Here at Guitar World, we are experts in our field, with many years of playing and product testing between us. We live and breathe everything guitar related, and we draw on this knowledge and experience of using products in live, recording and rehearsal scenarios when selecting the products for our guides. For others though, a combo is the way to go. Your amp and speaker are all in one unit, and you’re ready to create some bassy rumblings with just that one thing. Well, that and your bass. Other features to consider What makes the best amp for you will depend on various things. To finish this piece, I will sum up the amps reviewed above to help narrow down your choice. First and foremost, we are musicians, and we want other players to find the right product for them. So we take into careful consideration everything from budget to feature set, ease of use and durability to come up with a list of what we can safely say are the best bass amps on the market right now. What makes the Orange Amplifiers Crush Bass 100W 1×15 Bass Combo Amp stand out from many other combo amps is the active EQ circuit, which has been inspired by the EQ in Oranges Stroke Series bass amps. For a brand that focuses on the simple, there is a lot of technology within this amp.

There are all sorts of different features that can be found on the best bass amps nowadays. Some might have blendable overdrive or a second channel that lets you dial in a grittier sound either for heavier styles of music or for just a different texture. Some might have effects built in – compression can be especially handy for so many different styles of music.Before I dive into the company, its amps, and my personal recommendations, here are the Orange amps I will be reviewing in full further on in this post: 4 Best Orange Bass Amps The two 10” speakers shift plenty of air but retain enough pop to cut through a mix nicely, making this a serious option for gigging. As with all Katana amps, it’s more than capable of working as a home practice amp too, with a switch taking it all the way down from 160-watts to 1-watt, allowing you to comfortably use this in the bedroom, without aggravating the neighbours. More options... When looking at how to find the best amp, there’s a plethora of information out there, and so much of it is unnecessary, repeated, or rehashed. Fundamentally, there are a few things to consider that matter most, and I’ll break these down here: Amp Type

The Terror series lives on in the Dark Terror and the Micro Terror and Micro Dark which are small, but powerful enough to take the roof off! As a general rule of thumb, opting for at least 15-watts of tube power is a cost-effective way of ensuring you have some amp support wherever you need it. Price

Frequently Asked Questions about Orange Bass Amps

The Orange 25W Combo emits a focused, clean tone, and while it is unreasonable to expect an amp of this size to produce room-shaking lows, there is ample bass that results in a balanced, well-rounded sound. Pros

Due to the 8-in speaker, there are obviously some limitations in terms of volume predominantly. However, there is a much deeper and larger sound than you may imagine given the compact size of the Orange 25W Combo – dimensions: 12.8 in. x 14.37 in. x 9.25 in – and it is perfectly adequate for small-venue jamming sessions. Think about where and in what context you’ll be using it. If you need something that can put out enough power for gigs, then you’ll likely want something that’s at least 100W. It depends on the situation at the gig, but sometimes you might not be put through the PA system, in which case, the more power you’ve got, the better. You don’t necessarily need to use it all, but ideally, you don’t want to be running your amp at full volume all the time. The Blend and Gain control allow players to create “bi-amped” tones that combine a clean tone and a distorted tone simultaneously.

Glenn Hughes Signature Purple Crush Bass 50

The footswitchable compressor control on the Little Bass Thing’s front panel gives players instant access to Orange’s painstakingly developed Class A Optical Compression circuit. With its unique sidechain and a response optimised for bass guitar, this single dial provides excellent dynamic control and a warm, classic feel, at subtle or extreme settings. (Footswitch sold separately). Helpful Little Extras Most gigging amps have a DI on board, so you can send your signal to the PA, but it’s still nice to have enough volume on tap to create some on-stage rumble. The treble EQ provides up to 20dB of boost, while the middle and bass EQ controls offer 15dB. A parametric frequency sweep from 300Hz to 2.7kHz from the midrange EQ gives precise control of a remarkable range of valuable bass textures and tones. The Blend control lets you dial in bi-amped tones, with distorted grit omitted from the Gain control. Each side of the unit has inputs, outputs, selector switches, and controls, giving the player as much flexibility as possible. However, this is by no means a cluttered amp.

The bass and middle EQ controls provide up to 15dB of boost or cut, while the treble EQ offers 20dB of boost/cut. The midrange EQ also features parametric frequency sweep from 300Hz to 2.7kHz, providing precise control of an impressively wide variety of useful bass tones and textures. A Gain control adds distorted grit, and the Blend control allows players to dial in “bi-amped” tones that simultaneously combine two distinct layers of clean and distorted tones. The Orange Terror Base 500W Hybrid is based on the AD200 amp, utilizing a 12AT7 vale for the FX loop and Send output and a 12AX7 valve in the preamp stage. The return input has a solid-state Class D output stage and solid-state stage. I noted how efficient the ventilation system is, ensuring the top and sides of the chassis remain cool at all times.

Class A Optical Compression

Here atMusicRadar, we are experts in our field, with many years of playing, creating and product testing between us. We live and breathe everything music gear-related, and we draw on this knowledge and experience of using products in live, recording and rehearsal scenarios when selecting the products for our guides. Conversely, if you’re looking for an amp to keep at home, then something with a lower wattage is going to be ideal. You won’t need tons of volume, and you don’t want to be paying for power that you don’t need. If it’s a solid state amp you’re looking at, then you can run a big, powerful amp at low volumes and it will still sound okay, but it’s worth thinking about the size and how much space it’s going to take up. Head or combo?