Rose, G. (1993) Feminism and Geography: The Limits of Geographical Knowledge. Wiley. pp. 216. ISBN: 978-0-7456-0818-1. More 'Focus' features covering interactive documentaries, digital story-telling and participant mapping Rose, G. (1997) Spatialities of 'community', power and change: the imagined geographies of community arts projects. Cultural Studies, 11(1): 1-16. Rose, G. (2010) Doing Family Photography: The Domestic, The Public and The Politics of Sentiment. Ashgate Press. pp. 158. ISBN: 9780754677321. Pryke, M., Rose, G. and Whatmore, S. (2003) Using Social Theory: Thinking through Research. Sage, London. pp. 196. ISBN: 9780761943778.

Rose's current research interests lie broadly within the field of visual culture. She is interested in the ways social subjectivities and relations are pictured or made invisible in a range of media, and how those processes are embedded in power relations. She also has long-standing interest in feminist film theory and in Michel Foucault's and feminist accounts of photography in particular. This work has formed a crucial link between feminist geography and geography of media and communication. Rose, G. (2017) Look Inside TM: Corporate Visions of the Smart City. Chapter 6 in, Fast, K., Jansson, A., Lindell, J., Bengssten, L.R. and Tesfahuney, M. (eds.) Geomedia Studies: Spaces and Mobilities in Mediatized Worlds. Routledge. pp. 97-113. ISBN: 9780367884659. urn:lcp:visualmethodolog0000rose:epub:a9d3a4f9-9ae9-4c5e-bf07-499b7ac47bf9 Foldoutcount 0 Identifier visualmethodolog0000rose Identifier-ark ark:/13960/s2d89fkv470 Invoice 1652 Isbn 0761966641Now in its Fourth Edition, Visual Methodologies: An Introduction to Researching with Visual Materials is a bestselling critical guide to the study and analysis of visual culture. Existing chapters have been fully updated to offer a rigorous examination and demonstration of an individual methodology in a clear and structured style.

Gillian's first book was Feminism and Geography: The Limits to Geographical Knowledge (1993). In it, she explored questions surrounding the politics of knowledge production in relation to the discipline of geography itself. The book is a poststructural critique of masculinist geographies and made a significant contribution to the emergence of feminist geography. Pedagogical enhancements including full colour images, extended further reading, and updated case studies and visual examples

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a href="https://www.thefreelibrary.com/Gillian+Rose%2c+Visual+Methodologies%3a+An+Introduction+to+Researching...-a0311050498 Brand new chapters dealing with social media platforms, the development of digital methods and the modern circulation and audiencing of research images Gillian Rose FBA (born 1962) is a British geographer and geographic author. She is a professor of human geography in the School of Geography and the Environment at the University of Oxford. [1] Previously, she taught and served as Associate Dean at The Open University. She is best known for her 1993 book, Feminism & Geography: The Limits of Geographical Knowledge. Rose, G. (1997) Situating knowledges: positionality, reflexivities and other tactics. Progress in Human Geography, 21(3): 305-320.

Rose, G. (2014) On the relation between 'visual research methods' and contemporary visual culture. The Sociological Review, 62(1): 24-46. Gillian is a cultural geographer. Although her empirical research interests have shifted over time, a central theme has been the techniques and politics of knowledge production about places. Her longest-running project is the book Visual Methodologies: An Introduction to Researching with Visual Materials; its fifth edition was published in 2022. Rose, G. (2017) Screening smart cities: managing data, views and vertigo. Chapter 17 in, Hesselberth, P. and Poulaki, M. (eds.) Compact Cinematics: The Moving Image in the Age of Bit-Sized Media. Bloomsbury Academic. pp. 177-184. ISBN: 9781501322266. Rose, G. (ed.) (2022) Seeing the City Digitally: Processing Urban Space and Time. Amsterdam University Press. pp. 292. ISBN: 9789463727037. Available open access here https://library.oapen.org/handle/20.500.12657/53965.. Rose, G., Degen, M. and Melhuish, C. (2014) Networks, interfaces and computer-generated images: learning from digital visualisations of urban redevelopment projects. Environment and Planning D: Society and Space, 32(3): 386-403.Rose, G. (2000) Practising photography: an archive, a study, some photographs and a researcher. Journal of Historical Geography, 26(4): 555-571. Access-restricted-item true Addeddate 2021-12-08 22:11:35 Bookplateleaf 0002 Boxid IA40302420 Camera USB PTP Class Camera Collection_set printdisabled External-identifier Rose, G. (2020) Actually-existing sociality in a smart city: The social as sociological, neoliberal and cybernetic. City: Analysis of Urban Change, Theory, Action.

Melhish, C., Degen, M. and Rose, G. (2017) "The real modernity that is here": understanding the role of digital visualisations in the production of a new urban imaginary at Msheireb Downtown, Qatar. City and Society, 28(2): 222-245.Key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials Rose, G. (1997) Engendering the slum: photography in East London in the 1930s. Gender, Place and Culture, 4(3): 277-300. Making photographs as part off research project: an introduction – These methods do not work with ‘found’ images that already exist distinct from a research project -? work with images that are made as part of a research project , images are made by the researcher or the people being researched -? images used actively in the research process alongside evidence generated by e. G. Interviews or ethnographic fieldwork – There is not clearly established methodological framework to discuss the uses of photography in social science research Rose creates two groups tot methods, distinguished by the way in which the qualities attributed to photographs are put to work in a research project Group 1. Written from a Marxist and radical feminist perspective, Feminism & Geography stimulated a series of debates within geography about the nature of how geographic knowledge is constructed. Rose is known for defining identity as "how we make sense of ourselves" and explained how we each have different identities on different scales, for example, someone's local identity is probably different from their global identity. She also describes sense of place as the process of infusing a place with "meaning and feeling."