I enjoyed the 2 narratives that slowly came together. I liked the art which was very evocative and scary with just the right level of horror and I thought the writing really strong. Along with the present-day narrative of Forest and Orson visiting the former director that leads to a night of horrors, the book contrasts with the narrative of the movie �Night of the Ghoul�, which is revealed to be autobiographical to T.F. Merrit, recounting how his father became one with the eponymous Ghoul after his time of World War I. Considering the emotional anchor that is the flawed father-son relationship that you believe between Forest and Orson, the simplicity of that narrative gets interrupted by the other narrative, which goes into great length about this history of the Ghoul, as well as the cult that worships it. Please, settle right in everyone! But first! A warning for pregnant women and the faint of heart, you might want to leave the theatre now... Because the film you are about to see--a film by me, T.F. Merrit -- is possibly the most horrifying story ever put to celluloid! And why? Because it's all true! It happened to me, you see. And now...it will happen to you too! May I present... Night of the ghoul!

Snyder builds up the suspense and intrigue slowly and effectively so that you know something’s not right in the rest home, ditto the events in the movie, and he keeps you guessing throughout. Crucially also, he keeps the monster out of sight, save for an occasional glimpse, for most of the story, which always makes for a tense and unnerving horror story. It started a really strong with a unique premise, interesting characters, a brilliant setting and a visceral sense of menace without being too explicit at all. It then remained on right up until the last half where while still good it did not quite live up to how well it started. Kurvafix tohle je dobrý jak chleba a i kdyby další issues stály za uplný nic, tak první bude pořád jedno z toho nejlepšího, co jsem v rámci žánru kdy v komiksu četl. At times, Night of the Ghoul feels like you’re reading the comic equivalent of a Golden Age horror film. That’s kind of the point, though, as Ghoul revolves around a classic movie. The comic’s plot is triggered when failed filmmaker Forest Inman finds a reel of footage from Night of the Ghoul, long rumoured to be the Citizen Kane of big screen horror tales, but also long thought destroyed in a studio fire. I've sat on me feeling for this one for a few days now and my heart wants to give this 4 stars but my head is telling me 3. This time I am going to listen to my head.

Former DC/Vertigo editor Will Dennis will be the editor for all eight books, after already editing Snyder's Undiscovered Country, Wytches, Nocterra, and the upcoming series Chain. Night of the Ghoul collects issues 1-3 of the Dark Horse Comics series written by Scott Snyder with art by Francesco Francavilla. The series was originally released digitally as a Comixology exclusive. This historic, multi-title deal with comiXology Originals has enabled us to assemble a murderers' row of artists and together we're challenging ourselves creatively to work outside of our comfort zones and really lean into the possibilities of making comics," Snyder says. "This deal allows me the freedom to explore the kind of storytelling I've wanted to try for a long time, while supporting my need to try something that's not totally comfortable for me." The writing gets sloppy and incorrect, the dialogue gets cliche and revolves around characters explaining big exposition points that they shouldn’t even be aware of. It really falls off hard in the second half with an anticlimactic ending.

Not awful overall, but definitely feels like big wasted potential for what was otherwise a fairly solid premise. Night of the Ghoul began releasing in October. The story centers around a film sharing the same name as the comic. This film was destroyed in a fire, left unseen. However, the film has been rediscovered, and while damaged, it still has a lot of story left to tell. Crossing between the film's events and the events of the present involving the film's director, this horror comic is a must-read series. While new information is uncovered, Inman’s son pokes around the old folks home, which is now deserted. Once again, Francavilla ups the creepy factor with the boy going down into the depths and subtle shadow hands enveloping him, only for him to turn towards the light he came from to see freaky gasping faces. As he discovers atrocities in the basement Inman also realizes truly awful things are taking place.Boží scénář je doprovozenej skvostnym artem a ještě lepším coloringem. Stejně jako scénář pokukuje po dobový stylizaci ale zároveň nekopíruje a je svěží.

