Decomposed: The Political Ecology of Music (The MIT Press)

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Decomposed: The Political Ecology of Music (The MIT Press)

Decomposed: The Political Ecology of Music (The MIT Press)

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IN THE NAME OF GOD, PLEASE REMAIN TO SAVE ME. I AM OUT COLLECTING BERRIES CLOSE BY AND SHALL RETURN THIS EVENING. The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and… In “Into the Wild,” the book I wrote about McCandless’s brief, confounding life, I came to a different conclusion. I speculated that he had inadvertently poisoned himself by eating seeds from a plant commonly called wild potato, known to botanists as Hedysarum alpinum. According to my hypothesis, a toxic alkaloid in the seeds weakened McCandless to such a degree that it became impossible for him to hike out to the highway or hunt effectively, leading to starvation. Because Hedysarum alpinum is described as a nontoxic species in both the scientific literature and in popular books about edible plants, my conjecture was met with no small amount of derision, especially in Alaska. If you follow the guidance from past 15 years, you'll most likely build the system shown in Figure 1.1.

Honorable Mention, 2020 Woody Guthrie Award given by the International Association for the Study of Popular Music, US branch He was a young, thin man in his early 20s, experiencing an extremely meager diet; who was hunting, hiking, climbing, leading life at its physical extremes, and who had begun to eat massive amounts of seeds containing a toxic [amino acid]. A toxin that targets persons exhibiting and experiencing precisely those characteristics and conditions ….MIT Press began publishing journals in 1970 with the first volumes of Linguistic Inquiry and the Journal of Interdisciplinary History. Today we publish over 30 titles in the arts and humanities, social sciences, and science and technology. Kyle Devine brilliantly excavates the political ecologies of sound reproduction, moving from nineteenth-century chemical labs and shellac harvests to Thai vinyl record plants and the infrastructures of streaming media. Decomposed is a highly original and wonderfully compelling book—a must-read for anyone interested in music or the materiality of media.

The MIT Press has been a leader in open access book publishing for over two decades, beginning in 1995 with the publication of William Mitchell’s City of Bits, which appeared simultaneously in print and in a dynamic, open web edition.PERFECT SOUND WHATEVER is a love letter to the healing power of music, and how one man's obsessive quest saw him defeat the bullshit of one year with the beauty of another. Because that one man is James Acaster, it also includes tales of befouling himself in a Los Angeles steakhouse, stealing a cookie from Clint Eastwood, and giving drunk, unsolicited pep talks to urinating strangers. In this audacious book, Ana Maria Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by different living entities at the juncture of the human and nonhuman. Her "acoustically tuned" analysis of a wide array of texts reveals multiple debates on the nature of the aural. These discussions were central to a politics of the voice harnessed in the service of the production of different notions of personhood and belonging. In Ochoa Gautier's… Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no. When loading, simply drag and drop each file onto Terra when it asks and it will load them for you. Alternatively, you can copy the contents of the file and paste them onto the game.



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