What ensues is a comic adventure as Mort attempts to save a Princess from assassination, stop a time bend, and begins a transformation of his own. To attempt to capture the richness, humour and depth of the illustrations (without rubbing too many fans and connoisseurs the wrong way) was a daunting task but a most enjoyable one – a dream job for any book illustrator’

Although the scythe isn't pre-eminent among the weapons of war, anyone who has been on the wrong end of, say, a peasants' revolt will know that in skilled hands it is fearsome.” On occasion Death takes Mort with him and then allows Mort to go out on his own, while Death takes a bit of time off discovering life.....Mort is a fantasy novel by British writer Terry Pratchett. Published in 1987, it is the fourth Discworld novel and the first to focus on the character Death, who only appeared as a side character in the previous novels. The title is the name of its main character, and is also a play on words: in French and Catalan, mort means "death", while in Romanian means "dead". The French language edition is titled Mortimer, and the Catalan language edition is titled Morth. The fourth Discworld novel and first in the Death series - revamped with a fresh bold look targeting a new generation of fantasy fans. The being turns out to be Death and he takes Mort home and has Mort helping the butler around the house and keeping Death's adopted daughter company. Death is one of the classic characters from Terry Pratchett's discworld novels. He pops up often and is always funny, with a defined personality. Mort is the book where the reader really learns about him and the world he has created for himself. The very concept of Death having an apprentice so he can take time off or retire is amusing in itself. What it entails is even funnier. A thoroughly enjoyable read. Read more

I? KILL? said Death, obviously offended. CERTAINLY NOT. PEOPLE GET KILLED, BUT THAT'S THEIR BUSINESS. I JUST TAKE OVER FROM THEN ON. AFTER ALL, IT'D BE A BLOODY STUPID WORLD IF PEOPLE GOT KILLED WITHOUT DYING, WOULDN'T IT?” Forgotten the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuth Terry Pratchett wasn’t simply a master of his genre, conjuring one of fiction’s strangest and most beloved fantasy realms in the form of the Discworld; he was also a master storyteller, and one of our greatest modern writers. In her introduction for this edition, A. S. Byatt describes his ‘maddening and delightful’ imagination, and how the core of his work always contained a ‘reflection on the nature and language of things’. Whether describing the personification of Death in a curry house or threatening the great city of Ankh-Morpork with a dragon, Pratchett’s focus was always on the humanity of his characters. He knew their passions, failings, hopes and desperations, revealing them with compassion and wisdom – and if the truth bit a little close to home for the reader, a joke would be along at any moment to take away the sting. Death comes to everyone eventually on Discworld. And now he's come to Mort with an offer the young man can't refuse. (No, literally, can't refuse since being dead isn't exactly compulsory.) Actually, it's a pretty good deal. As Death's apprentice, Mort will have free board and lodging. He'll get use of the company horse. And he won't have to take any time off for family funerals. But despite the obvious perks, young Mort is about to discover that there is a serious downside to working for the Reaper Man . . . because this perfect job can be a killer on one's love life. Scientists have calculated that the chances of something so patently absurd actually existing are millions to one.With this book the Disc World Series really starts to come alive. Death is looking for an apprentice, and manages to take on the most awkward hopeless young fellow ever: Mortimer, known as Mort or Boy.Mort’s growth into the, er, gravity of his position is something to behold. Death makes mostly pathetic attempts to understand humans and their mysterious ways. This is a feel-good little book with lots of humor and satire. Recommended for anyone who needs a break from the weariness of the world. Read more Large colourful jigsaw - 1000 pieces (well 999 as unfortunately one is missing). Shows the Josh Kirby Artwork from the Original 1st edition. Nice, short histories of Pratchett & Kirby on the rear of the box. A little clear tape on box, otherwise VG+. Every bit as ambitious and prophetic as the film that shared its inception, Arthur C. Clarke’s 2001: A Space Odyssey remains a towering science-fiction classic. This Folio Society edition sees it illustrated for the first time.

It’s an offer Mort can’t refuse. As Death’s apprentice he’ll have free board, use of the company horse – and being dead isn’t compulsory. It’s a dream job – until Mort falls in love with Death’s daughter, Ysabell, and discovers that your boss can be a killer on your love life . . . The first adventure in the Folio Society editions of ‘The Magic Faraway Tree’ series, Enid Blyton’s The Enchanted Wood features Jonathan Burton’s enchanting illustrations and a new introduction by Michael Morpurgo.Death convinces the gods to change the original reality so that Keli rules in place of the Duke, who was inadvertently killed during Death and Mort's duel due to the destruction of his lifetimer. Mort and Ysabell – who have fallen in love over the course of the story – get married, and are made Duke and Duchess of Sto Helit by Keli, while Cutwell is made the Master of the Queen's Bedchamber. Death attends Mort and Ysabell's wedding reception, where he warns Mort that he will have to make sure that the original Duke's destiny is fulfilled, and presents him with the alternate reality he created, now shrunk to the size of a large pearl, before the two part on amicable terms. In 2004, Pratchett stated that Mort was the first Discworld novel with which he was "pleased", stating that in previous books, the plot had existed to support the jokes, but that in Mort, the plot was integral. [1] Plot summary [ edit ] The first volume of the bewitching ‘Chrestomanci’ series by Diana Wynne Jones. Charmed Life arrives in an explosion of magic in this edition illustrated by Alison Bryant and introduced by Katherine Rundell. As a teenager, Mort has a personality and temperament that makes him unsuited to the family farming business. Mort's father Lezek takes him to a local hiring fair in the hope that Mort will land an apprenticeship; not only would this provide a job for his son, but it would also make his son's propensity for thinking someone else's problem. Just before the last stroke of midnight, Death arrives and takes Mort on as an apprentice (though his father thinks he has been apprenticed to an undertaker). Death takes Mort to his domain, where he meets Death's elderly manservant Albert, and his adopted daughter Ysabell. Mort later accompanies Death as he travels to collect the soul of the King of Sto Lat, who is due to be assassinated by the scheming Duke of Sto Helit. After Mort unsuccessfully tries to prevent the assassination, Death warns him that all deaths are predetermined, and that he cannot interfere with fate.

The novel has been adapted by Robin Brooks for BBC Radio Four. Narrated by Anton Lesser, with Geoffrey Whitehead as Death, Carl Prekopp as Mort, Clare Corbett as Ysabell and Alice Hart as Princess Keli, the programme was first broadcast in four parts in mid-2004 and has been repeated frequently, most recently on Radio 4 Extra. [3] Death was standing behind a lectern, poring over a map. He looked at Mort as if he wasn’t entirely there. Young Mort despairs of finding a suitable career in his provincial village, until one day he is rather unexpectedly hired by a bony figure in a cowl – Death, it seems, is in need of an apprentice. Introduced to the chilly truth behind the workings of the universe, the inherently curious Mort cannot help but meddle with the laws of time and space. The resulting chaos means all manner of trouble for the stability of reality, not to mention his burgeoning love life …Relish the thrilling horror of Frankenstein in Folio’s stunning new edition. Mary Shelley's darkly disturbing tale is illustrated by Angela Barrett and newly introduced by Richard Holmes. Hardcover. Condition: Near Fine. Rayyan, Omar (illustrator). 1st Edition Thus. First edition thus, hardcover in charcoal velour, has a very faint skew to the binding, and a tiny touch of wear to the head of the spine, otherwise a solid, tight, sharp Near Fine copy in a VG+ slipcase, which has very minor wear to the corners, and a hint of faint rubbing to the panels.