The extent is 400pp, TPS is 234 x 153mm, printed 1/1 on 80gsm Munken Premium Cream FSC paper, the book's sections are sewn, with WBN Grey endpapers, Winterbrand head and tail bands, cased in Skivertex Vicuana artificial leather over 2500 micron FSC boards, with title blocked in red foil and Re-Sisters waveform motif blind debossed, with a rounded spine. Photograph: David Vintiner/The Guardian ‘Fearless, knowledgable and incisive’: Cosey Fanni Tutti, King's Lynn, July 2022. Delia was exacting and didn’t tolerate imperfection in her own work, presenting only what she deemed perfect. This may result in small marks to the dustjacket and title page, please also bear in mind that each signature will be a little different from the one we show here. But it was spoken with such a dismissive, curt tone it made me take it as meaning, “Shut up, woman, I’ll let you know when I want your input.

Re-Sisters (Limited Edition) by Cosey Fanni Tutti | Books

Some may see this as Tutti using the book to “point score” but this is why it is so vital that she speaks so plainly and honestly as she does. Make no mistake, nothing here is about cheap titillation and the situations Cosey put herself in whilst studying this industry is often very tense and unsettling as whilst she explains in perfect detail why she did what she did and what purpose it was serving you worry about her (Tutti’s writing style is so relaxed and matter-of-fact that you feel yourself developing a bond with the narrator on a deeper level than just admirer/reader). She’d sometimes close herself off, not speak to anyone, which was flippantly referred to as “sulking” or giving people the “silent treatment”, “sending them to Coventry”.As much as Derbyshire and Tutti were able to express their sexualities (being around in the late 60s-70s cusp helped), Kempe took control of hers in a way that was exceptional for the time. The book retains its original packing, which is brown paper with a sticker confirming the limited edition state, number, and ISBN, and the original cardboard box that details the same. This exhibition is the first of its kind – a major survey of feminist art by over 100 women artists working in the UK.

Re-Sisters: The Lives and Recordings of Delia Derbyshire

From Nobel Laureates Samuel Beckett and Harold Pinter to theatre greats Tom Stoppard and Alan Bennett to rising stars Polly Stenham and Florian Zeller, Faber Drama presents the very best theatre has to offer. If you squint, you might just see the shadow of a dotted li ne connecting three women: not through history, but through the asynchronous shared experience of living within man-made structures, all coming up with crafty and artful ways to barrel past obstacles and succeed despite the odds. The book binding also accommodates an additional embossed folder containing six postscript text pages written by Cosey and a signed B/W photographic print featuring an exclusive unpublished behind the scenes shot from the ‘CONFESSIONS’ photo shoot. The union between the pair is where real light breaks into world of Cosey and it leads to a relationship that creates a son and is strong to this very day.Increasingly reclusive, both her person and her work drifted into obscurit y, even as electronic music grew and grew in popularity. Tutti outlines the universal kinds of mutual dynamics that people, artists, and female artists in particular, might fall into–or luck into, coast on, ride, or have to dig themselves out of. But even as you applaud these three women’s stubborn streaks, you boggle at the fact that the progress made between the 15th century, the 1970s and now isn’t far greater.