Bob Dylan: Favorite songs from each album of the '70s (WITH VIDEOS)". NJArts.net. 2021-05-08 . Retrieved 2021-06-13. We get one cover song each night, a standard set for the tour. Night one we get the sauntering blues of Repossession Blues by Roland Janes from Memphis, with Billy Cross featuring on guitar and night two we get the hard driving 12-bar blues of Tampa Red’s Love Her With A Feeling. CBS SCBS 2335 (Zimbabwe) - detail of Side 1, scan by Lars M. Banke (variant 1 - same text layout as Larkin, Colin (2007). The Encyclopedia of Popular Music (4thed.). Oxford University Press. ISBN 978-0195313734. even later early 1980s copy because it has the same text layout as his listed mid 1980s red CBS label release below.

As for the songs, lets look at the stats. We have 28 songs each night, including an instrumental fanfare of A Hard Rain’s A-Gonna Fall and around five and a half hours of entertainment, which might explain why the band took a short break mid-set each night. Seven songs from 28 February and 15 songs from 1 March were on the original double album. 33 different songs performed overall and 36 songs previously unreleased. Whilst you really should have heard the vast majority of the songs in one form or another over the years, here are some observations on many of the songs and arrangements performed over these two wonderful nights in Tokyo. Bob Dylan Announces New Complete Budokan 1978 Live Album". Pitchfork. 2023-09-07 . Retrieved 2023-09-08. A preview of the album, a previously unreleased performance of "The Man In Me" from The Complete Budokan 1978 is available {HERE/LINK} shorter than the cassette 2 insert. The inside of the cassette 1 insert has credits for musicians and sound engineers while the

Reviews

Chief engineer Tom Suzuki says, "We mixed the record with the keyword 'passion' in mind. The result is a mix that surpasses the original 1978 release, providing a crisper and clearer sound where each instrument and Bob Dylan's voice are distinctly audible." I Threw It All Away is deeply impassioned with that gospel feel oozing from the grooves whilst Love Minus Zero/No Limit has an uplifting country feel replete with fiddle and flute. Ballad Of A Thin Man is a triumphant vocal performance whilst noting that Dylan has made some lyrical changes to the song. Maggie’s Farm is immediately unrecognisable but indicative of many transformations to follow on subsequent tours. CBS 96004 (NL for East? Germany) - detail of Side 1, scan by Manuel García Jara (variant 1 - same as East German copy) One More Cup Of Coffee (Valley Below) [Live at Nippon Budokan Hall, Tokyo, Japan – March 1, 1978] 3:29

It’s Alright, Ma (I’m Only Bleeding) [Live at Nippon Budokan Hall, Tokyo, Japan – February 28, 1978] 6:34Madrid-16 as for the Spanish release below. This sleeve is identical to the Spanishoriginal sleeve,

Discos CBS 138.140/141 (Brazil) - detail of rear of gatefold sleeve, scan by Manuel García Jara (all releases) translated into Spanish and the album bizarrely classified as "POP/COUNTRY". The translations into Spanish are According to Tetsuya Shiroki, co-producer of The Complete Budokan 1978, the newly restored, remixed and remastered recordings “capture two days of this history-making tour. Nothing has been removed or altered in any way.” It’s Alright, Ma (I’m Only Bleeding) [Live at Nippon Budokan Hall, Tokyo, Japan – March 1, 1978] 6:39 Dutchcharts.nl – Bob Dylan – Bob Dylan At Budokan" (in Dutch). Hung Medien. Retrieved March 7, 2021.this the layout is also the same as that of the first and second 1980s copies above. The gatefold sleeve is the same And now, upon hearing this vastly expanded collection of these songs from two complete shows, especially in such crisp, clear and pristine sound quality, as opposed to the selected highlights of the original release, it really starts to put this whole tour into perspective. Yes, I’ve heard great unofficial recordings from later in this tour suggesting that there may have been better performances that could have been captured and released. But the band membership did inevitably evolve as the tour progressed so it was never going to stay the same, so lets focus on what we have and not what we have not. lyrics (from the studio versions, not always as sung here live). The records of Phill Townsend 's white label copy have traditionally translated into Spanish in South America: Shelter From the Storm [Cobijo Contra La Tormenta] , Blowin' In The