well. There is no denying that, even if the image looks darker overall, that it is also heathier, more vivid, more capable of handling stark contrasts more so than the companion Blu-ray, which is itself a master class for that format. Here, however, there is

running on all cylinders: allowing spectacle to dominate in the air, characters to breathe and build on the ground, and photography to dazzle andmeets with Iceman in the latter's home office at the 57-minute mark; there's a different mood to the color grading but also far more tonal precision promotion. He is now a test pilot who, as he did in his younger days, pushes to the limit beyond what is expected and what is theoretically possible. that is well entrenched and heavily defended. He has a maximum of three weeks to prepare the pilots. There is a wrinkle, however: one of the the original is one of a few handfuls of defining pictures from the 1980s which still holds up today in its quest to blend testosterone with a serious Cleared for Take Off (HD, 9 min) looks at the rigorous training of the cast & crew in the effort of accomplishing some of the astonishing action sequences with the fighter jets.

Gun character and charisma that has made that original one of the most beloved films of its, or any, time. This one is sure to follow in those giant The UHD is significantly daker here, giving the picture a more ominous perspective, with more shadowy details that make the shot look like it's takingCleared for Take Off– Essentially we see all the work that went into the training and preparation to make this one of the most, if not the most, realistic movie experience out there. engine roars are deep and potent, hitting for all it's worth without falling into unbalanced, wonky rumble. Jets scream across the stage with pinpoint Music Videos (HD, 7 min) feature a pair of songs, starting with Lady Gaga performing "Hold My Hand" and the second with Onerepublic performing "I Ain't Worried." The Dolby Vision HDR presentation also boasts a remarkable array of full-bodied and vibrant colors. While primaries, like the animated reds in the patches and the energetic blues of monitors, are sumptuous and fuller throughout, the secondary hues continuously bathe the visuals with life and warmth, supplying the many aerial shots of the sky with vivid reddish oranges, warm golden yellows and light hints of violet that bleed into lovely cerulean blues. Facial complexions also appear more natural with lifelike textures and healthier, photorealistic rosy-peach tones in the entire cast.