Several of these books will debut in October 2021, with more details to be announced later in the year. Night of the Ghoul was meant to stand the test of time against other classic monster horror movies like Dracula and Frankenstein. The movie was created with love and passion, but never made it to the big screen for mysterious reasons. It’s revealed that pieces of the film were destroyed in a ghostly fire that killed everyone in the filming crew but the director T.F. Merrit, the remaining footage disappearing under unknown circumstances. Night of the Ghoul is one of eight new series from Scott Snyder in an initiative that launched right in time for Halloween. Unfortunately for the series, the second issue out today might be even scarier. Night of the Ghoul #2 continues the story co-created by Francesco Francavilla about a film called, fittingly, “Night of the Ghoul”, which features a monster found during World War I that may be more real than any silver screen horror story. In the second issue, we learn not only are our main characters in danger, but possibly the world. This series has a lot of promise. Yet, there is a niggling familiarity to it that I currently can't put my finger on. I certainly haven't read this before and it isn't anything like the previous Snyder comics and graphic novels I've read. Maybe it'll come to me as I delve further in. Night of the Ghoul was supposed to be the next horror masterpiece, some saying better than Frankenstein and Dracula. The Ghoul was set to become the most legendary horror monster ever conceived. In the final days of production, a fire break outs in the studio, destroying the much of the film and killing many cast and crew members.The premise has ingredients of what you want from a Scott Snyder comic, from his aforementioned tropes to reuniting with Francavilla, who also made a name for himself on another horror title, Afterlife with Archie. The story also taps into an important period of horror cinema in the 1930s, where the Universal Monsters such as Frankenstein and Dracula thrived. Originally published online in six issues as a ComiXology Original (and eventually physically released as three oversized issues by Dark Horse), it becomes apparent that Snyder is overly serving the premise, which becomes the main fault of the series. And if you know what that last clause means, I’m sorry. I wish I didn’t. Francavilla art from The Joker: The Man Who Stopped Laughing #4 (Mar. 2023); lettered by Tom Napolitano, written by Matthew Rosenberg. for 500 retailer incentive variant. Written by Scott Snyder. Art by Francesco Francavilla. Cover by Francis Manapul. Shot in 1936, Night of the Ghoul by writer/director T.F. Merritt was meant to sit beside Frankenstein and Dracula as an instant classic . . . But the legendary film never made it to the silver screen. Just before editing was finished, a mysterious studio fire destroyed the footage and killed the cast and crew celebrating at the wrap party. Forest Inman is a horror film obsessive who digitizes old films for the famed Aurora movie studio. When Forest stumbles across a seemingly forgotten canister of footage, he just might have discovered the remnants of the lost classic Night of the Ghoul. This discovery sends Forest on a dark odyssey, where he's warned by a mysterious old man that the film's ghoul is far more than a work of fiction: it's a very real monster who plans to kill him. Screen Rant is pleased to share an exclusive preview of Night of the Ghoul #3from Scott Snyder and Francesco Francavilla. This Comixology original series is a horror comic that cinephiles shouldn't miss. The first two issues have raised a lot of questions about the ghoul and the third issue will likely intensify the mystery. Night of the Ghoul is two noteworthy things: the only Comixology Original I’ve read that wasn’t pure dross and Scott Snyder’s best comic in years. Neither is high praise given what they’re compared to, but this is still a pretty decent horror comic that definitely held me attention, even with the abundance of cliches dotted throughout the story.

Written by Scott Snyder. Art by Francesco Francavilla. Cover by J. H. Williams. Shot in 1936, Night of the Ghoul by writer/director T.F. Merritt was meant to sit beside Frankenstein and Dracula as an instant classic . . . But the legendary film never made it to the silver screen. Just before editing was finished, a mysterious studio fire destroyed the footage and killed the cast and crew celebrating at the wrap party. Forest Inman is a horror film obsessive who digitizes old films for the famed Aurora movie studio. When Forest stumbles across a seemingly forgotten canister of footage, he just might have discovered the remnants of the lost classic Night of the Ghoul. This discovery sends Forest on a dark odyssey, where he's warned by a mysterious old man that the film's ghoul is far more than a work of fiction: it's a very real monster who plans to kill him. Why only 3 stars then? While it was a good horror tale I thought it was going to be brilliant. It became less of a surprise and the ending was such a popular horror trope that it felt like it didn't belong.This idea, this prose-writer, this art: it's already there! It feels like they got in their own way, and I'm wondering if the format for the releases of this as a comixology exclusive launch are to blame, as the periodic release schedule/size is SO OFTEN to blame when a collection's greatest failure is the pace and attentiveness of the story. Writing and editorial decisions kept this from being the horrifying success it could've been. But, for all my belly-aching, it was still a pretty good read.