My A/3 B/2 and A/3 B/3 which both have their original blue tint sleeves and these have a black and white sticker and not the lighter sticker. Seems like they shipped over everything (labels, covers, inners, posters and stickers) from the UK initial press. The mix doesn't sound very different from the 2016 press, but the record itself is very high quality.

It’s not because of the additional instrument overdubs, but rather how OPEN the soundstage is on this pressing.The 50th anniversary deluxe box includes this live performance on vinyl and CD and both of those elements are available separately, with artwork featuring an original 1973 line-drawn cover by George Hardie. Note: The 4th pressing should have any variations of A-5/B-5 A-4/B-3 or A-6/B-3 stampers in the run-out and "EMI Records Ltd" in the rim text. They look exactly like British ones, but if you look closely, you won't find the barely noticeable circular stripes that all British ones usually have. But by far the most popular title consistently over two decades is “Pink Floyd’s Dark Side of the Moon”.

There does not appear to be any standalone reissues of the 2023 remaster of The Dark Side of the Moon, so the three physical formats for this 50th anniversary campaign are: deluxe box set, vinyl LP of Live at Wembley 1974 and CD of Live at Wembley 1974. The plus for the 2016 cut then is present in certain areas where its EQ has better effect, such as the clocks on Time.I grew up listening to this on CD in the mid-to-late 90s and, while I haven’t heard any OG pressing of this, this 2016 BG cut is close to flawless and sounds absolutely wonderful.

All I'll say is I wouldn't pay anywhere near what's being asked for a copy of this - just get a nice clean 70s press.Ill try to give the other releases a head to head again sometime but right now I dont want to spoil the album too much. The group poster again can be matte or glossy but have the number “SHVL 804” at the bottom right corner. Mostly I went back and forth with my 2016 reissue on the tracks Money and Time because I felt like I needed to narrow it down to shorter switching times and still need tracks that have lots of different qualities to them, when it comes to Dark Side, most releases are well mastered in general so comparing becomes a tightrope where the devil lies in the details. After listening to both there’s small things that are more distinct in the quad mix as to the regular stereo mix.

Gatefold sleeve in matte finish, replica of original packaging including 2 stickers 2 posters, plus the new 30th anniversary poster and 25x25cm hype sticker. Despite it not being in stellar condition (VG+ for record and VG for gatefold - no posters or stickers) yet the sound quality is bloody staggering! I publish this question (and I hope it will become a comment) in all the pages of DSOTM, from the 2th to the 7th issue, because I have to remove a doubt. If you put on a record and you don't understand what's going on, where all the bass and treble have gone, where the stage and space are - you have a Danish edition.This is the special edition with A B on matrix (without stampers, mothers' letters, and without lacquer signs! because too much gain like over 10-12kHZ, one some tracks percussions are too sharp to be natural plus vinyl quality is medicore. Though credited for the entire album, Barry St John, Doris Troy, Leslie Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.