Singleton, Carl; Knight, Jeffrey A.; Wildin, Rowena (1999). The Sixties in America. Pasadena, CA: Salem Press. ISBN 0-89356-982-8.

Beauvallet, Ève. "Prise de Houellebecq autour d'un manifeste". Libération (in French) . Retrieved 2023-05-15. Hoberman, J. (2003). The Magic Hour: Film at Fin de Siècle. Philadelphia, PA: Temple University Press. ISBN 1-56639-996-3. Heller (2008), p.165 (and see pp. 15–16), citing as excerpting SCUM Manifesto Kolmar, Wendy, & Frances Bartkowski, eds., Feminist Theory: A Reader (Mountain View, Calif.: Mayfield, 2000), & Albert, Judith Clavir, & Stewart Edward Albert, eds., The Sixties Papers: Documents of a Rebellious Decade (1984). SCUM Manifestois a deeply offensive, violent book. It's author, Valerie Solanas, hates men. Really hates them. In fact, the first sentence argues that “thrill-seeking females” should “destroy the male sex”.Eine brillante Satire – so als hätte Oscar Wilde beschlossen, Terrorist zu werden. Für meinen Warhol-Film hatte ich Dutzende von Zeitzeugen zu den Hintergründen von Solanas Attentat befragt und Berge von Berichten gelesen. Niemand hatte erwähnt, dass Valerie Solanas Talent und einen ausgeprägten Hang zur Komik hatte." [85] Avery: You have designed a zine to accompany your show. What are you hoping it will add to this body of work? Violet, Ultra (1990). Famous for 15 Minutes: My Years with Andy Warhol. New York: Avon Books. ISBN 978-0-380-70843-7.

Lord, Catherine (2010). "Wonder Waif Meets Super Neuter". October. 132 (132): 135–163. doi: 10.1162/octo.2010.132.1.135. S2CID 57566909. Susan Ware, Stacy Lorraine Braukman, et al. (2005). Notable American Women: A Biographical Dictionary Completing the Twentieth Century. Cambridge: Harvard University Press, p. 603, ISBN 978-0-674-01488-6.Morgan, Robin, ed., Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement (N.Y.: Random House, 1st ed. 1970), pp. 514–519. See also Rich (1993), p.17. Some authors have argued that the Manifesto is a parody and satirical work targeting patriarchy. According to Harding, Solanas described herself as "a social propagandist," [32] but she denied that the work was "a put on" [33] and insisted that her intent was "dead serious." [33] According to another source, Solanas later wrote that The Manifesto was satirical [34] and "was designed to provoke debate rather than a practical plan of action". [35] The Manifesto has been translated into over a dozen languages and is excerpted in several feminist anthologies. [36] [37] [38] [39] Winkiel (1999), p.73 ("the only act of violence to come as a direct result of the manifesto") and p. 79 (the Manifesto "result[ing] in one failed assassination").