Enola Holmes: The Case of the Missing Marquess: 1 (Enola Holmes Mystery)

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Enola Holmes: The Case of the Missing Marquess: 1 (Enola Holmes Mystery)

Enola Holmes: The Case of the Missing Marquess: 1 (Enola Holmes Mystery)

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Stephens, John, and Geerts, Sylvie (2014). Mishmash, Conceptual Blending and Adaptation in Contemporary Children’s Literature Written in Dutch and English. In Sara Van den Bossche and Sylvie Geerts (Eds.), Never-Ending Stories: Adaptation, Canonisation and Ideology in Children’s Literature, (pp. 193–214). Ghent: Academia Press. Les qualités de cette lecture sont presque innombrables : une forme de restitution historique très intéressante, nourrie de détails passionnés (je parie que l'auteur s'est plongée avec délices dans de vieux volumes de "La Mode Illustrée" !), une lecture très fluide, une héroïne très sympathique, des histoires palpitantes, des personnages très vivants. La psychologie des personnages et d'une profondeur aussi riche qu'inhabituelle pour des romans jeunesse - sur un net fond de féminisme éclairé. McCallum, Robyn. (2018). Screen Adaptations and the Politics of Childhood: Transforming Children’s Literature into Film. London: Palgrave Macmillan.

Ferme, Antonio (29 October 2022). "How Millie Bobby Brown Channeled 'Fleabag' in 'Enola Holmes 2' ". Variety. Utichi, Joe (September 22, 2020). "Millie Bobby Brown & Harry Bradbeer On Crafting A Modern Superheroine In The Victorian-Era 'Enola Holmes' – Q&A". Deadline Hollywood. Archived from the original on 2020-09-30 . Retrieved October 10, 2020. However, the real antagonist in this book, in my opinion, is actually a woman by the name of Lady Eudoria Vernet Holmes. Mrs. Holmes is one of the few characters I actually hate, and having not meet her in this book, I would rather not meet her at all. Ever. Stephens, John (2011). Schemas and Scripts: Cognitive Instruments and the Representation of Cultural Diversity in Children’s Literature. In Kerry Mallan and Clare Bradford (Eds.), Contemporary Children’s Literature and Film: Engaging with Theory, (pp. 12–35). London: Palgrave Macmillan. I'm assuming that as the series goes on these characters and their stories will all grow and change, and I'm looking forward to seeing how it all turns out.

I first met Miss Enola Holmes in the novel, ENOLA HOLMES AND THE CASE OF THE MISSING MARQUESS. I found her to be utterly brilliant, like her older brothers, and quite given to solving mysteries. Her deductive reasoning is a delight, as is her particular views on society.

The movie doesn't follow the book exactly, that may be credit to Millie Bobby Brown and her writers. Carroll, Rachel (Ed.). (2009). Adaptation in Contemporary Culture: Textual Infidelities. London: Continuum.

Book Enola is younger (14) as is the Viscount Tewkesbury (12!) and there is no romance. The mystery is also a lot less involved, as it's just the first of six mysteries in the series. Having just turned 14 years old, Enola discovers that her mother has disappeared leaving no clue as to her whereabouts. She is torn between loving devotion and worry for her mother's welfare and a deep sense of anger and disappointment at the possibility that her mother has simply left and abandoned her to her own devices. When she calls for the assistance of her two brilliant older brothers, she is horrified to discover that, having failed dismally to discover what happened to their mother, they mean to take over her life and force her to attend a stultifying boarding school for gentle young ladies. Heilman, Ann, and Llewellyn, Mark. (2010). Neo-Victorianism: The Victorians in the Twenty-First Century, 1999–2009. London: Palgrave Macmillan.

Kokkola, Lydia and Van den Bossche, Sara. (Eds). (2019b). Cognitive Approaches to Children’s Literature and Culture. Special issue of Children’s Literature Association Quarterly, 44(4). Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide. Get started Close A partir del punto en el que se escapa, es completamente diferente de la peli, pero me ha entretenido mucho. No debería estar comparándolo con la película, pero me resulta un poco inevitable, sobre todo teniendo en cuenta que la película me gustó mucho y fue lo que hizo que quisiera leer los libros. Básicamente, aunque la película está enfocada a todos los públicos, sí es verdad que el libro tiene un aire un pelín más infantil.

Hoffman, Jan. (2009, July 17). Nancy Drew’s Granddaughters. The New York Times. Accessed November 25, 2020 from https://www.nytimes.com/2009/07/19/fashion/19drew.html. And at first, it looks as though she's absconded with all the money and taken off to parts unknown. However, in Enola's birthday gift are clues. And with each solved clue, she finds a fat wad of cash.



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