Whilst the plot was generally well structured, it felt too slow - the whole story takes place over just four days, but the narrative made it feel like several weeks. Fewer clichéd descriptions and less outrage on Birch's part would have gone some way towards remedying this, but the whole book would have benefited from more stringent editing and refinement. I guess I just wanted to know who the murderer was but guess what, it’s only been three weeks since I finished the book and I have already forgotten, lmao. The owner of Hamlet Hall has organised a murder mystery evening with a 1920s twist, and everyone has their own part to play.

A Fatal Crossing by Tom Hindle is a mystery set on the Endeavour, a cruise liner travelling to New York in the winter of 1924. This piece of historical fiction grips us from the very start when Timothy Birch, the ship's officer, is led to deal with the death of an elderly gentleman. When detective James Temple demands an investigation, the ship’s captain insists Birch accompany Temple throughout. Temple is furious that he has to put up with Birch, and so begins their acrimonious partnership in which the pair have 4 days to find a killer, after which the liner arrives in New York, the passengers disembark, and there will be no chance of resolving the case. Birch is a traumatised man who served in the war, left with a bullet wound in his shoulder. His daughter, Amelia, has been missing for 2 years, and his marriage to Kate has fallen apart. He blames himself, he is a shadow of the man he used to be, putting his hopes in finding Amelia on the only person he has any faith in, American Raymond, clinging to a yellow ribbon belonging to Amelia as if his life depended on it. Virtually all the crew, with the exception of Wilson avoid Birch, he is incapable of maintaining any relationship. Temple is a man with his own demons and secrets, he refuses to divulge what police business has him travelling on the liner. It’s quite clear that on a ship you’re a captive audience, but imagine being on said ship with a killer on board! With twist after gut-punching twist, A Fatal Crossing really is an ingenious thriller. Highly recommended.' M. W. Craven It’s November 1924, when the ship Endeavour sets sail from Southampton for New York, with a total of 2000 passengers and crew.

With twist after gut-punching twist, A Fatal Crossing really is an ingenious thriller. Highly recommend' M. W. Craven I initially rated this three stars but I decided that a book that made me let out a groan [ frustrated, not sexual] loud enough to shake awake my co-workers at our late shift at the psych ward deserves two stars max. They are to take part in a murder mystery game with a 1920s twist, and everyone has their own part to play. News of the death of a passenger travels rapidly among the passengers, raising speculation as to the elderly man's identity and cause of death. The Endeavour's Captain, McCrory, is on his retirement voyage and is keen for the matter to be cleared up with the minimum of fuss and inconvenience to himself and his passengers. However, one passenger demands an audience with the Captain, identifying himself as a Scotland Yard detective James Temple, en route to New York on "police business", the nature of which he refuses to divulge. He raises certain suspicious anomalies that indicate that the passenger's death may not be as simple as the accident that the Captain is so keen to assume. While adamant that the passengers must not be unduly disturbed, Captain McCrory reluctantly accedes to Temple's insistence upon undertaking preliminary investigations, but only on the basis that ship's officer Timothy Birch accompany him at all times.

My favourite westward Atlantic crossing detective novel is Peter Lovesey's The Fake Inspector Dew (1981), but A Fatal Crossing by Tom Hindle is a first-rate addition to the corpus [...] A very good debut novel' The Critic As a lifelong fan of Agatha Christie and any kind of murder mystery set in a hotel or a manor house this book instantly appealed to me. The author is clearly a fan as well, as scattered throughout are subtle nods to the Queen of Crime and her works. The party is thrown by Will, a young man who works in the antiques shop and among the guests are the head of the local tourist board and Damian White, a very rich man who has just bought the local lighthouse. Mr White is universally despised in the town and so when he is found dead in an upstairs room there are no shortages of suspects. I enjoyed the claustrophobic atmosphere of this book and the setting of the slightly run down hotel. The coastal location really added to the tension and the feeling of being trapped. I was hoping that the murder mystery aspect of the book would play out more and be more incorporated into the plot as that was what drew me to the book in the first place. While the plot was entertaining, it wasn’t as tightly drawn as I would have liked - there were a few plot holes that I couldn’t bring myself to ignore. I had guessed the killer about halfway through the book and although the final twist was one I didn’t see coming, it stretched my credulity somewhat. Publishing director Emily Griffin acquired world rights including audio to The Murder Game and an untitled novel from Harry Illingworth at D H H Literary Agency. The two detectives are interesting characters in their own rights. Birch is struggling with the tragic events of his own life which slowly and painfully come to the surface in the story. Temple is abrasive, rude and really quite arrogant – until events conspire to change his approach. Together, they are an unusual and stormy partnership – something that is intriguing to follow.November 1924. The Endeavour sets sail for New York, with 2,000 passengers - and a killer - on board. This one couldn’t be more up my street if it tried – a 1920s setting, a murder mystery, a transatlantic crossing aboard a ship… it’s the ultimate in closed circle mysteries!