Keegan’s output is scarce and her stories are as spare as they are heartrending, whittled down to the essential. If she has published anything that isn’t perfect, I haven’t seen it… More than most books four times its size, Foster does several of the things we ask of great literature: It expands our world, diverting our attention outward, and it opens up our hearts and minds. This is a small book with a miraculously outsized impact.”— NPR Now you stand on the landing trying to remember happiness, a good day, an evening, a kind word.’ - from ’The Parting Gift’ He led her across the floorboards same as a cat’s tongue moves along a saucer of cream.’ - from ’The Forester’s Daughter Keegan’s evocative prose takes you so far into each story that your senses buzz afresh with them.” – The List This is one of the most exceptional collections of short stories to be published by any Irish writer in recent years. Claire Keegan writes with the most extraordinary grace. Her words and images float. Many of the stories are unforgettable. This book will surely place her where she truly belongs: among the greatest practitioners of the short story form now writing.” –Joseph O’Connor, author of Star of the Sea

Keegan writes with such grace and accuracy that it is impossible not to be drawn into each world she creates. Walk the Blue Fields is a superb collection in which each story is a treat; together, they are pure gold.” – Big Issue Walk the Blue Fields, the collection by young Irish writer Claire Keegan, was my first encounter with her work. I hope it won’t be the last. In story after story, Ms. Keegan works in a striking Celtic-slanted prose, bringing news of life in the Irish countryside and exposing hearts and hopes and dreams of a number of troubled country contemporaries.” –Alan Cheuse, The Dallas Morning News Walk the Blue Fields may be among the best books you will read this year. . . . Keegan’s writing offers stark, intelligent flourishes and a look into the heart of rural Ireland, gurgling with desolate undercurrents.” –Vikram Johri, St. Petersburg Times Claire Keegan’s brilliant debut collection, Antarctica, was named a Los Angeles Times Book of the Year and earned her resounding accolades on both sides of the Atlantic. She continues her outstanding work with this new collection of quietly wrenching stories of despair and desire in modern-day Ireland.the trees are tall and here the wind is strangely human. A tender speech is combing through the willows. In a bare whisper, the elms lean.’ The consistent theme weaving through these stories is that of a past that haunts the characters and is their ball and chain into the present and future. The stories revolve around familiar Irish subjects: shamed priests, writers, quirky women condemned as whores, and bored and destitute farmers. In the The Parting Gift, a young woman flees from a terrible past embodied in the farmland that her father has cultivated with mute vileness. Claire Keegan’s brilliant debut collection, Antarctica, was a Los Angeles Times Book of the Year, and earned her resounding accolades on both sides of the Atlantic. Now she has delivered her next, much-anticipated book, Walk the Blue Fields, an unforgettable array of quietly wrenching stories about despair and desire in the timeless world of modern-day Ireland. In the never-before-published story “The Long and Painful Death,” a writer awarded a stay to work in Heinrich Böll’s old cottage has her peace interrupted by an unwelcome intruder, whose ulterior motives only emerge as the night progresses. In the title story, a priest waits at the altar to perform a marriage and, during the ceremony and the festivities that follow, battles his memories of a love affair with the bride that led him to question all to which he has dedicated his life; later that night, he finds an unlikely answer in the magical healing powers of a seer.

A forrester courts a woman who grudgingly marries him. This is a story of how a half-hearted marriage becomes a self-fulfilling prophecy of heartache and grief. The penny pinching forrester brings a dog home as a gift for the daughter's birthday. That it is not really a gift has dire consequences. Secrets too are revealed. I will not rate these stories separately because I found each one to be special in its own way, which is rare in a short story collection. At the end of the book, Keegan includes a brief segment on the folklore, specific terminology and geography featured in some of the stories. I would recommend reading that part before reading the stories. Perfect short stories . . . flawless structure . . . What makes this collection a particular joy is the run and pleasure of the language.”— Anne Enright, The Guardian Keegan’s] . . . collections have drawn comparisons to William Trevor and Anton Chekhov . . . [She] crafts stories out of small details and insight . . . like poetry. . . . Claire Keegan is the real deal.”—Keith Donohue, “You Must Read This” NPR.com A collection of seven stories exploring themes of families, emotions, secrets, memories - not all of them welcome ones, and love that is taboo, morally, religiously as well as legally.Tight, potent . . . [Keegan] has chosen her details carefully. Everything means something . . . Her details are so natural that readers might not immediately understand their significance. The stories grow richer with each read . . . [These stories] have new and powerful things to say about the ever-mystifying, ever-colliding worlds of contemporary Irish women and the men who stand in their way.”— Minneapolis Star Tribune Astonishing and beautiful. Her writing is intimately tuned to the landscape, language and ancient storytelling tradition of Ireland. . . . With a few crisp stark sentences, she opens whole worlds into which her reader falls, fully enthralled, captivated and amazed until her very last word.” –Alice Greenway, author of White Ghost Girls