Freddy: “If there’d been more like us and fewer like Basil there’d never have been a war. You can’t blame Ribbentrop for thinking us decadent when he saw people like Basil about. I don’t suppose they’ll have much use for him in the Army. He’s thirty-six. He might get some sort of job connected with censorship. He seems to know a lot of languages.”

L. E. Sissman (March 1972). "Evelyn Waugh: The Height of His Powers". The Atlantic . Retrieved 15 December 2014. Like in all of Waugh’s novels, we get a perfect glimpse into the decayed social structure of the pseudo-intellectuals (i.e., Marxists) in Britain. The novel is not necessarily happy, few of Waugh’s are, but its wit is razor sharp. For reasons one can’t fathom, Basil is often in the company of the avant-garde Marxists. He tells one surrealist painter who is frightened by the war, “You know I should have thought an air raid was just the thing for a surrealiste; it ought to give you plenty of compositions--limbs and things lying about in odd places you know” (Waugh 32). So what is a flag? Also known as a mask, a flag is a data series corresponding to a timeline that contains in each cell either a “1” or a “0” . Multiply your underlying data (answering the question “how much?”) with a flag and the result will either be:

Select a format:

The incorrigible Basil Seal is typical of many of his class, a fellow dilettante like the pompous Alastair Digby-Vaine Trumpington, they are ‘networking’ and using connections being kept busy seeking cosy sinecures, or commissions into respectable regiments as long as they don’t get posted overseas or anywhere likely to see front line action. Their amusing escapades make enjoyable reading and Waugh writes elegantly and with breathtaking ease describing their mishaps, like when Basil Seal seeks to exploit the opportunity to billet some insufferable and undisciplined working class children on local gentile society. He is not amiss to some nefarious wartime profiteering..and as with all Evelyn Waugh’s brilliant satires there is plenty of absurdity and jiggery-pokery, and tom-foolery, and lampooning, but also some poignant melancholia, for instance the pathetic and diminishing Mrs Angela Lynne, forced to return from the South of France at the outbreak of war, and let down by her lovers, she descends into alcoholism. After a single date flag: the data series contains consecutive “ 1”s that start only once a single date is reached. All prior cells contain zero. Used to identify periods starting after a single event e.g. post-operations period flag. Basil represents the intersection of the decline of British Empire with the chaos of WWII. The absurdity of the elitist arrogance of the British upper class as it faces the very real threat of defeat at the hands of Germany is brilliantly presented. Basil's mother stubbornly ignores sheltering during the blitz of London. Basil's wealthy mistress's husband vaults headlong into enemy fire more concerned about paperwork than death. An inept aristocratic navy officer named Cedric Lyne does his best to avoid any real wartime responsibility only to fail at his first test of leadership. Waugh provides many examples of the affluent British characters laughably failing to adapt to wartime conditions. Waugh worries about the softness of the British nobility and leaders as they encounter the gritty challenges of 20th century globalism and more urgently the war with Germany. Ambrose Silk is a more subtle and nuanced example of fashion. He is a dandy and an aesthete who has been a communist sympathiser – a fellow traveller in the jargon of the time. Waugh pokes fun at him on two fronts. He is terrified of what might happen to him if the Germans invade Britain – since he is aware that the Nazis have persecuted left sympathisers. And more comically, he is writing a memoir Monument to a Spartan which describes his love for Hans, a German brown shirt fascist youth.

We rejoin the idle, scheming Basil Seal in the autumn of 1939, as the second World War is breaking out across Europe and all of England is mobilizing. He's wryly aware that the era of Bright Young Things is over for good; in fact, his halfhearted attempt to join a regiment (as orchestrated by his mother) are rebuffed, due to the commander's personal dislike of him and the fact that he is nearing his upper thirties, and only young men are wanted. The books that comprise the Sword of Honour trilogy were written in the 1950s and 1960s when Evelyn Waugh was able to put World War Two into some kind of perspective. Sword of Honour also happens to be one of Evelyn Waugh's masterpieces.Every forecast model we build in F1F9 has a Time sheet: a worksheet dedicated to important dates e.g. when the model starts, when the model ends, when the project starts , when the project ends, when the project moves from one phase to another. The Time sheet is a foundation sheet: bringing together core information that answer s the question “when do things happen?”. IMDB recently updated the archival information in its database relating to two little-known BBC TV adaptations of Waugh’s works from 1970. These are Vile Bodies and Put Out More Flags. Both were 90-minute productions on BBC2, but some archival information is still incomplete.

One of Evelyn Waugh’s favourite targets for satire in his early novels was contemporary fashions in the arts. In Decline and Fall the society Margot Beste-Chetwynde (later Lady Metroland) destroys a historic Tudor building to put in its place a monstrosity of plate glass, leather walls, and modernist furniture. In Put Out More Flags Waugh aims at the literary world. Much mention is made of the two proletarian poets Parsnip and Pimpernel. Sir Joseph Mainwaring believes all the myths and rumours circulating about the war. Alastair is posted to coastal defence and wishes for more excitement. Rampole reads ‘light fiction’ in prison, and Basil joins a special service unit.After the total expulsion of the British from the continent, special forces are set up to harass the victorious Germans. Alastair Trumpington joins them and Peter Pastmaster recruits Basil Seal, who marries the widowed Angela and looks forward at last to action: "There's only one serious occupation for a chap now, that's killing Germans. I have an idea I shall rather enjoy it." In 1928 he married Evelyn Gardiner. She proved unfaithful, and the marriage ended in divorce in 1930. Waugh would derive parts of “A Handful of Dust” from this unhappy time. His second marriage to Audrey Herbert lasted the rest of his life and begat seven children. It was during this time that he converted to Catholicism. Basil’s attempts at war heroism are far less successful than his money-making endeavors. When he flunks an interview for a privileged position in the army (“arranged” by his mother begging a favor of a prominent government official), Basil tries to interest the Ministry of Information into the strategic wisdom of annexing Liberia. When that too fails, he finagles a job in the War Office. But the job is without promise, so Basil executes a plan to persuade a close friend to write material resembling German propaganda—and then betrays his friend to the authorities. However, guilt then compels Basil to effect his friend’s escape to Ireland.