The removal side panels are now in 4 parts instead of 2, with the upper panels being glossy and the lower ones being matte. The console will only be sold in white, but you'll be able to buy replacement panels in various colours from Sony. This personal data, what Google's Bradley Horowitz euphemistically calls putting "people first," is the core ingredient, the revolutionary fuel, powering the Web 3.0 economy. But the Internet is radically changing too, its architecture reflecting the new social dial tone for the twenty-first century. Everything on the Web—from its infrastructure to its navigation to its entertainment to its commerce to its communications—is going social. John Doerr is right. Today's Web 3.0 revolution, this Internet of people, is indeed the third great wave of technological innovation, as profound as the invention of both the personal computer and the Worldwide Web itself. But Bentham's simple idea of architecture "reformed" more than just prisons. It represented an augury of an industrial society intricately connected by an all-too-concrete network of railroads and telegraph lines. The mechanical age of the stream train, the large-scale factory, the industrial city, the nation-state, the motion picture camera and the mass market newspaper did indeed create the physical architecture to transform us into efficient individual exhibits—always, in theory, observable by government, employers, media and public opinion. In the industrial era of mass connectivity, factories, schools, prisons and, most ominously, entire political systems were built upon this crystalline technology of collective surveillance. The last two hundred years have indeed been the age of the great exhibition. Yet now, at the dusk of the industrial and the dawn of the digital epoch, Bentham's simple idea of architecture has returned. But history never repeats itself, not identically, at least. Today, as the Web evolves from a platform for impersonal data into an Internet of people, Bentham's industrial Inspection-House has reappeared with a chilling digital twist. What we once saw as a prison is now considered as a playground; what was considered pain is today viewed as pleasure. Once just a medium for the distribution of impersonal data, the Internet is now a network of companies and technologies designed around social products, platforms and services—transforming it from an impersonal database into a global digital brain publicly broadcasting our relationships, our intentionality and our personal taste. The integration of our personal data—renamed by social media marketers as our "social graph"—into online content is now the central driver of Internet innovation in Reid Hoffman's Web 3.0 age. By enabling our thousands of "friends" to know exactly what we are doing, thinking, reading, watching and buying, today's Web products and services are powering our hypervisible age of great exhibitionism. No wonder, then, that the World Economic Forum describes personal data as a "New Asset Class"89 in the global economy.

Fenella, 29, from Worcester, Worcestershire, told The Mirror that she developed severe vertigo from over-using her devices. This is my Twitch. Been doing some trial runs at streaming. Thinking tonight might be when I go live publicly. Add me if you'd like Computer vision syndrome ( CVS) is a condition resulting from focusing the eyes on a computer or other display device for protracted, uninterrupted periods of time and the eye's muscles being unable to recover from the constant tension required to maintain focus on a close object. In Digital Vertigo, Andrew Keen presents today’s social media revolution as the most wrenching cultural transformation since the Industrial Revolution. Fusing a fast-paced historical narrative with front-line stories from today’s online networking revolution and critiques of “social” companies like Groupon, Zynga and LinkedIn, Keen argues that the social media transformation is weakening, disorienting and dividing us rather than establishing the dawn of a new egalitarian and communal age. The analog age of the great exhibition is now being replaced by the digital age of great exhibitionism.

Maybe you guys all know this already, but I had no idea until yesterday that this song features Chas and Dave on bass and lead guitar: - On the wall of an otherwise nondescript fourth-floor Silicon Valley office is a picture of a great wave crashing against the beach. In its foamy, tumescent wake lies the corpse of a small fishing boat. This picture is a copy of "Emerald Sea," an 1878 landscape of the Californian coastline by the romantic American artist Albert Bierstadt, and it hangs in the Mountain View office of Google, the dominant Web 2.0 company that is now aggressively trying to transform itself into a Web 3.0 social media player. A number of computer and smartphone applications, such as f.lux, redshift and Night Shift adjust the computer video color temperature, reducing the amount of blue light emitted by the screen, particularly at night. A MODEL was left with terrifying symptoms and in need of a wheelchair from using her phone too much. A Pacific University research study of 36 participants found significant differences in irritation or burning of the eyes, tearing, or watery eyes, dry eyes, and tired eyes, that were each improved by amber colored lenses versus placebo lenses, [10] but in a follow-up study in 2008, the same team was not able to reproduce the results of the first study.

Yet nobody in the industrial era, apart from the odd exhibitionist like Bentham himself, actually wanted to become individual pictures in this collective exhibition. Indeed, the struggle to be let alone is the story of industrial man. As Georg Simmel, the turn-of-the-twentieth-century German sociologist and scholar of secrecy, recognized, "the deepest problems of modern life derive from the claim of the individual to preserve the autonomy and individuality of his existence in the face of overwhelming social forces, of historical heritage, of external culture, and of the technique of life."10 Thus the great critics of mass society—John Stuart Mill and Alexis de Tocqueville in the nineteenth and George Orwell, Franz Kafka and Michel Foucault in the twentieth century—have all tried to shield individual liberty from the omniscient gaze of the Inspection-House. There has, consequently, been a massive increase in what Shirky calls "self-produced" legibility, thereby making society as easy to read as an open book.25 As a society, we are, to borrow some words from Jeremy Bentham, becoming our own collective image. This contemporary mania with our own self-expression is what two leading American psychologists, Dr. Jean Twenge and Dr. Keith Campbell, have described as "the narcissism epidemic"26—a self-promotional madness driven, these two psychologists say, by our need to continually manufacture our own fame to the world. The Silicon Valley–based psychiatrist, Dr. Elias Aboujaoude, whose 2011 book, Virtually You, charts the rise of what he calls "the self-absorbed online Narcissus," shares Twenge and Campbell's pessimism. The Internet, Dr. Aboujaoude notes, gives narcissists the opportunity to "fall in love with themselves all over again," thereby creating a online world of infinite "self-promotion" and "shallow web relationships."27 You can set Serato to be in virtual mode so I used to have just one turntable hooked up and would mix in then copy the tract over via instant doubles. I'm probably explaingin this really poorly. According to the US National Institute for Occupational Safety and Health, computer vision syndrome affects about 90% of the people who spend three hours or more a day at a computer. [16] [ unreliable medical source?] Izquierdo, Natalio J.; Townsend, William. "Computer Vision Syndrome". Medscape Reference: Drugs, Diseases & Procedures. WebMD LLC . Retrieved 27 February 2012.The size and weight have been reduced, for example, the model with a disc drive is now 358 × 216 x 96mm in size, compared to 390 × 260 × 104mm for the original.