want) unless you crop in. To withstand heavy field use, the LUMIX S5II and S5IIX are composed of a magnesium alloy full die-cast front / rear frame and is splash-resistant 12 and dust-resistant. As the S5II and S5IIX offer full-sensor recording (or ‘Open Gate’ as Panasonic calls it), the footage can be cropped to a variety of aspect ratios for use on social media without significant loss of image quality. That's assuming you need Raw video out. And that you don't find USB charging more convenient (which some people may, but it's not fair to assume that everyone needs to pay the extra).As you’d expect, the S5IIX’s screen preview matches the captured image/video well but as usual, it can be hard to see some details in bright conditions. This makes an external monitor with greater brightness and/or a hood an attractive option in some instances. So in general there is no burden but caprice. And there is absolutely no sense to develop separate photo and video market with MILC technology. When you can use same sensor and lenses for both. This is not only economical nonsense, but it also harming the environment, and make products more expensive. The S5 II includes a fan mechanism, to allow video shooting for extended periods. The fan is at the top of the camera, with vents under the leading edge and along the sides of the viewfinder hump, drawing the heat up and out of the camera. As usual, the fan sits outside the body's sealed area, so the vents aren't a weak point for its dust and splash resistant design. If it would be more photo process and video results, then one would have to question a photo gallery, and instead produce a gallery of video clips. All cameras regardless of Price aren't 100 percent accurate on AF. So when I hear any ytuber claiming otherwise, I no longer will watch them. Be that Pros or otherwise. I have seen plenty of Flagship cameras missing Focus on a ton of different subject types. Regardless of whom is holding and using the Camera.