There are a few essentials that I would recommend getting into your gear collection before you really start trying to learn and play the guitar, you should invest your money in: When we move on to tuning, make sure that you’re grabbing the correct tuning peg for the right string! Even with only 6 strings, it’s easy to turn the wrong peg, wondering why the note you’re playing just isn’t changing. So at first, it will take even more intentional focus to make sure you’re keeping all 12 tuning pegs straight. When you practice arpeggios, be sure to play them from low to high slowly, loudly, and deliberately at first to ensure you can play the notes cleanly. Then play them faster and lighter to produce the sound of arpeggios as they appear in real music. However, no matter how you play them, be sure to maintain your starting tempo and dynamic level (loudness) throughout each arpeggio. Whenever you start the journey of learning a new skill, we all possess the same desire of wanting to be skilled at the new skill we’re working on developing. All good things take time, so your insane guitar skills aren’t going to develop overnight or within one day of practice. Of course, in regular standard tuning, you won’t want to see the flat symbol on your chromatic tuning screen at all, but when tuning a half step down, it’s what you’ll want to look for to know that all your strings are in the proper tuning sequence.

It may take you going through five or six guitar teachers to find the perfect match for you, so don’t feel discouraged if you haven’t found the exact fit yet! When you are ‘shopping’ around for a guitar teacher, it’s a great idea to have a set of goals in your head for you to share with your guitar teacher, as this will help your guitar teacher get a better understanding of what you’re looking to learn. Here are a few example goals to have in mind for you to share with your teacher: Learning how to play a basic chord breaks down to figuring out what to do with your left hand and your right hand. Assuming that your right hand is your dominant hand, your right hand is going to be the hand that strums your guitar, while your left hand is going to be on the fretboard of the guitar (the hand that fingers out the chords). If your left hand happens to be your dominant hand, your left hand is going to be the hand that’s strumming and your right hand will be the hand that’s fingering all of the chord positions.Slide guitar may have become a stylistic choice over fretted guitar out of necessity by players who didn't have the skills or patience to fret the guitar and found it easy to slide a smooth, rounded object over the strings to achieve a similar effect. But for the greatest blues practitioners, such as Charlie Patton, Sylvester Weaver, Blind Willie Johnson, Son House, and Robert Johnson, slide guitar was an unparalleled mode of expression evocative of the human voice as well as the wail of train whistles — a sound near and dear to country blues guitarists. But whatever its origin, slide guitar is a staple of the acoustic blues guitar sound unlikely to ever be imitated by synthetic, digital means. Major arpeggio pattern #1 includes two out-of-position notes (notes that don’t fall within the four-fret span defined by the position and that require stretches by the 1st or 4th finger to play). They occur on the 6th and 1st strings. To play these notes, stretch your 4th finger up (toward the bridge) to play the note that occurs one fret higher than the one you would normally play. It’s a lot easier and a lot more productive to get your fifteen minutes to half-hour practice on a daily basis, as breaking off your practices into chunks will make your learning experience a lot more manageable, easier to understanding, and less overwhelming. Step eight: Find a guitar teacher or program However, if your wrists are starting to hurt, you don’t want to take the chance of damaging any ligaments or tendons in your hands, so don’t forget to rest. Listening to music and listening to what other popular guitarists do with their sound (or how they implicate the technique they’re most famous for) can help you to find your own individual sound! Train your left hand with silent playing

You don’t need to strum your strings hard, even if you’re looking to blast your audience away with the sound. Just put a little bit more force behind your wrist and you’ll notice a difference in the dynamic that you’re producing but at no point should you ever need to use your entire arm to strum your guitar.Moving through the strings as you wrap up your tuning, this should be the layout of each string’s specific note positioned across the corresponding tuning pegs: It’s totally okay that your playing sounds choppy when you’re first starting out, but if you keep at practice, you will soon find that your fingers are switching chord configurations with letter effort! Further Read: Now that you’re familiar with the layout of your guitar’s strings and tuning pegs let’s move on to the tuning basics. Time for Tuning Basics If you play the slide in this figure slowly enough, you produce what’s known as a glissando. A glissando is an effect that you hear on harps, pianos, and guitars, wherein all the notes between the two principal notes sound.