Shoemaker, Richie (January 1999). "Jeff Wayne's [The] War of the Worlds]". PC Zone. No.72. Dennis Publishing. pp.94–95 . Retrieved 30 April 2021.

Although Jeff changed his diet quite often, as he said “to avoid the monotony”, his macronutrient ratio always looked similar, with protein, carbs, and fats being split into 40:20:40. Time Kaioushin: One of the wizards... he was supposed to have been driven away to a place that was closed off from space-time. The scene from the musical with the tripod smashing though the bridges is not in the book the nearest we see isThe Fighting Machine, an iconic intimidating machine beloved by so many fans. Mostly used for offensive operations to sweep through any signs of opposing forces, A balanced machine that tramples the smooth landscape of Earth to be converted to none other than a mess of rough terrain though beaten by the tiniest tidbit of organisms on Earth... Time Kaioushin: Of course! Time travelling is something in which a little mistake can destroy everything. Even for me, the supervisor of time! Jeff Wayne's The War of the Worlds is a real-time strategy video game developed by Rage Software Limited and released for Windows-based PCs in 1998. It is based on Jeff Wayne's Musical Version of The War of the Worlds — which is itself based on H. G. Wells' 1898 novel The War of the Worlds. Time Kaioushin: No, this is too much for you. You've done enough, I'll send you to your original world. Time Kaioushin: How dare you tamper with time like this!! Even I, the "Time Kaioushin"- sama, worried about what to do with these unexpected turn of events!

Despite his early success in bodybuilding, Jeff’s professional career didn’t last long. After entering the professional circuit, Jeff continued to compete for three more years, before retiring from the sport. Time Kaioushin: I can't leave that place like that but should I get that Towa person first? I'm also concerned about the Dark Demon Realm. Why does all this stuff have to happen at the same time!? Time Kaioushin: I've heard there is someone that broke out of the Dark Demon Realm but I'd never thought it came to a point where they could move this actively... We knew that we wanted to work with painters and artists that had an understanding of science fiction and the Victorian age, and the art director my father and I chose to work with was a guy called John Pesche who had an amazing understanding of what we wanted for the album and booklet, and to give you an idea on just how diverse his talents were, and still are, he’s the guy who created the famous Rolling Stones tongue! And this Thing I saw! How can I describe it? A monstrous tripod, higher than many houses, striding over the young pine trees, and smashing themTrunks: If having used a time machine becomes a problem, I don't think it's something I can just apologise for, so can I help investigate that cause? Time Kaioushin: Wait right there!! Jajan!! We're the Time Patrol and we came to get you, people who have been disturbing time! Dufresne, Frédéric (December 1998). "La Guerre des Mondes". Génération 4 (in French). No.117. p.256 . Retrieved 29 April 2021.

Time Kaioushin: Answer me, Demigra! I've heard from your allies about freeing the Dark Demon Realm, what does that mean!?So, this is the 30th anniversary of your legendary take on HG Wells classic novel. Originally you were a well-respected composer in the TV, film and advert world, as well as producing for the likes of David Essex. What made you want to take on such an ambitious project and did you ever think that it would ever be held in such high esteem, as it is today…? The game was unique in that it was one of the first non-linear strategy/RTS games ever made and an early strategy game to adopt 3D graphics. The game was single player only at release, a patch that would enable a multiplayer mode was announced but never released, but a registry modification was discovered that allowed for a rudimentary multiplayer mode in the retail version. Gameplay Blevins, Tal (24 November 1998). "War of the Worlds (Preview)". IGN. Ziff Davis . Retrieved 29 April 2021. Time Kaioushin: I don't think he's lying nor does it seem he did it out of spite but it's true I, being the supervisor, can't let him leave like this... Well, I for one thought it really worked! One image that stands in my mind is the front cover of the album as well as the accompanying booklet where we see the now iconic Martian fighting machines, which, for me, is up there with HR Giger’s Alien design. How did that all come about and were you very active in its creation……?

On the original album you had the likes of David Essex, Phil Lynott and the legendary Richard Burton who’s take on the narrative was amazing (and who is still heard on this tour). Other than the return of some favourites, such as the Moody Blues’ Justin Hayward, what made you decide on the current cast? Towa: I can feel it just by being near it... this is the power of "Kiri", the energy of the soul. A little more and we'll have gathered the needed Kiri. We'll be completely free. The most important building in the game is the Command Post/Communications Centre. It allows construction of other facilities within that sector and also allows units to move into adjacent neutral and enemy sectors. If the Command Centre is destroyed in a battle, all other facilities within that sector are wiped out regardless of their condition. Well in truth, neither. The synthesizer period was really starting towards the end of the 1960s and this was when my career really started to take off. I was always interested in blending unusual sounds with traditional sounds and the Moog 3C was the biggest, most adventurous synth out there at the time, around 1968 to 1969, and I was one of the first few to actually get one, and by the time the mid 1970s came around, when The War Of The Worlds was my challenge, I was by then familiar with not only the Moog 3C, but all the synths that were growing out of those first generation of synthesizers and The War Of The Worlds was the right story to blend both worlds, meaning that when the story is being seen from the human characters’ eyes the music was all orchestral and organic, whereas when it is seen from Martian eyes, with all their weaponry & machinery, it was all about the synths and the guitars. That was what was going on in my head! It was one of the earlier real-time strategy games to use 3D models instead of sprites for units. The game also features 3D terrain, which can be used strategically. The game suffered from significant performance problems on the hardware of the time, [ citation needed] mainly due to the sheer number of vehicles on screen (often thanks to the Humans) as well as the fact there is no 3D hardware support.

Gentry, Perry (18 December 1998). "What's in Stores Next Week". Gamecenter. CNET. Archived from the original on 17 August 2000 . Retrieved 8 December 2019. Cobb, Jim (May 1999). "Wayne's World War ( Jeff Wayne's The War of the Worlds Review)" (PDF). Computer Gaming World. No.178. Ziff Davis. p.171 . Retrieved 29 April 2021.