Isolation-wise the KZ ZSN are decent, but alas distant from the 26 dB noise reduction touted by the manufacturer. Ambient noise gets reduced by a little bit, but I could not avoid raising the volume while on public transport. Sound & Specs The cables are the same one that comes with the KZ ED15 and KZ ZS10 with a dual double helix braided design and very rubberized finish. The connector of the cable is the same bi-pin 0.75mm of all KZ earphones with detachable cables; specifically they use the angled connector (like the KZ ZSR , KZ ZST and KZ ZS10) and not the straight connector that came with the KZ ZS6 , KZ ZS5 and KZ ZS3. KZ ES4: the ES4 are more balanced and neutral when compared to the ZSN. They offer less bass presence and more treble extension, while keeping the mids front and centre. The ES4 tend to be more detailed throughout the spectrum, and they also have slightly better soundstage width, imaging and instrument separation. They are not as god in terms of speed and control, though, nor are they when it comes to bass extension.

KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip รีวิว KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip

ES4​ และสายอัพเกรดมา​จาก​ Shopee​ ตามคำแนะนำของเพื่อ​น​ ในราคาแสนถูก​ พอๆกับหูฟังที่ขายตาม​ 7-11 เลยทีเดียว​ KZ ED16: the ED16 stand out because of their instrument separation and soundstage, which are way better than those of the ES4. Detail is also better in the treble and bass regions, while in terms of tuning, they have more emphasis on the usual region across midrange and treble. Midrange also pops out more, yet the general impression is not that of better balance. What really prevents the ED16 from being better is the relative unbalance. With an EQ you will be able to customize their lower mids and male vocals into absolutely clear and free of mid-bass bleed. Higher mids can be EQ’ed to calm down some of their harshy peaks without getting recessed. KZ ZSA: in terms of technicalities, the ZSA are very similar to the ES4: instrument separation is largely comparable, while soundstage appears slightly larger on the ZSA. There’s no clear winner, though. The ZSA have a much more pronounced V shape in their sound, with prominent bass and treble that really stand out. The upper mids spike is way worse on the ZSA than on the ES4. KZ ZS10: the ZS10 are much more detailed than the ES4 in every part of the spectrum, also featuring much better instrument separation. Alas they also have a terrible spike in the upper mids/lower highs that makes the sound fatiguing and even piercing at times. The sound signature is also not as balanced and results in an unnatural sound. The ES4 are therefore the better option when it comes to tuning.The KZ ES4 durability is inline with all KZ earphones from the last 2 years – that are built with the same materials. Expect the same rugged and well-built construction of the KZ ZS10, KZ ZST PRO and KZ ED12. I would say that the KZ ZSN are good for most genres; their V-shaped tuning makes them especially apt for modern genres, but it’s up to one’s taste in the end.

KZ ES4 – In-Ear Fidelity KZ ES4 – In-Ear Fidelity

BA ให้รายละเอียดที่คมชัด เนื้อเสียงชุ่มฉ่ำ เสียงร้องชัดถ้อยชัดคำ ฟังสนุก เสียงออกแนวหวานกังวาลใส ส่วนเสียงสูงก็ทอดออกไปได้ไกลกำลังดี เนื้อเสียงหวานเช่นกัน รายละเอียดครบถ้วน เนื้อเสียงไม่แห้งมีสากเสี้ยนบาดหู ปลายเสียงเก็บไวไม่แตกพร่า ทำให้ฟังได้นานไม่รู้สึกปวดแก้วหู ตรงจุดนี้ต้องยกความดีความชอบให้ไดรเวอร์ Balanced Armature จริง ๆ ที่ทำจุดเด่นออกมาได้ดีขนาดนี้ ส่วนเวทีและมิติเสียง มีขนาดกลางกำลังดี ไม่แคบ จัดวางเครื่องดนตรีได้ดี เสียงร้องพุ่งออกมาข้างหน้า เครื่องดนตรีย่านต่ำคลออยู่โดยรอบฟังสนุก เนื้อเสียงมีความสมจริงมาก ๆ แนวเพลงที่เหมาะสม Treble is where the ES4 has a clear advantage over other KZ headphones, as it is a bit more extended and it has a nice resolution which leads to a good perceived level of detail. Now, the thing is it doesn’t hold a candle against headphones that really have good extension and good detail (e.g. Tin Audio T2), but the ES4 can hold its own in its class. Don’t expect anything too fancy; you can hear a good few details, but all the micro-details that often make the difference in telling a really good product from an average one are not there. Much like most of the latest generation of KZ earphones , the KZ ES4 is a very comfortable earphone to wear and does not generate in-ear pain. The fact that the KZ AS10 is balanced and actually pleasant comes therefore as a surprise. This may be the most interesting IEM made by KZ due to this, despite not having the same technical prowess as other headphones in the line-up. The KZ ES4 belongs to the newest generation of KZ in-ear monitors and shares some design similarities with the KZ ZS10 , like the transparent housings and the characteristic divider board with the KZ logo which can be found inside the rear section of the housings.Midrange is certainly recessed, but not as much so as to sound distant or as to make you wish for more volume. The signature is balanced enough to leave midrange enough room to breathe; instruments (including voices) are placed in the mix so that they are always clearly audible. Tonally-wise, midrange is on the warm side, but gently so: mids stay balanced and the upper range is not too far behind the lower range. This presentation is quite relaxing and enjoyable, especially if you listen to acoustic instruments. It’s decent even if we take a few other matters into account: detail is good enough to deliver the necessary nuances, but you never get to taste the finer ones. Even a few smaller details get lost in the mix, though that’s to be expected. Speed is good, though, so fast transients are rendered with impressive accuracy for the price range the KZ ZSN are in. The KZ ES4 features 4 drivers in total, distributed in 2 per earpiece. The dual driver setup includes 1 balanced armature and one 10 mm dynamic driver, each driver will independently be responsible of reproducing different audio frequencies – the dynamic driver will take care of the lower end while the balanced armature will resolve mid and upper frequencies. Although the tuning is generally way better than that of previous earphones, it is not devoid of criticism. While there are no strange spikes and dips, there is a bump in the mid-bass area that introduces warmth to the signature. What’s great is that there is no aggressiveness whatsoever, anywhere in the spectrum.

