I even use it for food photography as well as I like the way it brings out the texture and colour of food. And with the F/1.4 maximum aperture lets in enough light in dimly-like restaurants and adds beautiful bokeh to dishes. I have to agree that this test shows that the f/1.4 copy is terrible. It looks nothing like what my old one produced on a consistent basis. Though, the f/2 version isn’t extremely impressive. I shot a few of both while testing them at a camera shop, inside and outside as well. The thing is, the f/1.4 IS definitely sharper (if only slightly) than the f/2 version from f/2 on up. Slight, but noticeable. Even with the ‘paper specs’ being different, the f/1.4 only loses in the autofocus department, and softness in the corners (which, for a lens with this sort of aperture is expected anyway.) The only travel photography this may not be suited to is wildlife photography. Most wild animals have very good ears and could be startled by the soft whirring sound of the focus rings. Some lenses are totally silent – so if your focus is wildlife photography and you don’t want to take the risk, it may be better to go for one of these. Fujifilm 35mm Lens Price Range

To be specific, the lens is 2.56″ (65 mm) in diameter x 2.16″ (55 mm) long. It’s nice and snug, weighing 187g (6.6 oz), 205g with caps, and 218 with caps and hood. its tiny size and robust build quality, which gives you a reliable feeling even in bad weather conditions Of course, the most important thing to consider when buying a new lens is the image quality. It can be light and beautifully constructed, but if the distortion is off and the focus all wrong, it’s not a good lens or worth your cash. So, let’s look at the image quality of the Fuji 35mm f/1.4 lens. Fuji 35mm f1.4 Review Sharpness and distortion Its compact size makes it very easy to handle. One issue is that the lens hood is a little harder to handle and carry. Between the Fujinon 35mm f1.4 and the f2, center sharpness is very close. The Fujinon 35mm f1.4 is sharper than the f2 at those faster apertures like f1.4, f2 and even f4.Thanks to Fuji’s proprietary Super EBC lens coating, the Fuji XF 35mm f/1.4 seems to handle ghosting and flare pretty well, especially at large apertures. There is a little bit of rainbow flare visible when shooting straight into the sun at large apertures, but it is not bad. However, when including bright sources of light in the frame at smaller apertures past f/8, you might witness something called a “ red dot flare“, which can be very distracting to look at: X-E1 + XF35mmF1.4 R @ 35mm, ISO 200, 1/75, f/16.0 With an angle of view equivalent to 52mm in 35mm format, this lens might be a standard focal length but it produces outstanding results. It’s a magnificent lens – it’s about all I’ve used on digital for nearly six months now and it doesn’t leave me wanting for anything. Flattering for portraits. Again, the distance helps you avoid being super close to someone’s face and therefore exaggerating parts of their face (such as their nose). In terms of accessories, the lens ships with a premium plastic square-shaped lens hood and a soft lens bag. Focal Range

While the contrast, micro contrast and color are very nice with both lenses, the effects of that focus falloff with the 35mm f1.4 is very unique and and it can really enhanced the transition between what’s in focus and what’s out of focus for an overall added sense of depth. Detailed specifications for the lens, along with MTF charts and other useful data can be found in our lens database. X-Pro1 + XF35mmF1.4 R @ 35mm, ISO 400, 1/50, f/5.0 Handling and Build Since the 35mm f2 focuses silently, it will be your best option for video. The 35mm f1.4 chatters a lot more, both with the aperture and the focus motors.

Good review, but this conclusion has nothing to do with the reality of optical design. It’s just physical compromises and marketing decisions. Fuji knows how to design reference lenses since decades. They made trade offs to offer a compact f1.4 lens with the launch of the system. They could have done a bigger 1.4 with much improved corner sharpness, but it woudn’t have fit the size of the body. And they could have launched the system with this f2.0. But f2.0 doesn’t draw that much attention. Additionally, the lens cap cannot be attached while the hood is on. This isn’t a problem for most photographers, but if you make a lot of use of your lens cap, it’s something to keep in mind. Fujifilm 35mm 1.4 Size and Weight However, for owners of the Fujifilm X-Pro1, X-T/X-T3/X-T4, the F/1.4 lens is the greater investment, due to its better range and perfect shots. These samples have not been color treated and are mostly straight out of camera. The cameras had matching settings except shutter so exposures often came in slightly different so I nudged the exposure in post a little to match so they should give a good representation of contrast and saturation when wide open as well. With my honeymoon coming up in April 2020 (damn you coronavirus), I wanted to give the focal length another chance especially with returning to Melbourne where I hadn’t shot with a 35mm lens at all. I decided to give it another chance after seeing a good deal for a used Fujifilm 35mm f/1.4 and I am so glad I took the risk.

So let’s break down the Fujifilm 35mm f/1.4 lens’ features, with a look at why these make it such a brilliant camera lens for travel photographyand street photography. Fujifilm XF 35mm Handling / Build Quality – Fuji 35mm 1.4 Lens HoodAs you can see, the “layered” highlights are clearly visible in the middle portion of the frame where the highlights are fairly strong. However, if you look at the left side of the image where the highlights are not as strong, the onion shape is much less pronounced. I would not be too concerned with this, since you would not encounter such strong highlights very often in everyday photography. Plus, I would not expect a standard lens to create flawless bokeh – that’s more in the court of specialized portrait lenses. X-Pro1 + XF35mmF1.4 R @ 35mm, ISO 200, 1/1200, f/2.0 The Fujifilm 33mm f1.4 R WR LM doesn’t necessarily have innovations per se except for the linear motor design. This makes it incredibly fast. Even if you don’t nail the autofocus perfectly, you probably won’t care because of Fujifilm’s great film simulation render. And if you’re not using those, then you’re not using Fujifilm correctly as they apply to the RAW images. Couple that with the sharp image quality that this lens delivers, and you’ve got something great and innovative to the Fuji system. However, it’s not an overall innovation to the industry. By comparison, the Fujifilm 50mm f1 R WRis the world’s first autofocusing f1 lens. Gear Used The Fujifilm XF 35mm f/2 WR has weather sealing, while the XF 35mm f/1.4 R does not. So if you’re shooting in more unpredictable weather, the newer option may put you more at ease. Water-resistance, in particular, can be very helpful in Europe. Rapid Autofocus In case of Windows (Internet Explorer / FireFox / Google Chrome), hold down the “Control” key and “F5” key.

This lens takes very sharp photos, with an angle of view similar to that of the human eye. The lens is the equivalent to a 53mm focal length on a full-frame camera. Best Fuji Lenses for Portrait: Buying Guide – A rundown of the top lenses tailor-made to deliver perfect portraits.The first thing you need to consider when choosing your lens is its features. A lens can be of perfect quality, but wrong for your purpose or style.