Do you think it would be possible to introduce a physical EQ pedal into the loop after the S/R for further tone shaping, given the parametric EQ is right at the front of the chain? V SLA battery in the cheap plastic ammo box with Little circuit board I slapped together with two 7809 VR’s. Regarding the bias setting: thx for sharing, I've not yet tried to tweak this parameter with high gain models.

On the pc there's nothing you can compare with, and on the device buttons are spot on to navigate through and adjust - graphics on the big screen are amazing and bright to see in any light conditions. Quote from: Grantymc on May 03, 2023, 02:29:05 PMEuphonic, I made an account to say cheers for this - the issue has been driving me crazy all week! I've purposedly done these tests with a sofware potentially easy to find and to use for other musicians: Rightmark Audio Analyzer. I like the MG30 mainly for its clean / crunch amps and I'm not much in high gain models but I see why/where the SLO or VIVO might appears as a problem.Real-time Editing - Real-time editing uses rotary encoders and switches, making for a natural and organic process and all parameters and graphics are displayed on a vibrant 4" colour display.

I posted here a couple of days ago asking for advice on a small practice rig for silent playing without spending more than about €300.You can choose from 25 different amps which is less than most other units but the quality is spot on.

and I wouldn't necessarily ditch the post EQ for post amp sim tone shaping, even if it's not really flexible.Designed in a contained and sturdy format, this revolutionary multi-effects will allow you to control and enjoy all your presets with great simplicity. However, my (and many others) QuickTone app could not recognize the MG-30 until I updated the firmware. You can get closer if you use some previous reference presets, if you make your presets mono (with headphones, too) and if you use backing tracks, but anyway at the end you may want to consider to handle two separate set of presets: one for headphones (with glorious stereo, bassy and ultra-distorted sounds) and one for band context (monoaural, less gainy, with a lot of mids, etc. All this renders a natural, dynamic and inspiring sound and feel of playing, without any perceptible latency!