The writing was tight and perfect and as spot-on in character to Spidy as any Brian Michael Bendis Spider-Man comic. I cried so much during this movie -from both laughter, joy and heartbreak. It pulled at my heartstrings and didn't let me go until the credits ended. a b c d e f g Weintraub, Steve (August 2, 2018). 'Spider-Man: Into the Spider-Verse' Directors on Miles Morales, 3D, and the Runtime. Collider. Archived from the original on August 9, 2018 . Retrieved August 12, 2018. Fantasy, history and Japanese folklore shape an ecological message in Hayao Miyazaki’s ambitious tale. Lemire, Christy (December 11, 2018). "Spider-Man: Into the Spider-Verse". RogerEbert.com. Archived from the original on July 27, 2019 . Retrieved July 6, 2019.

Gundam Creator Yoshiyuki Tomino Expresses Thoughts on Spider-Man: Into the Spider-Verse Film". Anime News Network. April 25, 2022 . Retrieved May 6, 2019. the paradigm-busting "Spider-Man: Into the Spider-Verse." An enchanting short story from Madeline Miller that boldly reimagines the myth of Galatea and Pygmalion, now in hardcover for the first time The film's animation was handled by Sony Pictures Imageworks in Vancouver, who had handled nearly all of Sony Pictures Animation's prior films, as well as visual effects for all prior Spider-Man films. According to Lord and Miller, they wanted the film to feel like the viewer had "walked inside a comic book," and were excited about telling the story in a way they believed the live action films could not. [57] Persichetti concurred, feeling that animation was the best medium to honor the comics, allowing the production team to adapt 70-year-old comic art techniques for the film's visual language. [6] It took around a year for two animators to create 10 seconds of footage that reflected the producers' vision; the animation work was created from there. [69] During initial development, the directors worked with a single animator, Alberto Mielgo, to establish the film's look. [70] Although Mielgo was let go by Sony before the movie had been significantly produced due to artistic differences, [71] this number eventually grew to 60 animators during production. It became clear that they could not complete the film on time, so the crew was expanded further. The number had reached 142 animators by August 2018 and at one point to 177 animators, [72] the largest animation crew that Sony Pictures Imageworks had ever used for a film. Animation work was completed in October 2018. [6] In keeping with the graphic, stylized look of the film, even the FX department made use of hand drawing techniques. Rather than relying solely on physically based simulations, the FX team created a reusable library of 2D hand drawn FX elements often also animated on twos. These hand drawn elements were combined with traditional 3D simulations to create a distinctly illustrative feel for FX elements such as explosions and fire.

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Beautifully designed and laid out, the book is an intimate portfolio resplendent with color character renderings, setting concepts, story-boarding and start-to-finish designs." - Boyce McClain, Collector's Corner Robinson, Joanna (December 14, 2018). "Spider-Man: Into the Spider-Verse: The End of Credits Scene, Explained". Vanity Fair. Condé Nast. Archived from the original on August 4, 2020 . Retrieved September 20, 2019. Barnhardt, Adam (December 1, 2018). " 'Spider-Man: Into the Spider-Verse' Producers Want Spider-Ham Spinoffs". ComicBook.com. Archived from the original on December 2, 2018 . Retrieved December 3, 2018. D'Alessandro, Anthony (June 8, 2018). " 'Spider-Man: Into The Spider-Verse' Trailer Snares 44M Views; Ranks With Sony's Most Viral". Deadline Hollywood. Archived from the original on June 12, 2018 . Retrieved June 9, 2018.

Creating A Stylized Universe for Sony’s ‘Spider-Man: Into the Spider-Verse’ – ANIMATION WORLD NETWORK Forgotten the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuth Gonzalez, Umberto (February 28, 2017). "Sony's Animated 'Spider-Man' Movie Adds Alex Hirsch as Story Contributor (Exclusive)". TheWrap. Archived from the original on December 11, 2017 . Retrieved April 28, 2017. I mean, I don't know what I could say about this book or movie that hasn't been said a million times before.

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McNary, Dave (February 24, 2019). "Oscars: 'Spider-Man: Into the Spider-Verse' Wins Best Animated Feature". Variety. Archived from the original on June 26, 2019 . Retrieved February 25, 2019. Araña is a Spider-Girl lost in time. Miguel O’Hara is a Spider-Man who’s lost his way. Together, they’re our only hope. Some of the illustrative principles that went into the rendering and compositing include: graphic shapes, bold colors, strong composition and simplified design. The look strives for the raw emotion of illustration. In this attempt, soft gradations are avoided in favor of halftoning and line hatching - again similar to older comic book printing. The rendering of materials is also heavily stylized. Jones, Oliver (November 30, 2018). " 'Spider-Man: Into the Spider-Verse' Is a Thrilling, Mind-Bending Joyride". Observer. Archived from the original on December 1, 2018 . Retrieved December 1, 2018. Cowen, Trace (October 19, 2018). "Post Malone and Swae Lee's 'Spider-Man: Into the Spider-Verse' Collab "Sunflower" Is Here". Complex. Archived from the original on October 21, 2018 . Retrieved October 19, 2018.

