At her new school, she meets Ruby, a teen beauty queen who has a penchant for tinkering with old cars. Pretty sure this book rotted a friend’s brain because it’s all she talks about now since she read it, so beware. S.” is like a queer “Charlie’s Angels” set at the school from “But I’m a Cheerleader,” with broader commercial appeal. She’s trailed by Ash, the girl who betrayed her, and they tentatively team up to take down the bigger enemy. After a series of tragic events, she meets Shug Avery, a woman who has taken charge of her own destiny and encourages Celie to do the same.

When a pirate queen snatches Cassandra, a young sea monster trainer, and takes her onto her own pirated vessel to train a young sea-monster pup, Cassandra is alarmed. At once funny, insightful, emotional and deeply tender, these oft-quoted letters shed light on one of the most famous literary love affairs – and friendships – of the twentieth century. This is now our third year of running F/F February and therefore our third masterlist (you can see last year’s iteration of it here). Wren Southerland’s reckless use of magic has cost her everything: she’s been dismissed from the Queen’s Guard and separated from her best friend—the girl she loves. When Princess Aurora strikes up a friendship with the shunned Dark Grace Alyce, neither expects the consequences – good and bad – that it causes.P. Wilkinson due to Horace's regularisation of the 4th syllable as a long, stressing the 4th-syllable was a common approach in several Romance languages [14]). When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. Horace's Odes became the chief models for subsequent Sapphics, whether in Latin [8] or the later vernaculars — hence the term "Horatian Sapphic" for this modified model.

Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story. When Corinne’s secret girlfriend dies, she must figure out how to grieve for a girl no one else knew she was dating. Brought to life by the careful genius of Phyllis Nagy’s script, the supple glow of Ed Lachmann’s 16mm cinematography, and two of the most extraordinary performances ever committed to celluloid (which isn’t to sweep old Harge under the rug where he belongs), Haynes’ Carol is more than just a bone-deep melodrama about a mutual infatuation during a repressive time. When Willow – gorgeous, glamorous, and heartbroken – enlists Nozomi to pose as her new girlfriend to make her ex jealous, Nozomi is a willing volunteer. When powerful mage Cadence is reunited with her childhood friend, a noblewoman with ties to the underground rebellion, she must make a choice: take a stand to free their country from oppression, or follow in the queen’s footsteps and become a monster herself.She will stop at nothing to win – that is, if she can keep her eyes on the prize and off her infuriating teammate. When Hani comes out to her friends as bisexual, they invalidate her identity, saying she can’t be bi if she’s only dated guys. The debut effort from “The Kids Are All Right” director traced a less controversial love story (no switching teams here), and still sparkles with that first-feature charm. Compared to the stand-outs of queer television, the best lesbian movies have relatively little time to convey their perspective on the vast, varied, (sometimes) vaginal lesbian experience. But a real-life plot twist unfolds when Emma and Sophia start seeing each other through a different lens.