These were just the chameleon skills Layson needed in anyone drawing Andy, so he must have been relieved when Mahoney said “yes” too. His set his new team to work, and began slowly feathering their contribitions in with the pile of Smythe strips he was still using. At first, the new strips were uncredited. Nearly a century later, in the 1580s the word gambader was used as term which evoked: ‘to skip about in sport’. The strip itself, if seen only occasionally, seems somewhat reactionary today, dealing as it does with everyday domestic situations of an ageless, childless couple; the two kids who appear once or twice a year, Miggy and Flivver, are a nephew and niece - a comic-strip pregnancy was considered editorially unsuitable. But that is evidently the strip's secret, for it is widely published in several languages around the world, and continues to prove that good art work is not necessary in a comic strip. It's the appeal of the ideas that counts. And, I then had to explain what one was. Albeit, an alcohol inspired explanation of a gambole, I hasten to add! From The Gambols' inception, Appleby received input into creating the strips from his journalist wife Doris "Dobs" Appleby - she suggested "Gambol" as the surname of the married couple who are the strip's focus - and from the 1960s Dobs Appleby received official credit for co-writing The Gambols. Social historian David Kynaston has opined that "the Gambols [inhabit] a frozen-in-time world closely mirroring the Applebys' own in Kingston-upon-Thames Surrey in the early 1950s". [2]

On Barry Appleby's death in 1996 Mahoney took over the writing and drawing of "The Gambols" for Express Newspapers. Continuing the strip created by Barry and his wife Dobs was daunting, and Mahoney recalled later that "if I could get through the first six months I knew it would be all right but living up to the Applebys remained the challenge." Mahoney compiled, designed, scripted, and drew The Gambols annuals Nos 46-48, published from 1997 to 1999. In November 1999 the Express dropped the strip, but in the following month Mahoney moved it to the Mail on Sunday. Originally The Gambols appeared three times a week formatted as a strip of three or four panels, and three times in single panel format. As of 4 June 1951 - when paper rationing officially ended - The Gambols was featured daily in multi-panel format, and as of 1956 an extended three row strip was prepped for the Sunday Express. Some of the strips also appeared in colour. [3] Published by Book Palace Books, The A to Z of British Newspaper Strips is a large format (7″ x 11″) hard cover, printed on high quality glossy paper. One conversation led to another, and I casually mentioned how I had loved to gambole as a child and how it still felt liberating to do them from time to time as I had become older. Most of the Gambols strips were three or four panels long; the Sunday Express, however, published longer strips as it was assumed that people had more time to read a paper on a Sunday. Some of the strips also appeared in colour.

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The Gambols is a British comic strip created by Barry Appleby which debuted 16 March 1950 in the Daily Express where it ran for almost 50 years: as of 1999 The Gambols has appeared in The Mail on Sunday. [1] The stories revolve around the Gambols' everyday life, in particular Gaye's passion for shopping and George's attempts at home improvements. The couple is childless but, at least once a year, they have their nephew and niece, Flivver and Miggy, stay with them. A gambole is a local vernacular or term, used predominantly by people born in Birmingham, West Midlands, England to describe a forward roll. Because gambol is a verb, it is usually preceded by the words such as do, did, done.

Find sources: "The Gambols"– news · newspapers · books · scholar · JSTOR ( August 2016) ( Learn how and when to remove this template message) The word gambol originally stemmed from the French word gambader derived from the French word gambade. When Barry Appleby died in 1996, Mahoney took over the writing and drawing of “The Gambols” for Express Newspapers, and continued to work on the strip, in flawless imitation of Appleby’s style, when it transferred to the Mail on Sunday, after the Express dropped the strip in 1999. Roger’s] talent was soon spotted by national newspaper titles. When Mr Appleby died in 1996, he took up The Gambols strip, then published by Express newspapers.Mahoney created his first strip ("Mopsy") for the weekly Fleetway Publications magazine Princess, and afterwards contributed strips and jokes to a number of publications including the Scottish Daily Record ("Agony Is" and "Sammy the Caterpillar"), Woman's Realm ("Mum"), Daily Mirror ("Millie", "The Greens", and "Mandy Capp"), Sunday Express ("L") and Daily Star ("What's in a Name?" and "Last of the Summer Wine"). That got me thinking. So when I returned to England I asked numerous people who lived outside of Birmingham if they knew what a gambole was.

The symbol ˈ at the beginning of a syllable indicates that that syllable is pronounced with primary stress. Mahoney works mainly in pen and coloured inks, but also uses pencils, felt-tip pens, and watercolours. The symbol ˌ at the beginning of a syllable indicates that that syllable is pronounced with secondary stress.Some consonants can take the function of the vowel in unstressed syllables. Where necessary, a syllabic marker diacritic is used, hence /ˈpɛd(ə)l/ but /ˈpɛdl̩i/. Vowels

Mahoney created his first strip (“Mopsy”) for the weekly Fleetway Publications magazine Princess, and afterwards contributed strips and jokes to a number of publications including the Scottish Daily Record (“Agony Is” and “Sammy the Caterpillar”), Woman’s Realm (“Mum”), Daily Mirror (“Millie”, “The Greens”, and “Mandy Capp”), Sunday Express (“L”) and Daily Star (“What’s in a Name?” and “Last of the Summer Wine”).This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. The two central characters are George and Gaye Gambol, a happily married, suburban, middle class couple. George is the main breadwinner working as a salesman while Gaye is primarily a housewife, but she does occasionally take on part-time office jobs. The stories revolve around the Gambols’ everyday life, in particular Gaye’s passion for shopping and George’s attempts at home improvements. The couple is childless but, at least once a year, they have their non-sibling nephew and niece: Flivver and Miggy, stay with them. The two central characters are George and Gaye Gambol, a happily married, suburban, middle class couple. George is the main breadwinner working as a salesman while Gaye is primarily a housewife, but she does occasionally take on part-time office jobs. The stories revolve around the Gambols' everyday life, in particular Gaye's passion for shopping and George's attempts at home improvements. The couple is childless but, at least once a year, they have their non-sibling nephew and niece: Flivver and Miggy, stay with them. The book is dedicated to the late, great Denis Gifford, whose own volume, Stap Me! The History of the British Newspaper Strip, published in 1971, was a major inspiration for this new project. In the following years Roger compiled, laid out and drew The Gambols annuals numbers 46-48, published from 1997 to 1999.