Santana: Album Guide". Rolling Stone. Archived from the original on 28 January 2012 . Retrieved 14 April 2012. Dutch album certifications – Santana – Moonflower" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Enter Moonflower in the "Artiest of titel" box. The sad side here is that both "Chepito" Areas and Dave Brown have left the band. Although they were not the most prolific in terms of input, they were members from the early days. Remnants of the original band were always there, but to stay relevant, the band was shifting and growing. Ruhlmann, William (2011). "Moonflower - Santana | AllMusic". allmusic.com . Retrieved 28 August 2011.

The audiences at the Olympiahalle-Munich, Germany, The Foire des Vins-Colmar, France, The Pavillion de Paris-Paris, France and Hammersmith Odeon-London, England were an inspiration to the band. written in that style (I`ll be Waiting), while others still maintain the earlier Santana sound (the Soul Sacrifice/Head, Hands & Feet" (Santana, Gregg Rolie, David Brown, Marcus Malone/ Graham Lear) – 14:01 (Live) instrumental Zulu). Even the brazilian connection was maintained through the obvious Bahia. The best This is quite bizarre, really. A part live, part studio album double album: it should be one studioA cover version of the Zombies' mid-1960s hit song " She's Not There" was released as a single and peaked at #27. The song was the first Santana recording to hit the Top 40 of the Billboard charts since " No One to Depend On" reached #36 in 1972. The album reached #10 on the Billboard charts and was eventually certified platinum, neither of which occurred again until the star-studded Supernatural in 1999. Photography By [Inside Sleeves: Santana Band] – Dennis Callahan, Don Briggs, Ethan Russell, Richard McCaffree The new studio material? "Transcendance" is probably my favourite of those, followed by "I'll Be Waiting.""Dawn / Go Within", "Zulu" and "Bahia" are all very nice, though slightly unessential. "Flor d'Luna" is not my favourite kind of music, but a fine performance, "El Morocco" is quite impressive, and the cover of "She's Not There" more than equals the Zombies original, though originality is a value in itself. Actually, the Santana version of "She's Not There" was played so frequently on the radio throughout my childhood and teenage years that I used to think this one was an original version.

fell like listening to it as a whole. A real shame. However, it does have some real good stuff here, I generally enjoy it a lot, I still haven't gotten much further into his discography. Suggestions are The studio cuts are incredibly contemporary, while maintaining a fusion sound, and Moonflower would mark the end of this Santana fusion era, heading into Inner Secrets which I flat out refuse to own. Le Détail des Albums de chaque Artiste – S". Infodisc.fr (in French). Archived from the original on 22 October 2014 . Retrieved 9 June 2012. Select Santana from the menu, then press OK . are much faster than the studio counterparts, which make the flow so uneven. And I can´t understand

Contributions

Offiziellecharts.de – Santana – Moonflower" (in German). GfK Entertainment Charts. Retrieved 27 October 2022. Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1sted.). Helsinki: Kustannusosakeyhtiö Otava. ISBN 978-951-1-21053-5. Classifiche". Musica e Dischi (in Italian) . Retrieved 27 May 2022. Set "Tipo" on "Album". Then, in the "Artista" field, search "Santana". Dance Sister Dance (Baila Mi Hermana)" ( Leon "Ndugu" Chancler, Coster, David Rubinson) – 7:45 (Live) Moonflower plays like a celebration of all that once was, and all of what's to come, thus nailing the coffin home for me.

Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. I just cannot get into Santana R&B for the most part, it is just not the band's forte, although out of all the vocalist the band had, Greg Walker may have been their best soulster, and "Transcendence" is a great tune.Matrix / Runout (Runout, A-side, etched. Variant 5): CBS-S-88272-A2 82324-A-2 (no dash after 1st 'A') A Santana fan who was rooting from memory at this point, but the idea of a double album, which was mostly live, interspersed with studio cuts of the time really worked for me. At this stage of my life I was already beginning to discriminate against songs that gained radio popularity despite the fact that some songs that I deemed "great" did happen to achieve fame and fortune, but Santana's "hits" actually turned me away from seeking his albums out for a long time. It was Moonflower that helped me understand that sometimes an album's "best" songs (i.e. the ones I liked most) were not always the ones chosen for radio play as "hits." Also, disco was in full swing, as can be told through some of these rhythm styles. Thus songs like "I'll Be Waiting" and "She's Not There" were not my favorites. The playful ones, like "Jugando", and "Zulu", "Bahia", "Dance Sister Dance", and "Soul Sacrifice/Head, Hands & Feet" attracted my admiration, but it was really the seductive melodies of "Europa" and "Flor d'luna" and "Transcendance" that made me want to sit up and take notice. Then there is the finale, the great, great jam of "Savor/Toussaint l'overture"--one cookin', happy-to-be-alive song that I always loved to blast on my stereo. Savor/Toussaint L'Overture" (Santana, Rolie, Brown, Michael Carabello, Michael Shrieve, Areas) – 12:56 (Live)

Photography By [Inside Booklet: Santana Band] – Dennis Callahan, Don Briggs, Ethan Russell, Richard McCaffree Producer [Production In Europe], Recorded By [Live Recording In Europe] – David Rubinson & Friends, Inc. In all, Moonflower could have been a fine studio and a reasonable live album if the live and studio Oricon Album Chart Book: Complete Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.