Example one. This book is marketed as adult. But the characters and the writing is VERY YA. Cursing and bad cringy sex scenes do not make book an adult fantasy. First off, this is apparently an adult novel but reads like horrible YA- from the awful lead character who is the worst kind of spoiled brat, to the tragically boring love at first sight with the bad boy leading male. None of the characters seem to grow, the characters that you're actually interested in barely get any time in the novel, and I still can't even tell you what happened because literally nothing happens for most of the book. Each book will follow one of the Ashbourne sisters, and in this first novel, we are introduced to Lady Imogen “Gemma” Ashbourne…. a young, rich and beautiful woman of a family, which was Anointed by the gods and blessed with incredible abilities, she seemingly has it all.

Then she meets the devastatingly handsome Talan d'Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She'll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families' blood feud—slay the demon, end the feud. Gemma Ashbourne stammt aus einer der einflussreichsten Familien mit der stärksten Magie, doch sie selbst hat nicht nur keine magischen Kräfte, allein die Nähe zu Magie kann bei ihr starke Schmerzen auslösen. I appreciate that this book portraits a main character who suffers anxiety and the discussions on mental health and chronic pain, but that’s it. The plot felt all over the place, I found the characters very much one-dimensional—and Gemma particularly insufferable—and the insta-love romance made me cringe from beginning to end. A Crown of Ivy and Glass, the first book in the Middlemist trilogy, is a story about romance, dark magic, costuming and architecture, dance, music, monsters and myths. A story about sisterhood, passionate lovers and this is only the beginning. So, overall, this was a very mixed bag for me. I think, in the end, I didn’t end up loving this book. But, BUT!, on the other hand, I’m supremely invested in the next book in this series and can’t wait to get my hands on it! Given the nature of my complaints with this book, they all feel of the very specific sort that won’t be a problem in the books going forward. Both sisters seem like much more interesting characters than Gemma. The romantic interest/plot for one of them is already laid out and is incredibly appealing. And I think the world-building is now established enough that we won’t have the same plotting/pacing issue going forward where the tone is unclear between Bridgerton or ACOTAR. So, all of this to say, while I did struggle with this book, I do recommend it for fantasy romance readers based on my faith that the trilogy will turn out to be well worth it as a whole.Book Description: Lady Gemma Ashbourne seemingly has it all. She’s young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists. Claire Legrand used to be a musician until she realized she couldn’t stop thinking about the stories in her head. Now she is a New York Times bestselling author of darkly magical books. Honestly, I question why Gemma had to be the first character to focus on for this series. What I liked most about her was the chronic pain rep Legrand invested in her. For some reason, Gemma not only doesn't have magic of her own like the rest of her family, but the magic around her actively harms her. She has to limit where and who she spends time with to avoid being on bedrest for several days. But she is not weak or whiny, and that is what makes it so wonderfully and respectfully done. She is a strong individual even on her worst days. But personality-wise, the girl was not pleasant. Gemma is the youngest of three sisters, and it kind of shows in how she behaves. She is rather vain, somewhat selfish and dismissive of others if it doesn't suit her, and is often focused on appearances, and not just of her own. Normally, I wouldn't have an issue with an unlikeable character like this, especially when part of their arc is to turn those traits to good, but there was something about her that felt off and made me not want to be with her. The whole time, I wanted to be in her sisters' heads instead. There is so much I want to say about the plot of this book. So many spoilers. But I'm not going to mention any of them. This is a book about Gemma and Talan. It's filled with magic and danger. All of the twists. So many secrets. So much pain too. But also hope and love. And I adored every part of this book. I so loved how Gemma and Talan fit together. I loved reading about Gemma and her sisters together. And oh, I did love the ending. But gosh. There are so many things I need answers to. I must have the next book now.

I think the series has a very good chance of being very good, if the story were written a little more structured.

