A Line to Kill: a locked room mystery from the Sunday Times bestselling author (Hawthorne and Horowitz, 3)

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A Line to Kill: a locked room mystery from the Sunday Times bestselling author (Hawthorne and Horowitz, 3)

A Line to Kill: a locked room mystery from the Sunday Times bestselling author (Hawthorne and Horowitz, 3)

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Islands make for popular settings for whodunits from Agatha Christie’s And Then There were None to PD James’ Skull Beneath the Skin . “There is also The Decagon House Murders by Yukito Ayatsuji.” Choosing to set A Line to Kill on an island was a coincidence, says Horowitz.

Speaking to Anthony Horowitz invariably involves looking ahead. Last time when we spoke for Moonflower Murders , we were also speaking of the third book in his Daniel Hawthorne series. And now as we talk of the third book, A Line to Kill (Penguin Random House) we are also talking about the third James Bond novel Horowitz has been commissioned to write by the Ian Fleming estate. On the television front Horowitz says, Magpie Murders has been adapted into a six-episode series with Lesley Manville as the editor Susan Ryeland and Tim McMullan as Atticus Pünd, the detective in the book within the book. The Full Monty director, Peter Cattaneo, helms the show. Very soon they discover that not all is as it should be. Alderney is in turmoil over a planned power line that will cut through it, desecrating a war cemetery and turning neighbour against neighbour. It is undeniably beautiful and picturesque – and for the purposes of this novel unspoiled by almost any crime having never had a murder case.Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival. Second in the military crime series featuring Special Agents Scott Brodie and Magnolia "Maggie" Taylor, after The Deserter (2019). A Line to Kill was a very clever, suspenseful and compelling murder mystery that I thoroughly enjoyed ' There was no danger that the book would come out like an ego trip, says Horowitz. “At the end of the day, I’m only the narrator, not the main character. You do not learn a great deal about me in the book. The book is about Hawthorne, and me writing about Hawthorne. What it does allow me to do as a writer, is to write about the nature of a whodunit.”

Writing is never difficult for me. James Bond is perhaps the biggest challenge to write because I’m working in the shadow of Ian Fleming and there is so much research to do to get it right and to get the correct tone of voice. I find the process of writing one of immersion and absorption.” The sleuth and the scribbler are there to promote the first of their three proposed Inspector Hawthorne novels. Horowitz sums up the rest of the event’s participants: “an unhealthy chef, a blind psychic, a war historian, a children’s author, a French performance poet. . . . Not quite the magnificent seven.” Then there’s Charles le Mesurier, the online-gaming entrepreneur bankrolling the event, a wealthy and boorish figure who patronizes or taunts most of the men he meets and, though married, puts the moves on every pretty woman.As his regular readers will know, however, Horowitz has none of Christie’s flaws as an author and there are no cardboard cut-out characters, wildly improbable murder methods, or cosy camouflaging of harsh realities of crime and harm here. Alderney does not have a standing police service and although officers from neighbouring Guernsey are flown in, they have little experience with violent crime themselves and it is only natural that they take advantage of Hawthorne’s extensive expertise by recruiting him as an unpaid consultant. The visiting authors - including a blind medium, a French performance poet and a celebrity chef - seem to be harbouring any number of unpleasant secrets. The most conventional of Horowitz’s mysteries to date still reads like a golden-age whodunit on steroids. Realising all these permutations had been done, Horowitz began to wonder what would make his series different. Alderney is in turmoil over a planned power line that will cut through it, desecrating a war cemetery and turning neighbour against neighbour.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.Insisting he loves all his writing, Horowitz admits a partiality for the Alex Rider books, which has helped a whole generation find literature, books and reading. There is a running joke about titles in the novels with Hawthorne suggesting ‘Hawthorne Investigates’, and dismissing The Word is Murder as “too poncy”. “I am trying for a literary twist to the titles. The first was The Word is Murder and the second The Sentence is Death . I have painted myself into a corner because you run out of grammatical phrases for a murder story, so perhaps it was a mistake to keep trying to make some kind of allusion to writing.”

My first thought was, is the detective British or from another country, man or woman? What is the ethnicity, sexuality, marital status? Does he have problems? Does she want to be something different? Is she a robot, vampire, spaceman or ghost?” From many anglesOn this occasion, the premise is that Horowitz has been invited to attend a literary fesitval on Alderney – the baby brother island to Guernsey and Jersey, measuring barely 5km long and 2.5 km wide, home to a shade over 2000 souls, according to Wikipedia. A Line to Kill is set just before the publication of The Word is Murder (the first in the series) and opens with Hawthorne and Horowitz being invited to speak at a literary festival on the tiny Channel Island of Alderney. Alderney is only three square miles in size, home to about 2,000 people, and has never had a murder… until the detective duo arrives. The novel is very much an homage to Agatha Christie, particularly the later Poirot novels, and she is mentioned both explicitly and implicitly, for example in a chapter title. Following Christie, Horowitz spends nearly a third of the narrative setting the scene for the murder: a small literary festival on a tiny island establishes a limited pool of suspects in a convincing manner; tensions concerning the construction of a Normandy-Alderney-Britain power line disturb the peace of an otherwise idyllic community; and a suitably obnoxious murder victim is presented in the form of Charles le Mesurier. Alex Rider is now in its second season based on Eagle Strike adapted by Guy Burt with Otto Farrant returning to play the titular character. There is also Toby Stevens playing the chief antagonist. “I know the first season was popular in India.” Forever Bond



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