Everything Everywhere All At Once" Leads the 2022 Seattle Film Critics Society Nominations". Seattle Film Critics Society. January 9, 2023 . Retrieved January 10, 2023. And medication assisted treatment is so fundamental to recovery for people, whatever part of recovery they might be in. And Linda B. Rosenthal in that scene is one of our State Assembly women here in New York and is an incredible advocate for progressive drug policy that centers on harm reduction and meeting people where they’re at, which is what’s successful. Goldin and two other activists had been filming their activities with P.A.I.N. for two years, intending to make a documentary about the activist group. Goldin then approached the film's production company about turning the footage into a film, and Laura Poitras was suggested to Goldin to direct the film, based on Poitras's work on Astro Noise for the Whitney Museum. Goldin was initially skeptical because of Poitras' previous political films, saying "I thought I was not going to be interesting to her because I don't have any state secrets." [11] As soon as we watched Laura Poitras’s piercing new film, we knew that Nan Goldin was the right artist to design the official poster for the 60th anniversary of the New York Film Festival,” said Eugene Hernandez, executive director of the New York Film Festival. “Nan’s unflinching bravery in life and in work have made her one of the most arresting visual artists of our time. In designing this year’s poster, she joins a renowned roster of artists who have contributed their work to the festival, beginning in 1963 with Larry Rivers and running up through last year’s poster artist, Kara Walker.”

What’s more, Disability representation is rarely authentic: a recent Nielsen study showed that Disabled people are 52% more likely to say that the portrayal of Disabled identities is inaccurate. Too often, Disability representation still relies on harmful stereotypes, “inspiration porn” and non-disabled actors playing Disabled roles – a pervasive phenomenon known as “cripping up.” While The L Word centered on a group of mostly white, cis, middle-class lesbians living in Los Angeles, The L Word: Generation Q is a more inclusive and intersectional update on the original series. Many of the series’ original characters remain, but a whole host of new characters have also been introduced: LGBTQ+ people whose queerness intersects with other parts of their identity, like race, gender or disability. Laura Poitras: Yeah, I feel that my films are portraits, I don’t use the word biography. It’s a portrait of an artist who is engaged in a political struggle. In our first meeting, Nan told me about Witnesses Against Our Vanishing, which I didn’t know about. Of course I knew David Wojnarowicz’s work, but I didn’t know that she had done this extraordinary exhibition at the height of the tragic AIDS crisis and that it created this national outcry of sort of culture wars conversation. I am thrilled to be part of the New York Film Festival with Nan,” said Oscar winner Poitras in a statement. “Her art and activism are deeply rooted in this city. It is an honor to return to the festival, and to do this with Nan is so meaningful.”Nan Goldin on discovering photography as a way to walk through fear: “I found my fight and it kept me sober.” Photo: courtesy of Nan Goldin AFTERSUN LEADS 26TH ANNUAL TFCA AWARDS WINNERS". Toronto Film Critics Association. January 8, 2023 . Retrieved January 8, 2023.

Nan Goldin on Paul Thomas Anderson’s favourite composer (Licorice Pizza, Phantom Thread, Inherent Vice, The Master, There Will Be Blood): “For me film music can make or break a film. Basically I watch anything that Jonny Greenwood does …” Photo: Anne-Katrin Titze Lattanzio, Ryan (November 22, 2022). "2023 Film Independent Spirit Award Nominations Announced (Updating Live)". IndieWire . Retrieved November 22, 2022. One of the richest lessons and constant warnings of queer history, or any other progressive history, concerns the perils of framing collective achievement and collaboration as personal feats. All the Beauty and the Bloodshed takes some meaningful stands against this kind of thinking, but the degree to which it's an idolatrous portrait of Goldin, filmed from the veritable hem of her garment, pushes very far in an iffy direction. I'd have thought that Poitras, whose approving hagiographies of Edward Snowden and Glenn Greenwald in Citizenfour (still a film with more formal integrity than this one, and with an evocative sense of time and place that All the Beauty... sometimes misses) might have learned more lessons about adulating and idealizing individuals at the expense of wider, multi-voiced contexts and of necessarily slippery narratives. But as different as these two films are grammatically, there's a shared sense of omitting questions or discounting perspectives that don't align with the legends Poitras's subjects prefer to print. Anderson, Erik (January 7, 2023). "2022 Georgia Film Critics Association (GAFCA) nominations". AwardsWatch . Retrieved January 7, 2023. Thomas, Carly (December 11, 2022). " 'Tár' and 'Everything Everywhere All at Once' Named Best Picture by L.A. Film Critics". The Hollywood Reporter . Retrieved December 11, 2022.To be as clear as possible, I don't have any beef whatsoever with P.A.I.N. (Prescription Addiction Intervention Now), the organization Goldin co-founds and co-leads, and I'm humbled by and grateful for their unanticipated levels of success in a brave and difficult effort. But through its grammar as well as its storytelling, All the Beauty and the Bloodshed continually likens the AIDS crisis and the opioid epidemic, despite their marked differences. It approaches both with almost exclusive reference to a certain semi-homogeneous set of outsider-artist New Yorkers, and it conceals until a closing title card all of the other activist organizations, still unnamed, that have labored with or in parallel to P.A.I.N. on this often stymied, hydra-headed campaign.

Anderson, Erik (December 15, 2022). "6th Hollywood Critics Association Film Awards nominations: 'Everything Everywhere All At One,' 'The Banshees of Inisherin' lead". AwardsWatch . Retrieved December 16, 2022. CODA is a coming-of-age film about seventeen-year-old Ruby Rossi (Emilia Jones) who is a child of Deaf adults (or for short: CODA) and the only hearing member of her family. She uses ASL fluently, acts as the family’s informal interpreter and is immersed every day in Deaf culture. But when she suddenly discovers a passion and talent for singing, the Rossis’ family life is thrown into chaos: why would Ruby want to pursue a vocation that could alienate her mother, father and brother?

Trailers and Videos

Carey, Matthew (September 8, 2022). "HBO Documentary Films Acquires Laura Poitras Oscar Contender 'All The Beauty And The Bloodshed' Ahead Of TIFF North American Premiere". Deadline Hollywood . Retrieved September 8, 2022.

a b Cheshire, Godfrey (October 9, 2022). "NYFF 2022: No Bears, R.M.N., All the Beauty and the Bloodshed". rogerebert.com . Retrieved October 10, 2022. In the early 1990s, the majority of Disabled people lived in inaccessible housing, faced enormous barriers in the workplace and had no access to public transport. Rather than granting Disabled citizens equal rights by law, the politics of the time encouraged a charity model of disability, where the public was advised to donate to “help” Disabled people through fundraisers like the annual charity TV event, Telethon. Before NYFF, All the Beauty and the Bloodshedwill make its world premiere at the Venice Film Festival.Lewis, Hilary (January 24, 2023). "Oscars: Full List of Nominations". The Hollywood Reporter . Retrieved January 24, 2023. Neglia, Matt (January 6, 2023). "The 2022 San Francisco Bay Area Film Critics Circle (SFBAFCC) Nominations". Next Best Picture . Retrieved January 6, 2023. But groups in New York like Vocal-NY, Pharm Farm, Housing Works, Act Up New York are groups that we look to that lead us through the harm reduction part and the grassroots part. We would take those messages, amplify them, learn from them and use Nan’s stature and the attention that P.A.I.N. had garnered to try to spread that as much as we could.