Classifiche". Musica e Dischi (in Italian) . Retrieved 27 May 2022. Set "Tipo" on "Album". Then, in the "Artista" field, search "Who". Jones, Chris (2008). "Review of The Who – Quadrophenia". BBC Music. Archived from the original on 25 September 2015 . Retrieved 28 January 2015.

Classic Records from 2007, 140 or 200 grams. I read mixed opinions about this. Some people say that this is the best and definitive version of the original Quadrophenia mix. Others said that this pressing is bad, with pressing noises or that the first record is excelent sounding and the second is too bright and too noisy. I don't know, i would like to listen but is expensive. If you guys tell me that is the way too go i will pull the trigger. The Who: 'Quadrophenia' (Deluxe Edition) – Album review – Music Review". Digital Spy. 23 November 2011. Archived from the original on 18 August 2014 . Retrieved 19 May 2014.

Remember Quadrophonic sound? No? It was an early attempt to create “SurroundSound” using four speakers rather than the usual two for stereo. The equipment was costly and didn’t catch on, but for a time in the early 1970s, it was a luxury item for audiophiles. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term.

Now I have a very clean UK original with the deadwax matrices you mention. And I have the Classic 200grams. I need both since I don't want to wear one out again! Offiziellecharts.de – The Who – Quadrophenia" (in German). GfK Entertainment Charts. Retrieved 6 December 2022. Assistant Engineers: Pete Wandless at C.T.S Wembley and Chris 'Butch' Yates at Ramport Studios, Battersea The Who, 'Quadrophenia' – 500 Greatest Albums of All Time". Rolling Stone. Archived from the original on 19 February 2015 . Retrieved 10 February 2015.Townshend now considers Quadrophenia to be the last great album that the Who recorded. In 2011, he said the group "never recorded anything that was so ambitious or audacious again", and implied that it was the last album to feature good playing by Keith Moon. [58] Live performances [ edit ] 1973–1974 tour [ edit ] The underlying idea here is contrast. Contrast between songs - "I'm One" is 100% acoustic calm, while "5:15" is powered by bombastic brass, and "The Real Me" starts the album off in a most perfectly chaotic way. Contrast also happens inside the songs - between Roger's bold, strong voice and Pete's soft, heartfelt vocals. This contrast reflects Jimmy's internal conflict, the different voices in his head. But through this point and counterpoint, album stays cohesive - while the story does require a little reading (there is not much "dialogue"), the revisiting of themes keep it familiar. Hull, Tom (n.d.). "Grade List: The Who". Tom Hull – on the Web. Archived from the original on 19 July 2020 . Retrieved 19 July 2020. Live Phish, Vol. 14 – Phish". AllMusic. Archived from the original on 4 March 2015 . Retrieved 9 February 2015. Grow, Kory (17 April 2014). "The Who to Issue 'Quadrophenia: Live in London' Concert Film". Rolling Stone. Archived from the original on 18 March 2015 . Retrieved 27 January 2015.