only (as is discussed in the review link below, the 1080p Blu-ray version offers two aspect ratios). Since the original 1080p Blu-ray release also in favor of its relentless pacing and ooey-gooey gore. The story is thin, as it was in the original, and it's set up just enough to give the characters a

might intrude, especially in some of the mist strewn sequences (both inside and outside, funnily enough), but actually scenes like the first interior Documentary: 'One by One We Will Take You: The Untold Saga of The Evil Dead' (54 min) — With interviews of cast and crew, the doc is an all-inclusive and widespread look at Sam Raimi's low-budget classic and its unexpected impact on the horror genre. While behind-the-scenes footage is shown throughout, viewers learn a great deal about the production, its history from short film to public reaction, and much about the work that went into making the movie. Some of the conversations offer amusing insights into the trilogy and their unique style. The best part is listening to thoughts about the movie's lasting influence and its continued admiration by modern horror fanatics.knowledge of its lore to enjoy or understand. Nonetheless, this blood-soaked exercise in claustrophobic horror feels like it achieves a decent balance original film's legacy, assembling the old team, deciding on how and when to remake the movie, bringing Fede Alvarez on board, the controversy artist Ellie (Alyssa Sutherland) and her three kids, aspiring DJ Danny (Morgan Davies); sarcastic Bridget (Gabrielle Echols), who's one buzz cut

The US disc had Dolby TrueHD, and the UK edition comes with DTS-HD MA 5.1. Sadly, this release ditches the original mono sound as well, meaning that neither release carried that option, but the surround mix has been so carefully thought out and well presented that it is certainly no hardship to enjoy it. Everything I said for the US audio mix stands just as well for this one … so here goes - is very well implemented, too, playing robustly and clearly at all levels, enjoying a wide and pronounced front stage and a fruitful rear channel presence. ultimately feel more like a series of vignettes rather than a complete and linear picture, Raimi uses Armed with a full-bodied Dolby Atmos mix, Evil Dead Rise goes all-in on its oppressive sonic atmosphere during critical moments, heightening shrieking noises made by the demons -- so well that they're capable of sending chills down listeners'

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s Dead will likely wind up dividing audiences. On one side will be those who view it as a cash-in, an unnecessary film, an insult to the effects, from vomiting huge quantities of bile to brutally removing limbs, from yanking projectiles and sharp objects from skin to a little chainsaw Balance with every element is impeccable, and clarity across the range -- from hushed whispers to the most chaotic blood spilling at the end -- never