The RODE NT1 sounds much more neutral and balanced because it doesn’t boost the higher frequencies. The RODE NT1-A actually sounds quite harsh in the top-end. However, if I had the choice between all 4… I’d go with the Lewitt. That’s partly because the TLM-103 has a high-frequency roll-off after 16 kHz.

On the other end, it can handle the SPL of 140 dB, so you can throw it in front of the loud guitar amp or drums without worrying it will distort. Conversely, the more honest sound of the LCT 440 Pure is more suited to simpler mixes, perhaps just a guitar and voice, where the extra bottom end won’t be getting in the way of other instrumentation. However, the broader, flatter response of this microphone also makes it easier to EQ into shape, should the natural tone of the mic not suit the mix. Head-to-head: vocals Technically speaking, the Sennheiser MKH 416 is also a condenser microphone, but it’s MUCH more directional than the Lewitt LCT 440 PURE.Today we're looking specifically at the Lewitt LCT 440 Pure, which is its mid-range condenser aimed at a range of studio applications including vocals, speech and acoustic instruments, although Lewitt claims it has more than enough ability to be classed as a proper studio all-rounder. Personally, I prefer condensers that sound bright and modern. That being said, the KSM32 isn’t the type of microphone I’d choose over the TLM-103, that’s for sure!

It’s also one of the few budget large-diaphragm condenser microphones that doesn’t roll-off any of the high-frequencies. It’s very transparent and has LOTS of clarity. Capture every nuance of your instrument or voice in any recording scenario. Use it to record your vocals, acoustic instruments, guitar amplifiers, drums and percussion, and everything else. PURE feel Elevate your studio recordings with the Lewitt LCT 440 Pure, Vida Edition Microphone. Experience larger-than-life sound quality, capturing vocals and instruments with depth and clarity. This limited edition microphone stands out with its low self-noise, handling high sound pressure levels, and a dynamic range that's second to none. In fact, at this low price, I would recommend that beginners consider purchasing a pair of LCT 440 PURE models for dual-mic and stereo work. If you don’t need multiple patterns yet, and you use your mic preamp and/or DAW for highpass filtering (gain control at the preamp isn’t the same as a pad on the mic itself), you can get two wonderfully clean mics that will do great service in all sorts of applications for about the same price as a single LCT 450, and for far less than the fancier LCT models.You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. I think most will agree with me that the strength of a condenser microphone lies in its ability to capture high-frequencies with crystal-clear response. The 1" true condenser capsule captures the signal with an impressive amount of depth and clarity. Preserve your individual personality and all the emotion you've put into your performance. PURE recording The microphone features impressive specs with self noise of 7dB (A) and a sensitivity of 27.4mV/Pa which means it will not introduce any noise in the signal chain and you'll need less preamp gain. It is therefor suitable for recording quiet sources such as Foley.