The Leather Funnel starring Christopher Lee, Simon Ward and Jane Seymour; story by Arthur Conan Doyle He may have been one of the world’s greatest and most innovative film-makers, but Orson Welles wasn’t appreciated by Hollywood during his lifetime, so spent much of his career struggling to get the money needed to finance his own projects. The only contribution that Welles actually makes to the series is his brief intros and outros, which almost certainly would have been done in a single day. But Welles did earn his money - his amused cynicism does add to the atmosphere. For all the ribbing in Ripping Yarns¸ I like to think Michael Palin was a fan of the series all along and, thanks to Network, he’ll enjoy revisiting the inspiration for “our sherry tonight”.

La Grande Breteche is based on story by Balzac. A handsome dashing young Spaniard is a prisoner-of-war of the French during the Napoleonic Wars. As was the custom at the time, being a gentleman of breeding and an officer and having given his word not to escape, he is housed comfortably in an inn and allowed to come and go freely. Nearby in the house known as La Breteche lives the Count Gerard De Merret (Peter Cushing) with his wife. The Countess (played by Susannah York) is much younger than her husband, she is very beautiful and she has a romantic and passionate nature. You can see where such a situation could lead. In fact it leads to a horrifying conclusion. An excellent episode with a very nasty sting in the tail. Anglia Television (the independent British TV company serving the commercial network for the south east of England) had been producing some consistently outstanding dramas since its opening night in 1959 when it presented The Violent Years, a play starring Laurence Harvey and Hildegarde Neff, about a man on trial in an American court. But the fledgling network faced resistance from the big four companies who were at that time producing a large part of ITV’s drama output and were reluctant to reduce that output to accommodate the new company. Eventually, they provided network time for Anglia to broadcast eight plays a year, but insisted they be made at the Wembley studios, using Associated-Rediffusions’ technicians. A british millionaire's spoiled little girl loses her ragdoll, and buying her new dolls does not make her happy, so the parents put out an ad for a 25Ł return award money for the doll. Having been buried by the family dog, the doll is found by a drunken tramp, who takes it with him to a pub, pretending it is a high class lady, to the amusement of the audience. Two lowlifes frequenting the pub realize the doll is worth money, and force the tramp at knifepoint to return it, planning to take the money from him later. But, his uncanny knowledge of the paintings in the house impresses the lady of the house enough that she has him driven home by car, so he avoids the robbers. However, the show didn’t really need Welles at all. The episodes – which, once his segments are taken out last maybe 20 minutes each – stand up in their own right.Orson Welles was fronting a series for Anglia called The Great Mysteries - a forerunner to Anglia's Tales of the Unexpected. This is the kind of show that the Talking Pictures TV channel has been resurrecting lately, but with no sign of it popping up on there yet, buying the series would make a good investment for anybody interested in offbeat 1970s series. Fans of British horror should enjoy it too – some of the stories have a supernatural or creepy element to them and both star and are directed by stalwarts of the genre. Masquerade’ found: Missing Orson Welles’ screenplay based on Luigi Pirandello play October 16, 2023 An Affair of Honour starring Harry Andrews, Michael Gambon and Jeremy Clyde; script by Carey Harrison; story by F. Britten Austin; directed by Alan Bromly The Inspiration of Mr. Budd starring Hugh Griffith; story by Dorothy L. Sayers; directed by Peter Sasdy

The Ingenious Reporter starring Geoffrey Bayldon, Ronald Radd and David Birney; script by Carey Harrison Death of an Old-Fashioned Girl starring Francesca Annis, Carol Lynley and John Le Mesurier; story by Stanley Ellin This was time when British television was starting to up the ante as far as violence was concerned, and to a lesser extent becoming a bit more daring in regard to sexual content. Orson Welles Great Mysteries is however very subdued in its treatment of such matters. The violence is mostly offscreen. The general approach is low-key. Compared to Brian Clemens’ Thriller anthology series, which began to air at around the same time, it seems rather genteel. This is however part of its charm. It’s content to be subtle and to rely on suggestion.

The series is an anthology of mystery stories. Each episode is introduced by Orson Welles, the only regular actor in the series, whose appearances were confined to the introductory and closing sequences. [2] In the opening titles, Welles appears shown in silhouette walking through a hallway towards the camera, smoking a cigar and outfitted in a broad-brimmed hat and a huge cloak. When he actually appears on-screen to introduce the episodes, his face is all that is shown, in extreme close-up and very low lighting.

The Faulkners were an odd family - two spinsters living in a large mansion, served by one maid, with their only relative being their young brother, married but living elsewhere. When one night one of the sisters suddenly disappears without a trace - leaving her clothes behind - everyone is puzzled, but the remaining sister refuses to call the police, thinking on the family's good name - as there has been cases of insanity in the family before. A private detective hired finds nothing, and a few months later the other sister disappears in the same manner, too. The police are now alerted and begin to investigate - and soon it is revealed these two were not the first disappearances in the family. There’s quite an array of acting talent on view in this series including quite a few who were already major stars (such as Susannah York and Bond girl Jane Seymour). And there are plenty of cult movie stars, like Christopher Lee, Peter Cushing and Donald Pleasence. And some good directors, like Peter Sasdy. Anyone expecting a TV equivalent of Mercury Theatre on the Air was disappointed by this pedestrian series, filmed on videotape and hosted by a bored-looking Welles in his F for Fake garb of billowing cape and sloping hat. Great Mysteries lasted but one season (26 episodes). Welles didn't direct any episodes. Last year, Network Distribution brought out volume one of the collection, featuring tales starring such luminaries as Peter Cushing, Christopher Lee and Donald Pleasence.Network, which released the DVD Orson Welles Great Mysteries Volume 1 in the United Kingdom last year, will release the second and final volume on October 26. The whole story of Welles’ visit was itself dramatized for the Sky Arts series Urban Myths (tru…ish stories) in 2020. In the episode titled Orson Welles in Norwich, Welles is portrayed by Robbie Coltrane.