The Sigma 56mm F1.4 DC DN C ships with a good quality plastic circular-shaped lens hood (LH582-01). It accepts 55mm filters. As with the other two lenses in the Sigma prime trio, the Sigma 56mm f/1.4 has spectacular build quality. I would love to see Sigma include features like a focus hold button or an auto/manual focus ring but I appreciate that eliminating them likely keeps the cost of the lens to a minimum.

The first of the series is the standard lens 30mm F1.4 DC DN | Contemporary, and the second is the wide-angle lens 16mm F1.4 DC DN | Contemporary. The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN | Contemporary. While retaining the compact, lightweight, and outstanding image quality concepts of the Contemporary line, thanks to SIGMA's leading-edge technology, this lens provides the amount of bokeh and admirable brightness expected from F1.4 lenses even in the mid-tele range. This addition completes the large aperture series comprised of portable wide-angle, standard, and telephoto lenses.

But thinking about photographing strangers along The High Line made me realise that the three lenses I've most enjoyed shooting with this year have all been portrait primes. Reviewing the GFX 50R and 100 gave me a chance to use the GF 110mm F2, which might be the best lens I've ever used. Covering the launch of the Sony a7R IV gave me my first exposure to Sony's very impressive 135mm F1.8 GM. But it was a rather more modest lens that I used most often, and can most easily imagine myself buying. Memory Cards & Storage SD Cards Micro SD cards CFexpress cards Compact Flash and CFast cards Card Readers SSD and USB Drives Scanners This lens is perfect for shooting video. With SIGMA's expertise, the lenses AF functions are silent and smooth.

Although this post isn’t a Sigma 56mm F1.4 DC DN C vs Fujifilm XF 56mm F1.2 R WR comparison, below is a table to compare the two to make a better-informed choice about which lens is suitable for you, should you be considering the Fujifilm lens. Lens Feature Three of Sigma’s contemporary prime lenses were announced as becoming available for the Nikon Z mount in April 2023, following on from options available for Fujifilm, Canon, Leica L and Micro Four Thirds. Amy Davies spent some time with each of the new lenses to find out how well they paired with Nikon Z. The lens benefits from an open aperture of F1.4 to achieve sufficient amount of bokeh and admirable brightness even with APS-C size cameras which tend to have smaller bokeh effects compared to 35mm full size systems. Its compact and lightweight body is perfect for daily use, capable of capturing various scenes ranging from portraits to snapshots, as well as night view. Chromatic aberrations, typically seen as purple or blue fringes along contrasty edges, can be detected in a few of our sample shots, but it's not overly prevalent or obvious.DSLR Cameras Canon EOS DSLR Cameras Nikon DSLR Cameras Digital Compact Cameras Instant and Single Use Cameras Instant Cameras Instant Camera Film Single Use Cameras Instant Printers Sigma's DC Lenses are built for optimised capability when working with APS-C image sensors. If using a DC lens with a full-frame sensor, it is recommended that you adjust your image area settings as vignetting will occur. What is a Sigma DN Lens? Mirrorless System Lenses Canon RF Lenses Fujifilm X Mount Lenses Nikon Z Lenses Sony E Mount Lenses Sony G Master Lenses L Mount Lenses Micro Four Thirds Lenses Canon EF-M Lenses

Above, left to right: Sigma 56mm f1.4, Sony e 50mm f1.8, Sony FE 50mm f1.8. All at f2.8. Crops from right side. I'll (grudgingly) concede those points. And anyway, it's not the ex-railway infrastructure itself that's so good for photography: it's the fact that it's full of ambling tourists and relaxing New Yorkers taking a break from the city's hubbub, such that they're much more amenable to being photographed by slightly nervous Brits wielding camera gear. The three lenses I've most enjoyed shooting with this year have all been portrait primes It's available for Micro Four Thirds as well as Sony E and Canon EF-M mounts, but I personally prefer it when mounted on APS-C. 112mm equiv (on Micro Four Thirds) is still a great focal length for portraits, but I find myself using it a bit more freely when it's acting as an 85. Optically, the Sigma 56mm f1.4 is as good as I would expect from a modern lens on a mirrorless camera – it’s pin-sharp where it needs to be. I’m not a pixel peeper and don’t pay particular attention to the very edges of the frame because they are rarely necessary to me. What I am concerned about is the autofocus. Thankfully, the Sigma performs as well as I would expect – it doesn’t miss a beat and is rapid. Unless you’re shooting sport at f1.4, you won’t find any issues with the autofocus. The Sigma 56mm f1.4 autofocus is also almost entirely silent. Sigma 56mm f1.4 Fujifilm X Mount Specifications As indicated by the WR in the lens name, this is a weather-resistant lens, making it ideal for outdoor use. It has 9 rubber seals to keep out moisture and dust, though it should be noted that it’s unlikely to withstand full immersion in water. The front of the lens features a fluorine coating to repel water, fingerprints and dust, too.

Windows Edition Download

Tamron – Need lightweight, compact mirrorless lenses? Tamron has you covered, with superior optics perfect for any situation. With weather sealing and advanced image stabilization, you’ll open up your creative possibilities. The other noticeable thing is the missing aperture ring. Fujifilm X Series cameras are known for their classic look and feel, and something I now really like about the Fujifilm lenses is the aperture rings. I rarely shoot in any mode other than aperture priority and almost always at the widest possible aperture. No. The Sigma 56mm features a gasket at the mount to protect against moisture and dust, but there is no weather sealing throughout the lens barrel. This means it’s not entirely protected against moisture and dust. However, it is still a high-quality, durable lens well-suited for various shooting conditions.

It offers the equivalent angle of view as a 84mm lens on a Sony APS-C camera and 112mm lens on Micro Four Thirds. The Sigma 56mm F1.4 DC DN C features a rounded 9 blade diaphragm which creates an attractive blur to the out of focus areas of the image. It has a minimum focusing distance of 50cm / 19.7in and a maximum reproduction ratio of 1:7.8, while the stepping AF motor ensures a silent, high-speed AF function, and it's also usefully weather-sealed.There is a slight vignetting at the wider apertures, which is to be expected, and this clears by the time you reach f/4. Incidentally, if you shoot JPEG, the in-camera corrections remove this completely at f/2.8. The image below shows the in-camera correction at f/2, which although still there, is very subtle. I found the sweet spot of the lens to be between f/5.6 and f/8, so I spent the majority of the time shooting there. Even at the smaller apertures, the lens performed admirably.