Ashley Kahn (2001). Kind of Blue: The Making of the Miles Davis Masterpiece. foreword by Jimmy Cobb. Da Capo Press, USA. p. 83. ISBN 0-306-81067-0. The Making of Kind of Blue: Miles Davis and His Masterpiece bebop.

Miles Davis – Kind Of Blue (1977, Vinyl) - Discogs Miles Davis – Kind Of Blue (1977, Vinyl) - Discogs

French album certifications – Miles Davis – Kind of Blue" (in French). Syndicat National de l'Édition Phonographique . Retrieved January 5, 2014. However, if you're conservative and start to limit the copies, say 8 mothers per father, 8 stampers per mother, and 800 records per stamper, the yield falls rapidly (51,200). Reality is, I'm sure, all over the map, with different opinions from different producers and plating engineers, and different equipment creating different results.

CD CD Box Sets CD with Damaged Case DXD Gold CD HDCD CD K2 HD CD Preowned CD Preowned Gold CD Preowned XRCD Sealed Out-of-Print CD Sealed Out-of-Print Gold CD UHQCD Ultra HD XRCD CD XRCD2 CD XRCD24 CD• DVDs Listening to my UHQR Kind of Blue for the third time since I got it! Man I just have to thank you for this, deathly silent and perfect mastering. Keep doing what you’re doing Chad! Keeping the vinyl dream alive! a b Palmer, Robert (1997). "Liner Notes to 1997 Reissue". Kind of Blue (CD). New York, NY: Sony Music Entertainment, Inc./Columbia Records. Williams, Richard (2010). The Blue Moment: Miles Davis's Kind of Blue and the Remaking of Modern Music. Norton. W. W. Norton & Company. ISBN 978-0-393-07663-9.

Miles Davis - Kind of Blue - 200G Ltd. Edition - Audio Venue

The friction is a function of several factors, but is dominated by the coefficient of friction between the stylus and the vinyl. The geometry of the stylus also matters because it changes which direction the groove pushes on stylus. a b c d Kahn, Ashley (2002). Kind of Blue: The Making of the Miles Davis Masterpiece. Granta Books. ISBN 9781862075412. Bill Evans wrote in the LP liner notes, "Miles conceived these settings only hours before the recording dates." [8] Evans continued with an introduction concerning the modes used in each composition on the album. " So What" consists of two modes: sixteen measures of the first, followed by eight measures of the second, and then eight again of the first. [8] " Freddie Freeloader" is a standard twelve-bar blues form. " Blue in Green" consists of a ten-measure cycle following a short four-measure introduction. [8] " All Blues" is a twelve-bar blues form in 6 Modal jazz was not unique to this album. Davis himself had previously used the same method on his 1958 Milestones album, the '58 Sessions, and Porgy and Bess (1958), on which he used modal influences for collaborator Gil Evans's third stream compositions. [3] Modal composition, with its reliance on scales and modes, represented, as Davis called it, [3] "a return to melody". [22] In a 1958 interview with Nat Hentoff of The Jazz Review, Davis elaborated on this form of composition in contrast to the chord progression predominant in bebop, stating

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This recording is superb! Sounds like it was recently recorded rather than 60 years ago. Simple an A++++++. There are some other albums I can think of for the UHQR treatment. "Dark Side of the Moon" "Close to the Edge" "Eat a Peach" for starters. a b c d e Khan, Ashley. Kind of Blue: The Making of the Miles Davis Masterpiece. New York: Da Capo Press, 2000; p. 111. The original LP did not credit a producer. [14] The first release with a producer credit was the 1987 CD, which credited only Macero. [15] However, this was in error; Macero only produced that reissue, not the sessions for the original album. [11] : 195 The 1997 MiniDisc reissue credited both Townsend and Macero, [16] but the subsequent 1997, [17] 1999, [18] 2004, [19] 2008, [20] and 2015 [21] reissues all correctly credit only Townsend.

Kind of Blue - Wikipedia Kind of Blue - Wikipedia

We finally received our copies of Kind of blue from the UK distributor, and upon listening to my copy, I had to reach out to say hello and thanks. What would be fun to do is to straingage a tonearm mount and measure how hard the record is pulling. a b c d e The speed error is explained in the booklet with the post-1997 remaster: the off-speed master was used for all prior releases. Porter, Lewis (1999). John Coltrane: His Life and Music. University of Michigan Press. pp.281–283. ISBN 0-472-08643-X. Canada's Top 200 R&B; albums of 2002". Jam!. Archived from the original on October 12, 2003 . Retrieved March 27, 2022.Fisher, Tyler (June 30, 2006). "Miles Davis – Kind of Blue". Sputnikmusic . Retrieved September 10, 2023. It's the best selling jazz album ever, one of the most influential too, arguably the one that produced a shift from riffing on chord based tunes to modal excursions that gave musicians newfound improvisational freedom. Cynics and the selfish will react to yet another Kind of Blue reissue by claiming that "everyone" already owns a copy but of course that's not true. And no one owns a 200 gram UHQR Clarity vinyl copy pressed one at a time on a manual Finebuilt press.

Miles Davis – Kind Of Blue (2017, Blue, Vinyl) - Discogs Miles Davis – Kind Of Blue (2017, Blue, Vinyl) - Discogs

Miles Davis' 'Kind of Blue' Remains a Fixture on Vinyl Albums Chart, 58 Years Later". Yahoo!. September 20, 2016 . Retrieved May 6, 2022. So, top notch release, pressing and presentation. I’m sure many listeners have reached out in a similar fashion. Typically, I never reach out to anyone unless it’s to complain. But the UHQR is an exception to that rule. BRILLIANT.Kind of Blue is based entirely on modality, diverging from Davis's earlier hard bop style of jazz with its complex chord progression and improvisation. [6] The entire album was a series of modal sketches, with each performer given a set of scales that encompassed the parameters of their improvisation and style. [22] This recording style contrasted with the typical preparation of providing musicians with the complete score or, for improvisational jazz, providing the musicians with a chord progression or series of harmonies. [3] This disc is amazing, even on my modest system. I've mostly listened to Kind of Blue on CD for many years. Playing this LP was like listening to it for the first time. Since its release on August 17, 1959, [34] Kind of Blue has been regarded by critics as Davis's greatest work. It is his most acclaimed album, and became, along with Davis's 1970 album Bitches Brew, his best-selling record, cementing him as one of the most successful jazz artists in history. [35] [36] [37] [38] [39] Music writer Chris Morris cited Kind of Blue as "the distillation of Davis's art." [40] Cobb said the album "must have been made in heaven". [41]