Aufhauser, Johannes B. (1911), Das Drachenwunder des Heiligen Georg: nach der meist verbreiteten griechischen Rezension, Leipzig, B.G. Teubner Saint George was a popular figure in the Middle Ages. A Roman soldier who was martyred rather than recant his christian faith, it was the time he slayed a dragon to save a princess that made George a Renaissance superstar, painted and sculpted again and again through history. a b c Paul Stephenson, The Serpent Column: A Cultural Biography, Oxford University Press (2016), 179–182. European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 326, repro. Alsop, Joseph. The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared. (Bollingen series 35, no. 27) New York, 1982: 452, 459, fig. 94.

Another memorable quote was by Francesco Bocchi in the 16th century. The legs move, the arms are ready, the head alert, and the whole figure acts; by virtue of the character, the manner and form of the action present to our eyes a valiant, invincible, and magnanimous soul. Influence Estella’s last mayor said the town did not relish the notoriety that the statue’s restoration had brought it and would prefer that people came to see its historic Jewish quarter instead. “We don’t want to attract visitors because of the poor treatment of our heritage,” Koldo Leoz said last year. “We haven’t publicised it and nor will we.”

Donatello's Orsanmichele second of fourteen statues of protectors of the arts of Florence is not only a treasure but also a gem that has been significant in art over the years.

Donato di Niccolò di Betto Bardi (c. 1386 – 13 December 1466), better known as Donatello (Italian:[donaˈtɛllo]), was an Italian Renaissance sculptor from Florence. He studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though his best-known works were mostly statues in the round, he developed a new, very shallow, type of bas-relief for small works, and a good deal of his output was larger architectural reliefs. Further information: Chaoskampf, Thracian horseman, Saint Theodore Tiro, Tetri Giorgi, Verethragna, Zahhak, and Perseus and Andromeda St. George is still a source of inspiration for millions, both Christian and non-Christian and his heroic feats are evidence of the strength of his faith in God and his determination to fight evil.

However, the statue is just as remarkable for introducing an entirely new form of artistic work, located beneath the figure. The elegant Saint George and the Dragon relief south. An army from Naples, led by a tyrant, was mobilising and Florence was in danger of being invaded. However, before the thread could turn into disaster for the Florentines,Neverov, Oleg, and Mikhail Piotrovsky. The Hermitage: Essays on the History of the Collection, Saint Petersburg, 1997, p. 163, repro. Martínez Álava adds, “The bits of paint that were lost have been filled in and from a distance it all looks the same. But when you get up close, you can see very clear what’s original and what’s not.” The Italian creative sculpted Saint George as he was believed to have been a few moments prior to him meeting and killing the dragon. The pose has in the past elicited debates and discussions as some academics think that the face of the statue looks confident and dauntless. His left arm is partly curled out to lie at the top of the shield in front of him.