Music Direct reserves the right to change the terms of this promotion or discontinue this offer at any time. Labyrinth' Music Video Applauded". Sun-Sentinel. Fort Lauderdale, Florida. 4 July 1986. p. 23. ProQuest 389704937 Owen, Williams (17 May 2016). "Labyrinth: The behind-the-scenes history". EmpireOnline.com . Retrieved 18 May 2016.

Biederstadt, Derek (15 May 2022). "10 Best Standalone Fantasy Films". Screen Rant. Archived from the original on 16 May 2022 . Retrieved 2 October 2022. Labyrinth (OST)". Official Charts. Archived from the original on 1 February 2022 . Retrieved 2 October 2022. European Hot 100 Albums" (PDF). Music & Media. Vol. 3, no. 27. 12 July 1986. p. 19. OCLC 29800226 – via World Radio History.

Trainer, Adam (October 2003). " "Well, I Wouldn't Buy the Merchandise": David Bowie as Postmodern Auteur". Senses of Cinema. No. 28. ISSN 1443-4059. Archived from the original on 18 October 2015 . Retrieved 8 July 2021. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.

Kepins, Sarah (7 January 2022). "Best Film Scores of the '80s". MovieWeb. Archived from the original on 7 January 2022 . Retrieved 19 January 2022. Stangland, Sean (15 January 2016). "For kids of the '80s, Bowie will always be the Goblin King". Daily Herald. Arlington Heights, Illinois. p. A31. Labyrinth Liner Notes". Labyrinth (Liner Notes). David Bowie. EMI. 1986. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Director Jim Henson approached Bowie to take part in the film in 1983 during Bowie's Serious Moonlight Tour, when he showed Bowie early designs for the movie and a tape of The Dark Crystal (1982). Bowie had wanted to make music for a children's film and saw this as his chance. [1]Music Direct reserves the right to select the carrier and ship method within the terms of this offer. I'd always wanted to be involved in the music-writing aspect of a movie that would appeal to children of all ages, as well as everyone else, and I must say that Jim gave me a completely free hand with it," explained Bowie. "The script itself was terribly amusing without being vicious or spiteful or bloody, and it had a lot more heart in it than many other special effects movies. So I was pretty hooked from the beginning."