The Evo 4 offers 48V phantom power, for those who plan to use condenser mics that require it. And the little “fader” button to the right side of the control panel represents the other neat feature here. It’s a dry/wet signal control, letting you choose how much you hear of the raw signal from your guitar/mic, and how much from the output through your recording software. As part of this mission, whenever we review a product we send the company a series of questions to help us gauge and make transparent the impact the device has on the environment.

Audient EVO 16 review: Pro-grade I/O for beginners and beyond Audient EVO 16 review: Pro-grade I/O for beginners and beyond

The EVO 8 is equipped with 4 EVO preamps. These deliver 58dB of gain range and are characterised by a precise, warm nature. They'll squeeze every piece of potential from any of your connected microphones. As well as the EVO 8 itself, you'll also get access to a library of industry-standard software, providing you the essential tools needed to get recording from the outset. Features EVO 16’s 8 EVO Preamps provide 58dB Mic Gain, while its advanced converter technology offers a staggering 121dB dynamic range, providing professional grade audio performance across the board.

Key Features

There is also room for expansion with plenty of optical inputs and outputs, making it possible to record anything from just drums to a full band. Ensuring the studio can grow with time, there are both ADAT and SPDIF options to add up to 16 extra channels of mic preamps. All that stuff shown on one set of LEDs has the potential to confuse, and some may prefer the dedicated dials of the Audient ID4. However, that’s not how I felt using the Evo 4. Once you get your head around a few basics, it’s always pretty obvious what the LEDs signify, making this interface seem uncluttered rather than confusing. Features

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EVO 16’s audio performance is entirely respectable and will stand up to scrutiny in most situations. If you’re trying to record birdsong 10 metres away with an SM7B then you might be disappointed, but for everything else, EVO 16’s inputs are clean and detailed, and its headphone outputs are loud are clear with moderate loads. With 58dB of gain in hand, the inputs boast a noise figure of less than -127.5dBu (making the unit one of the quietest things in your input signal chain in most scenarios), and can tolerate a whopping +16dBu from line sources. Specs And Pricing The main reason to pause is that sometimes you’ll often find the Audient ID4 selling for only slightly more online. While I have few major complaints about the Eve 4’s raw sound quality, that step-up model has more highly regarded pre-amps. Audient’s recently announced EVO 16 promises a glimpse of things to come for the interface market, but how well does it actually perform? See it and hear it as three Experts give their verdict… Evolving The Interface Bigger sessions demand more channels and expanding your existing audio interface via ADAT might be the most cost-effective solution to scale up your studio,” says Audient/EVO marketing director, Andy Allen. “SP8 does exactly that, giving you eight studio quality analogue preamps, a modern and intuitive user experience with exceptional audio performance across the board.”Combi XLR/line inputs As both of the primary inputs will take 6.35mm plugs or XLR cables, the EVO 4 is just as home with microphones as guitars As with the smaller EVO products, EVO 16 comes with the Smartgain feature, which automatically sets the gain with the touch of a button. “The added bonus with EVO 16, is that it can automatically set the gain for all 8 channels at once, ideal for drummers who have multiple mic inputs and synth players needing lots of line inputs,” explains Andy. “Smartgain has been designed to take the guesswork out of setting gain. Not only does it save time for the user, but it eliminates the hassle for those working on their own, which means users can spend less time figuring out the tech and more time recording.”

EVO 4 Audio Interface - Make great recordings effortless

Input recording is also exemplary, helped a little with a Smart Gain feature that helps you set levels, although to be fair you don’t really need it as such (see below for more on this). The much touted Smartgain feature has not previously interested me on their smaller interfaces for a simple guitar or vocal, but on an 8-channel device, for setting multiple levels like with a drum kit or small ensemble, it makes more sense. I am yet to test it but I assume/hope it leaves enough headroom on super-fast HF sources like ride cymbals and tambourines. For musicians who don’t want to faff around doing boring tech stuff, this can get you sorted in seconds, and you always have the option to manually tweak anything if you choose.Another solution might be to utilise the EVO 16’s digital I/O. The unit features two pairs of optical connectors that let it handle up to an additional 16 channels of I/O, albeit via suitable preamps and/or converters. Each optical connector can be switched between ADAT or SPDIF formats, and so the actual number of digital ins and outs varies depending on how the interface is configured. Nevertheless, including the analogue I/O, maxing out at 24 channels of I/O at up to 48kHz and 16 channels at up to 96kHz is impressive for any audio interface, let alone one this affordable. The Audient Evo 4 is a simple-looking interface that is easy to use but has greater features and flexibility than you might guess. The EVO 16's optical inputs and outputs have you got covered for sessions of any size! Supporting both ADAT and SPDIF, you can add up to 16 channels of mic preamps to your setup, giving you plenty of options for expanding your recording capabilities down the line. Monitor your settings via the LCD Screen We test every amplifier we review thoroughly over an extended period of time. We use industry standard tests to compare features properly. We’ll always tell you what we find. We never, ever, accept money to review a product.

EVO 4 - Which Audio Interface is right for you? - Audient iD4 vs EVO 4 - Which Audio Interface is right for you? - Audient

Whether you're a musician, podcaster, beatmaker, producer, streamer or another creative entirely, the EVO 8 is made for you. With a sleek, minimal design, paired with a streamlined control panel, the EVO will slot seamlessly into your existing setup. The Engineering If I were looking for this many inputs in an easy to use, high-quality interface on a budget, there’s quite a few options these days. And I would throw the EVO 16 right in amongst them to audition.With 25 years of experience behind them, Audient's mic preamps have been designed to deliver the most accurate, clean and true to source version of your audio no matter what you're recording. The EVO Preamp technology has the advantages of an analogue mic preamp combined with digitally controlled precision which gives you the ability to set your gain with pin-point accuracy! As with all EVO products, SP8 benefits from the addition of Smartgain, an innovative and time saving feature which gives the option to automatically set the gain with the touch of a button. “As with EVO 16, EVO SP8 can automatically set the gain for all 8 channels at once,” explains Andy, highlighting the added advantage for musicians who have multiple mic inputs (drummers) or line inputs (synth players). Powered by Audient's lightning fast Smartgain algorithm, Smartgain uses advanced peak analysis to automatically analyse and set your gain to the perfect level in under 20 seconds! All you need to do is set up your mics, engage Smartgain and the EVO 16 will take it from there.Set the gain for all 8 Mic preamps with the touch of a button! Future-proof your Setup