Fantastical Social Services: Nightmare painters are essentially a state-run extermination service. The pests just happen to be living nightmares that creep into the city from the eldritch darkness beyond, and the extermination involves painting them into harmless forms before they can eat enough fear to assume a much more dangerous physical form. Amnesia Loop: The father-machine doesn't have enough power to trap the souls of the fourteen yoki-hijo the way it trapped everyone else, but it does have just enough power to erase a day's worth of their memories. So it uses its captured souls to create fake villages and has each yoki-hijo live out the same day over and over again, erasing their memories each night, for seventeen hundred years.

Bad Bedroom, Bad Life: Nikaro's bachelor suite is cluttered with laundry, dirty dishes, and old take-out containers. He tries to convince himself he's Married to the Job as a distraction from the utter mess he's made of his social life. Hoid: Granted, he did overdo it—his eyes lingered on her the entire time she worked. But don't judge him too harshly. He was nineteen, and I'm a uniquely talented artist. Emotion Eater: The nightmares seem to gain sustenance from the fears of humans. This is because they are themselves former humans and absorbing the raw emotions of living people (specifically fear, being the most primal) help them regain some sense of their humanity. You Called Me "X"; It Must Be Serious: Throughout most of the story, Yumi refers to Nikaro by his profession (though she does indirectly refer to him by his name when with Akane and the others to keep up her cover as his sister). After Painter reveals the truth of how he lied to his friends, he begins to walk away to leave her alone. It's only when Yumi directly calls out to him by his actual name that he turns to face her. From this point onwards, Yumi frequently switches between calling him "Painter" and "Nikaro."

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Chekhov's Gun: After the time spent at the carnival, Yumi draws a very simple (and not really good) picture showing her and Painter's hands. Near the end, Painter passes that picture to her through nightmare-Liyun, which allows Yumi to regain memories stolen by the machine. Lonely Bachelor Pad: Nikaro's bachelor suite is part of his compensation as a nightmare painter, and he doesn't have much going on in his life besides work, soap operas, and the noodle shop. Yumi and the Nightmare Painter is a novel of The Cosmere by Brandon Sanderson, the third of his "secret projects" written during the Covid-19 pandemic. There is a world. One of endless night, surrounded by an even deeper darkness. Filled with nightmares come to life, twisted shapes that slink to windows and ease open doors, sliding across floors to look down on helpless faces. Alien Among Us: According to Hoid, one of the first problems a world faces when they leave their world and discover life elsewhere in the Cosmere is the fact that everyone else has been likely visiting their world for quite a while. The only reason worldhoppers don't help uplift the locals on their own is because it requires a lot of paperwork.

It's mentioned that Yumi averages twelve spirits called each session (compared to ten for most others), but she manages thirty-seven the first day we see her. Yes that was explicitly exceptional even for her, but it's still a huge jump. Because she's been living this same day over and over for almost two thousand years, her skill has grown to incalculable levels, so from her perspective her output suddenly jumped by a huge amount overnight. selectedStore.City }}, {{ selectedStore.State }} {{ selectedStore.Country }} {{ selectedStore.Zip }} Lo leía esperando que fuese relativamente lenta, pero el giro argumental que toma en cuestión de capitulos y la forma tan "sencilla" de consumir esos capítulos que te hacen seguir leyendo... Painter (Nikaro) is a lonely man making his living by trapping nightmares in paintings. He considers himself a lone warrior protecting the city, nevermind the fraternity of fellow painters who work with him. He is not a particularly fortunate man, but he makes his life more difficult by brooding. All he wants is to be important, not realizing that he is the biggest obstacle in his own way. Gentle Giant: Tojin. While he is very big and seems obsessed with his muscles and exercise regime, in reality he is a good person, and a little shy.In the epilogue, as they defy fate to let Yumi return to life, and after they have already learned they actually live on the same world, this becomes: "Our world, our rules." Nepotism: The Dreamwatch, allegedly the most elite nightmare painters, are actually a bunch of rich and powerful people's relatives who treat the job as a social club and steal the credit from the subordinates who do the actual work. I Work Alone: Painter insists on working alone rather than in a pair because he thinks he's a lonely dark hero who no one appreciates. Hoid lampshades that this mostly just means he's socially awkward and won't talk to his peers.

Human Disguise: Hoid used lightweaving to give Design some sort of three-dimensional disguise; apparently the specifics are complicated, but the short version is that it acts like she's made of flesh. Brilliant, but Lazy: Painter is actually one of the best artists in his city, but he's too lazy to paint anything more complicated than bamboo. His failure to be accepted into the Dreamwatch despite his talent convinced him that his art was bad and so he stopped trying.

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http://tvtropes.org/pmwiki/pmwiki.php/Literature/YumiAndTheNightmarePainter Follow ing Literature / The drama Yumi watches seemingly ends with the main couple being forced apart forever, but Yumi later hears that there was a secret bonus episode where the couple does get their happily ever after. This leads to the main story ending with Yumi dying to save Painter's society and let the souls of Torio rest, only for Painter to resurrect her in the epilogue. Ghostly Death Reveal: Referenced for laughs during one of Painter's stints as an invisible spirit. As a spren, Design can see spirits, so when she notices him, she drops a bowl of noodles and starts asking him how he died.