Although you would be hard-pressed to tell the PLX-1000 and the PLX-500 apart from just looking at them, however, once you get them in hand, the differences become more apparent. Unlike the PLX-1000 (which has a full metal body), the Pioneer DJ PLX-500 has a mostly high-grade plastic shell. Although the platter and the tonearm are made from metal. With the directly driven PLX-500, Pioneer has an attractively priced turntable in its range. Its torque, synchronism, and robust chassis with solidly anchored platter provide the basis for professional application and scratching with vinyl. The sound has largely convinced me. Another argument for the PLX-500 is its integrated sound card, which sends the signal to a connected computer without additional hardware. Vinyl lovers can thus digitize their record treasures via record box. DVS operation with a record box, even an app on the iPad, is possible without additional “dongle” hardware. For me, the PLX-500 is a great turntable in its price range. Inside we see a three phase brushless motor with electronic brake. This setup enables seamless transitioning between the three rpm settings. This not only increases the amount of control a DJ has, but also makes for much easier and more precise mixing, which is very important when starting out as a DJ. The S-Shaped Tonearm comes with a Fully Detachable Headshell. But is This Important?

This makes it quite challenging to pull off more intermediate / complex scratch phrases. No doubt a skilled turntablist will be able to adjust accordingly, but it may lead to frustration for beginners, and intermediate DJs will be able to tell the difference after just a few tries.The characteristically beveled, patterned platter edge, and strobe speed control system resembles the famous SL-1200. The tonearm belongs to the 9-inch category, and it is S-shaped. The head is tightened (the possibility of its replacement increases the turntable’s tolerance field for various types of inserts). The design of the column and the gimbal suspension system, with a large frame and bearing arrangement, also refers to the SL-1200 scheme. It is pretty simple. However, for the price, there is no better vinyl player currently on the market in terms of the quality of sound!

The PLX-500 looks good at first glance– above all, it does not reveal that it is (by DJ standards ) a mid-range turntable. Visually, it does not differ significantly from the more than twice as expensive PLX-1000. Nice metal start buttons, platter speed changes, or pitch attachments are pleasing to the eye. They all look confident. The aluminum platter looks impressive thanks to the “spotted” outer flange, which is part of the classic strobe rotation control system.Using the PLX-500 with Rekordbox DJ was the last thing on my list. It doesn’t come with a Rekordbox DVS licence, and you still need to hook up a Rekordbox DVS-enabled mixer or DJ controller to your laptop. I have a licence and timecode vinyl that came with my DDJ-RZ, so I tried it out. Getting it set up and calibrated was a breeze (as is the case with DVS these days). Lastly, the metal platter underneath isn’t as dense as the PLX-1000. It doesn’t feel as solid as the flagship. The inbuilt LED indicator light enables you to estimate the record’s speed at a glance in low light settings. How about Inputs and Outputs?

I would recommend Pioneer PLX-500 to beginner DJs who want to learn how to play, plus have the pleasure of listening to vinyl records from time to time. For people who have already decided on a DJ career, the PLX -1000 will certainly be more recommended. The only noticeable noise from the motor is heard when running at 78RPM, which is engaged by pressing both the 38 and 45RPM buttons simultaneously. And, thanks to the mostly hollow design of the shell, harder taps or bumps to the unit can result in some audible changes. This is not a deal-breaker for us, but definitely something to keep in mind. Sound Quality The gorgeously warm quality that vinyl records bring is on full display with the PLX-500. The overall soundscape is handled with grace and care. The lower end has been very slightly muted, with the full midrange being pushed to the front of the mix. Looking from above, we see the On/Off switch, the large Start/Stop button, and the three-speed selector. This offers you a choice of 33, 45, or 78 rpm. Pioneer have also kept the +8/-8 pitch fader, which works great for pitch bending (even though the motor is not as powerful as the PLX-1000).Tonearm Type: Universal type S-shape tone arm, Gimbal-supported type bearing structure, Static balance type Prices valid in stores (all including VAT) until close of business on 27th November 2023. (Some of these web prices are cheaper than in-store, so please mention that you've seen these offers online.) I also had to be a little bit gentler when it came to speeding up the spindle and slowing down the platter edge with my fingers – the motor doesn’t seem to have as high a torque as that of the PLX-1000, which again is understandable since this is a budget model. I did some digging: the PLX-1000 can start up in 0.3 seconds, while the PLX-500 takes up to one second to fully start. It sounds like a small thing, but this makes for a noticeable difference in performance. The column base is equipped with a large ring with which (after releasing the latch) we can conveniently adjust its height. This is one of the best solutions of this type and quite unique in this price range (it is not easy to find VTA regulations here at all).

Next, I wanted to try ripping some tunes, so I hooked one PLX-500 to to my laptop via USB and fired up Rekordbox, which has a vinyl recording feature. Again, no issues and it worked fine. So far, so good. My expectations are being met, which got me excited about my next test, which was spinning. DJing Setting the Pioneer up is reasonably straightforward and should not prove too challenging, especially if you have access to a stylus force gauge. Once up and running, the Pioneer does a fair amount right – but not everything. Listening to Biffy Clyro's Only Revolutions, the PLX-500 has some traditional direct drive attributes. The sound has a rhythmically engaging and propulsive quality and as you might expect, pitch stability is pretty much absolute. The Pioneer DJ PLX-500 has been designed with a wide range of DJing styles in mind. Perfect for any beginner or a seasoned professional for that matter. Turntables are fussy things – they rely on a tiny needle sitting in a record groove. This is why the best DJ turntables are built like tanks, weigh a ton, and often expensive. The added mass and weight make them less prone to unwanted vibrations and bumps, especially when you’re stood next to a pair of bass bins. When you cut corners to make a DJ turntable, compromises are inevitable. The tone-arm shoulder looks a little low-cost, however you’ve obtained ta maintain expenses down somewhere? And also, justice, it doesn’t mess with efficiency – if you calibrate the weight, height and also anti-skipping dial to match your stylus as well as needle set up, after that you’re golden.The launch of Pioneer’s high-end PLX-1000 DJ turntable in 2015 caused a few ‘oohs’ and also ‘ahhhs’, and also fitted perfectly into that space left by the demise of the mighty Technics 1210. The S-shaped arm is static-balanced, meaning the user can also adjust the tonearm’s height and weight thanks to the counterweight and anti-skating dial. But remember to dis-engage the anti-skating if you are going to be scratch DJ’ing. Pioneer DJ has done an OK job at distilling the essentials of what a DJ turntable is (eg pitch control, acceptable torque, adjustable tonearm), and it is fine for those who want to get started, but this is not something you’d want to take to a gig because of its relatively hollow build. Intermediate and pro DJs will want to save up and look elsewhere – the Reloop RP-7000 for example, is a better option that costs less than Pioneer DJ’s flagship PLX-1000. Of course, you can also go the used route and get a pair of Technics 1200s.