The strength of this mini synth is that you can add to its onboard algorithms. There are slots for 16 additional oscillators and modulation effects, plus eight delays and reverbs. This makes it an incredibly versatile machine for synth-lovers and anyone who has a particular penchant for unusual external effects. Building tension We can process these alternately, but for the sake of clarity we transfer these into variables each time, “inL” and “inR”. Once you’ve entered the “bitcrusher” folder using the cd command, use “make” as we explained last time. If the input volume is still too low, we can overcome this by setting the vocoder parameter A to “Gain” and adjusting this knob to amplify the volume by 100 times maximum.

Belying its size, the Nu:Tekt NTS-1 features a digital oscillator inspired by the MULTI engine as found on the acclaimed prologue and Minilogue XD, along with an extremely capable arpeggiator including multiple ranges, scales, and modes, plus dedicated spatial, modulation, and delay sections, each with multiple settings to explore. Another interesting thing about the NTS-1 is that it has a stereo audio input (line input). What this means is that you can hook up a sound generator or a musical instrument, and use this unit not just as a synthesizer but as a compact standalone effects unit. The Korg NTS-1 iOS Editor is a Surface that can be loaded into the "Surface Builder" and is then a fully-fledged Midi Editor for the NTS-1 That’s why “0” becomes “1”. With this method, we can also write “i++” for the “for” statement, so that “i” gets incremented by one with each pass. Another way to write this is “count = count + 1”. Always halving the value gets to be a pain, and the code gets harder to make out with the added formulas.As “i” starts with zero, it will be the same in terms of number of times as the number of frames, but only as long as it ends one number lower than “frames”. C variable declarations” to learn more! By doing so, you’ll also learn about the meaning and types of “static”. It seems like things are suddenly getting more complicated when we talk about buffers, but it’s no problem. You’ll get it!

There are two methods used to show the sizes of numbers in digital audio data: fixed decimal and floating point. Floating point is commonly used in our ordinary lives, in the same way as when we say "50% more." It's easier for people to understand. However, the downside of floating point is that calculations get processed slower. The good thing is that there’s a lot of information on the Internet about these tools, so I encourage you to poke around on the Web to get your environment all set up! Since the “for” statement has popped up, from here we’ll apply the effect and get busy overwriting the “xn” variable. This time, we’re writing an initialization process. The contents of the variable we created are reset to “0”, but what does the “f” in “0.f” stand for? This simply means that we’re committing to a float type. Try doing a search for this.The NTS-1 comes with a diverse variety of music software from Izotope including “Ozone Elements” which lets you not only create songs but also master them using AI, “Skoove” which will help you improve your keyboard playing skills, “Reason Lite” DAW software, as well as software synths from KORG and other brands. How did you like that? Isn't it amazing how you can make a 16-band vocoder run on this compact digital synthesizer?

These are called “(global) variable declarations,” and are a key part of the program... so you can do a search with a phrase like:

The Nu:Tekt NTS-1 is more Monotron than Volca – certainly in appearance – but it’s also very much its own instrument. For a start, you have to build it yourself, and its single monophonic digital oscillator is capable of loading custom oscillators that have been developed for Korg’s Prologue and Minilogue XD synths. This feature alone should be enough to pique your interest. I’ll be following up with those of you who have used the command line or who are creating a program environment for the first time.