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Anderson Canyon:: Big Sur, California". Archived from the original on March 19, 2009 . Retrieved January 6, 2020.In other works written during his time in California, Miller was widely critical of consumerism in America, as reflected in Sunday After the War (1944) and The Air-Conditioned Nightmare (1945). His Big Sur and the Oranges of Hieronymus Bosch, published in 1957, is a collection of stories about his life and friends in Big Sur. [46] Miller (1959) Kraft, Barbara. A Conversation with Henry Miller, Michigan: Michigan Quarterly Review, Published at The University of Michigan, 1981. Henry Miller's novels censored and banned in US due to their sexually explicitly content," FileRoom.org, 2001. Arthur Hoyle, The Unknown Henry Miller: A Seeker in Big Sur, New York: Arcade Publishing, 2014, pp. 246, 253. Dearborn, Mary V. The Happiest Man Alive: A Biography of Henry Miller, New York: Simon & Schuster, 1991. ISBN 0-671-67704-7

Miller and Tokuda divorced in 1977. [51] Then in his late 80s, Miller filmed with Warren Beatty for the 1981 film Reds, which was also directed by Beatty. He spoke of his remembrances of John Reed and Louise Bryant as part of a series of "witnesses". The film was released eighteen months after Miller's death. [58] During the last four years of his life, Miller held an ongoing correspondence of over 1,500 letters with Brenda Venus, a young Playboy model and columnist, actress and dancer. A book about their correspondence was published by William Morrow, NY, in 1986. [59] Death [ edit ] And though she had begged me in a frightened whisper not to come, that she couldn’t wash because of the noise, because of Georgie in the next room, though I knew that she was the sort who gets caught just by looking at her, and that if she were caught it would go hard with her, still, and perhaps more because of the silent weeping, more because I wanted to put an end to the gurgling, I came again and again … There was something fiendishly detached about it, almost as if I were a pyromaniac sitting in a comfortable chair in my own house which I had set fire to with my own hand, knowing that I would not budge until the very chair I sat in would begin to sizzle and roast my ass. Mary V. Dearborn, "Introduction," Moloch: or, This Gentile World, New York: Grove Press, 1992, pp. vii–xv. a b Henry Miller, Big Sur and the Oranges of Hieronymus Bosch, New York: New Directions, 1957, pp. 1–2. Thiebaud, Twinka. What Doncha Know? about Henry Miller. Belvedere, CA: Eio Books, 2011. ISBN 978-0-9759255-2-2

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Stay with me.” His mouth was at her ear. He kissed her nape. “Don’t leave,” he’d said, unzipping her pants for the second time.” Rejaunier, Jeanne. My Sundays With Henry Miller: A Memoir, Scotts Valley, California: CreateSpace, 2013. ISBN 978-1492195726 Dear, Dear Brenda: The Love Letters of Henry Miller to Brenda Venus. New York: William Morrow, 1986. ISBN 0-688-02816-0 In Nexus (1959), the final installment, Miller finds himself an outsider in his own marriage, as Mona's relationship with Anastasia (Jean Kronski) grows, with the pair finally abandoning Miller to travel to Paris. After Mona's return on her own, the trilogy ends with Miller and his wife departing for Paris. Kraft, Barbara. Henry Miller: The Last Days, San Antonio, TX: Sky Blue Press, 2016. ISBN 978-0988917088