KZ ES4 | Audiofool Reviews

KZ ZS4: the ZS4 are much more heavily V-shaped, with bass and treble that are much more prominent than mids. Those appear heavily recessed and a bit distant. Bass is almost overbearing, leaking over the mids, while treble is not really detailed despite its large presence. The ZSN are much more balanced, and they have better technical ability, too. Though it is not a radical difference, the ZSN offer slightly wider soundstage, better imaging and better instrument separation. They’re also faster, which leads to percussion instruments being more lively. KZ ES4 In-Ear ราคา ยังคงเอกลักษณ์และจุดเด่นของแบรนด์เอาไว้อย่างครบถ้วน นั่นก็คือคุณ๓าพเสียงระดับไฮเอนด์ ในราคาระดับเริ่มต้น บอกเลยว่าไม่ทำให้ผิดหวัง เหมาะกับคนที่อยากได้ หูฟัง In-Ear มาใช้งานกับ Smartphone มือถือ หรืออุปกรณ์พกพาต่าง ๆ ด้วยแรงต้านทานที่รุ่นนี้มีไม่มากนักขับได้ง่าย รับคุณภาพย่านเสียงระดับสูงได้ง่าย ๆ ไม่ต้องต่ออะไรมากมาย และผู้ที่มองหาสินค้าที่สวมใส่ได้ง่าย สบายหูเป็นเวลานาน ๆ คล้องหูก็ไม่ระคาย รวมไปถึงชอบอัพเกรด ยิ่งรุ่นนี้นอกจากจะอัพเกรดสายได้แล้วยังอัพเกรดไปเป็นสายแบบ Wireless ได้ด้วย กับราคาเท่านี้ พลาดไม่ได้จริง ๆ รายละเอียดทั่วไป KZ announced a good few headphones in the last several months, including their new flagship the KZ ZS10. A litte after the ZS10, the company also announced what looks like a directly-derived IEM for a lower price tier: the KZ ES4. Being similar in terms of design and a similar yet simpler driver configuration, the ES4 is indeed better from an acoustic standpoint.This and the ED16 are the best KZ mids to date. Whoever at the factory that was supposed to scoop the mids must have had the day off as they are more present in the mix than any other KZ in memory. I still hear the ES4 as a V (and the FR graphs prove that out as the mids are nearly 5db behind the treble and 7-9db behind the bass) but the sound is so well proportioned that it does not listen like a big V but more like a shallow V with a lively presence region. KZ ES4 the latest release from KZ with a dual hybrid configuration, detachable cables and plastic housings.

KZ ES4 review: balanced, but not enough - Soundphile Review

During our extreme bass tests the KZ ES4 were able to handle 40% of the maximum power of a Fiio E12 amplifier while being set to high gain and with bass boost turned on; a custom basshead EQ was used. The extreme amplification and equalization, made lower frequencies of the KZ ES4 achieve a massive increment of mid-bass punch and sub-bass depth that even provided a crazy basshead level of impact and rumble way above the Xiaomi Mi Pro HD, Monoprice 8320 and even stronger than the Xiaomi Mi In-Ear Headphones Pro but not as impacting as the Sony MDR-EX650 , Sony MDR-EX800ST and Pioneer SE-CX8 . Comfort is indeed good and better than I expected; considering the similarities with the ZS10, I thought it would be decent but not that great for long listening sessions. Truth is, I used them all day long for multiple days and only got some fatigue at the end of the day. The AS10 is therefore an IEM you can rely on when it comes to comfort. As subjective as comfort is, I think the KZ AS10 is much more universal than other headphones as it is small and light – so take my thoughts with a pinch of salt, as usual, but also consider the fact that they’re really one of the best IEMs by KZ in terms of comfort.Females vocals can get sibilant(yes they can, CardiB went sibilant on Dinero by JLo). They are too sharp, sharper than ZST. But the best part is that you can hear breathe of singers. The ES4 is made out of a hard plastic shell and comes with a removable cable. These earphones feel pretty solid, but with such a hollow and large casing I would be afraid to step on them. Comfort is rather good, I especially like the ergonomic shape and the lighter weight of the plastic casing compared to metal earphones that often fall out. The KZ ES4 mids have full bodied sound with a warm personality and very crisp higher mids. Lower vocals sound energetic and alive despite a mild presence of mid-bass bleed. If you were not into KZ’s new approach with the tuning of the KZ ZS10, you will be happy to know that the KZ ES4 has KZ’s sound signature that everybody loves. The KZ ES4 has a very strong output and if you crank the volume you will feed their crisp higher mids into some harshness. Given their warm yet balanced tuning, the KZ AS10 are good all-rounders that can take on most genres. As it is customary for KZ’s latest earphones, the cable is detachable and uses two 0.75 mm pins – so it is compatible with cables such as the AK Audio 4-core 7N copper cable or the Yinyoo 8-core SPC cable. The company claims that the receptacle can last up to 10,000 plug-unplug actions, which would imply a long life for the earphones.