More in Offers

Example two. I don’t know about you but for me it’s very hard to continue with a book if nothing interesting happens in the first 20%. The first 35% of this book read like a badly written fan fiction. REALLY badly write. From insta lust with somehow zero chemistry between two main characters to almost none to very confusing world building. Gemma finds herself drawn immediately drawn to Talan d’Astier, a foreign visitor who is seeking help from her father to redeem his family honor. Intrigued, Gemma proposes that she’ll help Talan navigate the ins and outs of high society and gain an audience with the queen if he assists her family in their ongoing feud with the neighboring Bask family. If this were all of the story, A Crown of Ivy and Glass might actually be better off—there’s something compelling about the competitive inter-family rivalry, and the prospect of Gemma’s grooming Talan to fit in with the rich and royal is fun. But that all changes when she meets Talan d'Astier. A charming, sarcastic and criminally handsome man, with a mysterious family history. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honour. Intrigued and enchanted, Gemma proposes a bargain: She'll help Talan navigate high society if he helps her destroy the Basks by killing the demon. Then she meets the devastatingly handsome Talan d’Astier. His family destroyed themselves, seduced by a demon, and Talan, the only survivor, is determined to redeem their honor. Intrigued and enchanted, Gemma proposes a bargain: She’ll help Talan navigate high society if he helps her destroy the Basks. According to popular legend, a demon called The Man With the Three-Eyed Crown is behind the families' blood feud - slay the demon, end the feud. Worst of all, Gemma is the only Ashbourne to possess no magic. Instead, her body fights it like poison. Constantly ill, aching with loneliness, Gemma craves love and yearns to belong.

Lady Gemma Ashbourne seemingly has it all. She's young, gorgeous, and rich. Her family was Anointed by the gods, blessed with incredible abilities. But underneath her glittering façade, Gemma is deeply sad. Years ago, her sister Mara was taken to the Middlemist to guard against treacherous magic. Her mother abandoned the family. Her father and eldest sister, Farrin—embroiled in a deadly blood feud with the mysterious Bask family—often forget Gemma exists. As a result, the story is sometimes difficult to understand or follow the narration. Because many descriptions are missing or it is simply unclear what the author meant writing some things. Example four. Three sisters that are totally water downed versions of Archeron sisters. You really thought we wouldn’t notice?

Books Multibuys

Gemma has grown up with a very priveleged existence: rich, beautiful, and a member of one of the most powerful families in the land. But, at the same time, Gemma has always felt herself to be on the outside looking in. Not only does she not possess any of the magical talent that her family is known for, and that both of her older sisters excel at in their own ways, but magic actively hurts Gemma, causing her to move through life in a very magical world experiencing constant levels of pain. When Gemma meets Talan, a young man who also feels that he exists outside the strictures of society, she finally begins to see a way forward, teaming up with him to hunt a powerful demon who may be the answer to her struggles with magic. But along the way, she begins to suspect that there is much more going on with Talan and the larger world as a whole. New York Times bestselling author of Furyborn, Claire Legrand, makes her stunning adult debut with A Crown of Ivy and Glass, a lush, sweeping, steamy fantasy romance series starter that’s perfect for fans of Bridgerton and A Court of Thorns and Roses. Example five. I know I already mentioned zero chemistry between main love interests but It’s worth repeating because it doesn’t get better.

Finally, the plot of this book actually irritates me. In the synopsis, it seems simple and kind of silly, but something I could read and potentially enjoy, especially since I enjoyed Claire Legrand's other book called Furyborn. It just goes all over the place and as said earlier it's just not fluid. I understand this is Legrand's Adult debut, but it's not her first novel and I expected more! Oh. And a book filled with incredible characters. Like the queen of this place. She was ancient, I think. Yet young. And all kinds of interesting to read about. Though we only got to know a little about her. I want to know more. Then there was Illaria and Gareth. Both characters whom I adored. And Ryder with his sister. They were a little crazy but I grew to like them too, haha. I loved Una the dog. There was so much about this book that I loved. The different types of magic. The twists in the story. All of it interesting and exciting. My first initial reaction to this book was that it is the perfect blend between an English high society period drama and an epic fantasy novel.Now, to the characters. First, I think that Legrand did an excellent job of portraying the experiences and life of someone who lives with chronic pain. Gemma is very straight-forward with her struggles while also never becoming self-pitying. She is frustrated with her limitations, while also not belittling herself. I also really like the way this aspect of her character plays out over the entire arc of the book. Unfortunately, that was about all I liked about Gemma. I get that the author was very intentionally writing this character as rather frivolous and selfish; indeed, Gemma herself comments on these aspects of her personality. And I think the book used these traits to also do a great job of diving into self-loathing and self-harm. But over the course of the book, while Gemma does experience growth, I still struggled to really like her or feel invested in her story.