After the Great War, in 1919 Librairie Hachette proposed to the allied countries to create a similar prize. Great Britain accepted, and the first meeting of its jury was held on 20 June 1920. The prize was called the Prix Femina–Vie Heureuse, and it was awarded to English writers, from 1920 to 1939. Among the winners were E. M. Forster in 1925 and Virginia Woolf in 1928. My only criticism would be that the book is heavily focused on central and western Europe, I think a broader scale would be great. Christophe Boltanski, Kerry Hudson et Emmanuelle Loyer lauréats du Femina 2015". livreshebdo.fr. 11 November 2015 . Retrieved 7 November 2015. The Prix Femina [1] is a French literary prize created in 1904 by 22 writers for the magazine La Vie heureuse (today known as Femina). The prize is decided each year by an exclusively female jury. They reward French-language works written in prose or verse, by both women and men. The winner is announced on the first Wednesday of November each year. The Middle Ages are seen as a bloodthirsty time of Vikings, saints and kings; a patriarchal society that oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the “Dark” Ages were anything but.

Beautifully written, wonderfully free-ranging and gloriously original, Femina makes us look into the mists of history in new, exciting and provocative ways. A joyous read Peter Frankopan, bestselling author of The Silk Roads About half the book focuses on England, which has really been done to death in popular history, but I was curious about a couple of the non-England chapters. One is on the Polish female king, Jadwiga, who was later canonized—sadly this chapter read like a detailed Wikipedia entry; I didn’t get any more out of it than that. As for why Jadwiga was “king” rather than “queen,” this apparently was a question of semantics: her father, king of Poland and Hungary, had no sons and wanted his daughters to inherit in their own right, and this seems to have been a way of getting around rules against women ruling. Both were declared kings while still young girls, but married off to older men on top of the usual control by advisors that any young rulers face. Both also died young. Margery Kempe was a merchant’s wife in early 15th-century Norfolk who was halfway through a comfortable life when she decided to give up her smart clothes and good table and marry Christ instead. Briskly informing her husband, with whom she had 14 children, that she would rather see him beheaded than have sex with him again, she set off on a series of highly idiosyncratic pilgrimages which took her as far as Jerusalem.

Femina examines case studies of women from throughout the early ages by analysing artifacts, providing contextual information and interspersing the text with vivid descriptions to bring the ancient women to life. In 9 chapters, Ramírez expertedly weaves an astounding narrative firmly explaining how, if not wrong, but distorted modern history truly is. Erst einmal war die Einführung sehr seltsam, weil es um eine Suffragette in den 1920er Jahren ging. Es wurde zwar irgendwie eine Parallele zu Frauen im Mittelalter gezogen, die ich aber nicht nachvollziehen konnte und deplatziert gewirkt hat. Hier hätte ich mich über eine klassische Einführung mit Begriffsdefinition und Ziel des Textes gefreut.

Gripping, incisive, brilliant, Janina Ramirez opens a door into hidden worlds, the secrets of women's lives. She is a detective and guide on this, an eye-opening, wonderful journey into the power, beauty and reality of early women's experiences Kate Williams, author of England's Mistress: The Infamous Life of Emma HamiltonThe middle ages are seen as a bloodthirsty time of Vikings, saints and kings: a patriarchal society which oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the 'dark' ages were anything but. Generell war leider nicht viel Quellenkritik zu finden; mir schien es so: wenn die Autorin eine Hypothese fand, die in ihr Narrativ passte, wurde sie wie ein Fakt behandelt und basierend darauf weiter gearbeitet. Vor allem im Kapitel über Hildegard von Bingen ist mir das aufgefallen. Feminist approach: From the beginning I loved Ramírez' aim of telling the story of the middle ages through the notable women of the time. Once you start digging, you'll find that there are many more than you originally thought. As a medieval historian specialised in queenship, I'll admit that there were few of the women that I was not already familiar with. But even so, I still absolutely loved this book. I loved the originality of the approach. And I loved how Ramírez didn't try to write out the men from the narrative. And that is a truly feminist approach, where both sexes are allowed to coexist.

Fascinating look at the Middle Ages through the stories of women who were significant in their time but whose reputations were later obscured, rewritten or lost. These women fought battles, made political decisions, created works of art, even ruled as King (Jadwiga of Poland) and examining their lives sheds light on sometimes neglected aspects of life in the Medieval Period. Le Femina couronne "le justicier" Philippe Jaenada pour "La serpe" ". Yahoo! News. 8 November 2017 . Retrieved 8 November 2017. Femina is an important addition to our understanding of a period still - mistakenly - thought to have excluded women from positions of power and significance. Femina skillfully brings out from the shadows the lives of women who ruled, fought, traded, created, and inspired Cat Jarman, bestselling author of River Kings: A New History of Vikings from Scandinavia to the Silk Roads Archaeology has always looked for the many rather than the few, so it is the natural bedfellow for more inclusive historical approaches. It is easy to assume that everyone in the middle ages, particularly women, lived and died within sight of their local parish church. But many travelled vast distances and engaged with cultures thousands of miles away, as this book reveals.Anita fragte neulich, was in letzter Zeit Reinfälle bei Büchern bei uns waren. Ich habe mich sehr auf dieses Buch gefreut und mit großen Erwartungen gelesen, bin aber leider sehr enttäuscht worden. This is a thought provoking book, which is successful in that it has made me further question popular history books for the general reader, and it is well written and engaging. I’m dissatisfied to the extent that it is (hopefully) making a historically dated argument (I may be optimistic here!) and does so in a disjointed way. These accounts of how discoveries in the 20th and 21st centuries have allowed for the rewriting of ancient women’s lives are easily the best part of Janina Ramirez’s survey of current scholarship. Even when hi-tech methods are not in evidence, the findings still tell us so much about how medieval women’s lives came to be misinterpreted or marginalised in the first place. US writer Julie Otsuka wins Femina foreign novel prize". France24. 6 November 2012 . Retrieved 6 November 2012.