In late 2009, Cullum replaced Geoff Gascoyne (bass) and Sebastiaan de Krom (drums) with Chris Hill (bass) and Brad Webb (drums). Jamie Cullum's album Momentum was released on 20 May 2013. In conjunction with the album, he performed six intimate gigs across Europe; the first was in London. [22] Recorded at London's Mayfair Studios and released in 2003, Twentysomething contains a mix of jazz standards, contemporary covers, and ballads. Due to the acoustic nature of the music, producer Stewart Levine chose to record and mix Twentysomething entirely on analogue tape.

Jessen, Monique (11 January 2010). "Jamie Cullum and Sophie Dahl Marry in England". people.com . Retrieved 21 June 2010. In January 2017, Cullum appeared as a member of the house band in ITV's The Halcyon. [16] Pointless Nostalgic [ edit ] a b Ouellette, Dan (15 October 2005). "Pop – Cullum Has New 'Tales' To Tell" (PDF). Billboard. p.39 . Retrieved 24 August 2021. Jamie Cullum’s multi-million selling 2003 album Twentysomething will be available on vinyl for the first time on October 20 via Decca and Universal Music. The new edition will arrive on the exact 20th anniversary of the record’s original appearance. In October 2014, Cullum appeared in a comedy sketch with Jimmy Carr and Daisy Lowe, which was made for Channel 4's The Feeling Nuts Comedy Night to raise awareness of testicular cancer.Sophie Dahl gives birth to first child". The Telegraph. 6 March 2011. ISSN 0307-1235. Archived from the original on 12 January 2022 . Retrieved 26 September 2017. ARIA Top 100 Albums for 2004". Australian Recording Industry Association . Retrieved 16 December 2020. The traditional twentieth anniversary gift is china – a few plates, maybe a cup and saucer or two. Modernists apparently prefer platinum, which seems like a far more appropriate way to celebrate the twentieth anniversary of Jamie Cullum’s Twentysomething, first released in October 2003 and now extended and re-released in double LP format. In an interview with NBHAP, Cullum said that "Momentum" is about the crossover period from being a young man while having one foot in the adult world, and about the balance of childish fantasies with grand and epic responsibilities. [23] Interlude [ edit ]

The song as recorded by Cullum ("It Ain't Necessarily So") is also used in the film The Anatomy of Hate; A Dialogue to Hope by Mike Ramsdell. I think curation still feels like something to be celebrated. I can say that as a fan of Gilles Peterson, his knowledge, curiousity, his undimmed energy for a scene he has had a huge influence on creating – it feeds me. I’m interested in his opinion and his taste as it feels completely authentic. As the world becomes more automated, people like Gilles with his immeasurable knowledge, experience and enthusiasm are bright shining stars. Dutchcharts.nl – Jamie Cullum – Twentysomething" (in Dutch). Hung Medien. Retrieved 15 February 2016. Dutch album certifications – Jamie Cullum – Twenty Something" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers . Retrieved 24 August 2021. Enter Twenty Something in the "Artiest of titel" box. Select 2008 in the drop-down menu saying "Alle jaargangen".a b McLean, Craig (14 October 2009). "Jamie Cullum interview". The Telegraph. ISSN 0307-1235. Archived from the original on 12 January 2022 . Retrieved 17 September 2018. Cullum's Jewish father, whose mother had managed to flee Nazi Germany, was born in Jerusalem. His mother, whose father was Indian and mother Burmese, was born in Burma; when the Japanese invaded, the family left Burma and moved to Wales, when his mother was age five. [3] As someone who brought UK jazz to a new audience, have you been keeping up with the modern scene? Is there anyone you’d recommend to us?

Pladebranchen.NU – Guld og platin i juli 2006" (in Danish). IFPI Danmark. 15 August 2006. Archived from the original on 3 October 2006 . Retrieved 24 August 2021. Golden Globe Awards Nominations for the year ended December 31, 2008". Hollywood Foreign Press Association. Archived from the original on 11 November 2010 – via Internet Archive. Well – 20 years and Twenty in title! Also, perhaps a little known fact about the album is that it was recorded live directly to reel to reel tape. There were some overdubs, but really it’s an album where there was no computer involved, no editing between takes. It feels right that it’s finally being released on my preferred format and staying in the analogue domain where it was born. Finally, and I can say this now far more comfortably, it was an album that connected with a mainstream audience that had no desire than to be anything other than itself. It went against what was happening everywhere else. At the time there wasn’t anything quite like it for better or for worse. Whilst I feel I’ve improved as a musician and songwriter since then, you cannot fake that momentum of youth, that cloud of unknowing of what’s to come that rings through an album like this. I’m proud of it! days left. "Radio 2 Programmes - Jamie Cullum". BBC . Retrieved 31 December 2011. {{ cite web}}: CS1 maint: numeric names: authors list ( link)I definitely enjoy Jamie Cullum's "Twentysomething." Many people have blasted it for being too unoriginal, too boring, too "pop" sounding, etc., but the fact remains that this music is fun to listen to. I'd much rather listen to Mr. Cullum's music than Norah Jones or Diana Krall. Cullum runs through standards and originals as if both were his own. He takes songs by artists such as Radiohead and the legendary Jimi Hendrix and puts a spin on them that others wouldn't dare dream of doing. He takes a "no fear" approach to music. Perhaps that is why I enjoy this album so much. While other artists have become media darlings by pawning themselves to the public, Cullum seems to be content with doing his own thing. By being himself, he's captured the attention of millions. He's even played for the Queen. In July 2020 Cullum released the single "Don't Give Up on Me" on the Island Records label. [28] [29] Awards [ edit ] To celebrate the launch of his first pure jazz album, Cullum played at several jazz clubs, including Blue Note Jazz Club in New York, and London's Ronnie Scott's.