The CGI animation for the film was combined with "line work and painting and dots and all sorts of comic book techniques," to make it look like it was created by hand, which was described as "a living painting." [57] This was achieved by artists taking rendered frames from the CGI animators and working on top of them in 2D, with the goal of making every frame of the film "look like a comic panel." [73] [74] Lord described this style of animation as "totally revolutionary," [9] and explained that the design combines the in-house style of Sony Pictures Animation with the "flavor" of comic artists such as Sara Pichelli (who co-created Miles Morales) and Robbi Rodriguez. [9] [10] The film's tone and visual style also drew influence from Japanese anime and manga works such as Hayao Miyazaki films and Akira (1988). [75] Yamato, Jen (July 6, 2017). "How Donald Glover wound up in 'Spider-Man: Homecoming,' and what it might mean for an inclusive future". Los Angeles Times. Archived from the original on December 29, 2018 . Retrieved December 25, 2018.John Mulaney also expressed interest in a potential spin-off film starring Spider-Ham, suggesting its plot as a " Watergate-like story" along the lines of The Post or All the President's Men while focusing on his character's career as a reporter. [156] Possible television series [ edit ] a b c Perry, Spencer (April 22, 2015), "Sony Announces Animated Spider-Man Film from The LEGO Movie's Phil Lord and Chris Miller!", ComingSoon.net, archived from the original on August 18, 2017 , retrieved December 27, 2018 a stunning dive into one of 2018's finest features...as memorable and accomplished as anything in the final product" - The Film Stage Spider-Man: Into the Spider-Verse was released by Sony Pictures Releasing under its Columbia Pictures label on December 14, 2018. [49] [93] In April 2015, Sony had made its first official announcement that an animated Spider-Man film was in development, with a release date scheduled for July 20, 2018. [5] It is the first animated Spider-Man feature film, and is independent of the timelines of other Spider-Man universe films. [5] At the end of 2015, the release date was changed to December 21, 2018, and was moved up by one week two years later. [42] [44] [49] Sony premiered the film at the Regency Village Theater in Los Angeles on December 1, 2018, and included tributes to Stan Lee and Steve Ditko. [94] [4] Home media [ edit ] Mahershala Ali as Aaron Davis / Prowler: Miles' uncle, who moonlights as a masked enforcer for Wilson Fisk while keeping it a secret from his family. He is rebellious, causing him to be looked at poorly by Jefferson. [14]

Jirak, Jamie (January 4, 2019). " 'Spider-Man: Into the Spider-Verse' VFX Supervisor Compares Film to 'The Hollow Man' ". Comicbook.com. Archived from the original on January 4, 2019 . Retrieved January 18, 2019. Compared to most “art of the movie” books, a new behind-the-scenes book offers up a very different, modern update to our understanding of creating concept art for the cinema. The book is Spider-Man: Into the Spider-Verse — The Art of the Movie by Ramin Zahed, an account of the design development and visual production process for this latest Sony Pictures Animation/Marvel partnership. A young Japanese-American girl from an alternative anime-like universe who copilots a biomechanical suit with a radioactive spider that she shares a telepathic link with. [16] The filmmakers initially considered using Silk as their Asian-American Spider-Man, but eventually settled on Peni because of her more distinctive power set compared to the other Spider-People. [17] Peni's designs went through a few iterations as her initial design was particularly "iffy." Production designer Justin Thompson considered Lord and Miller's desire to use an anime design and came up with the idea to portray her in an art style similar to Sailor Moon. [18] Spider-Man: Into the Spider-Verse was extremely popular among critics AND movie goers, netting a huge box office. The introduction scene immediately grabbed and pulled me in as Miles Morales (whom I knew nothing about before the movie) strolled through New York chilling to Post Malone's Sunflower while comic book-like animation flowed across the screen. It's one of the baddest, coolest openings I've ever seen. I instantly needed to own the song. Liev Schreiber as Wilson Fisk / Kingpin: A crime lord and the leader of Alchemax in Miles' dimension. His ultimate motive is to resurrect his dead wife and son, who died in a car crash escaping from him. [8] [13]the visual look of Spider-Man: Into the Spider-verse is a marvel. Seeing how they came to the design choices they did is...worth the price of this book and then some" - Vespe's Holiday Gift Guide Even the cinematography was reconsidered for the film. Avoiding softness in the film meant avoiding using a traditional lens blur for the camera focus and depth of field (DOF). One alternative type of camera lens focus (or DOF) was inspired by the comic book offset printing process where the (often accidental) mis-registering of the color passes can make an image look out of focus.